Author: Dale Silviria
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
This book focuses on the unique set of elements that marks the five films Olivier has directed: Henry V. Hamlet, Richard III, Three Sisters, and the charming Prince and the Showgirl. The author looks at such things as recurring cinematic techniques, the director's preoccupation with certain moral assumptions and values, the place of the actors in these films, and particularly the place of Oliver's performances under his own direction.
Laurence Olivier and the Art of Film Making
Author: Dale Silviria
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
This book focuses on the unique set of elements that marks the five films Olivier has directed: Henry V. Hamlet, Richard III, Three Sisters, and the charming Prince and the Showgirl. The author looks at such things as recurring cinematic techniques, the director's preoccupation with certain moral assumptions and values, the place of the actors in these films, and particularly the place of Oliver's performances under his own direction.
Publisher: Rutherford [N.J.] : Fairleigh Dickinson University Press ; London : Associated University Presses
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 318
Book Description
This book focuses on the unique set of elements that marks the five films Olivier has directed: Henry V. Hamlet, Richard III, Three Sisters, and the charming Prince and the Showgirl. The author looks at such things as recurring cinematic techniques, the director's preoccupation with certain moral assumptions and values, the place of the actors in these films, and particularly the place of Oliver's performances under his own direction.
Vivien Leigh
Author: Kendra Bean
Publisher: Running Press Adult
ISBN: 0762451033
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
Vivien Leigh's mystique was a combination of staggering beauty, glamour, romance, and genuine talent displayed in her Oscar-winning performances in Gone With the Wind and A Streetcar Named Desire. For more than thirty years, her name alone sold out theaters and cinemas the world over, and she inspired many of the greatest visionaries of her time: Laurence Olivier loved her; Winston Churchill praised her; Christian Dior dressed her. Through both an in-depth narrative and a stunning array of photos, Vivien Leigh: An Intimate Portrait presents the personal story of one of the most celebrated women of the twentieth century, an engrossing tale of success, struggles, and triumphs. It chronicles Leigh's journey from her birth in India to prominence in British film, winning the most-coveted role in Hollywood history, her celebrated love affair with Laurence Olivier, through to her untimely death at age fifty-three in 1967. Author Kendra Bean is the first Vivien Leigh biographer to delve into the Laurence Olivier Archives, where an invaluable collection of personal letters and documents ranging from interview transcripts to film contracts to medical records shed new insight on Leigh's story. Illustrated by hundreds of rare and never-before-published images, including those by Leigh's "official" photographer, Angus McBean, Vivien Leigh: An Intimate Portrait is the first illustrated biography to closely examine the fascinating, troubled, and often misunderstood life of Vivien Leigh: the woman, the actress, the legend.
Publisher: Running Press Adult
ISBN: 0762451033
Category : Biography & Autobiography
Languages : en
Pages : 274
Book Description
Vivien Leigh's mystique was a combination of staggering beauty, glamour, romance, and genuine talent displayed in her Oscar-winning performances in Gone With the Wind and A Streetcar Named Desire. For more than thirty years, her name alone sold out theaters and cinemas the world over, and she inspired many of the greatest visionaries of her time: Laurence Olivier loved her; Winston Churchill praised her; Christian Dior dressed her. Through both an in-depth narrative and a stunning array of photos, Vivien Leigh: An Intimate Portrait presents the personal story of one of the most celebrated women of the twentieth century, an engrossing tale of success, struggles, and triumphs. It chronicles Leigh's journey from her birth in India to prominence in British film, winning the most-coveted role in Hollywood history, her celebrated love affair with Laurence Olivier, through to her untimely death at age fifty-three in 1967. Author Kendra Bean is the first Vivien Leigh biographer to delve into the Laurence Olivier Archives, where an invaluable collection of personal letters and documents ranging from interview transcripts to film contracts to medical records shed new insight on Leigh's story. Illustrated by hundreds of rare and never-before-published images, including those by Leigh's "official" photographer, Angus McBean, Vivien Leigh: An Intimate Portrait is the first illustrated biography to closely examine the fascinating, troubled, and often misunderstood life of Vivien Leigh: the woman, the actress, the legend.
Screening Shakespeare from Richard II to Henry V
Author: Ace G. Pilkington
Publisher: University of Delaware Press
ISBN: 9780874134124
Category : Drama
Languages : en
Pages : 220
Book Description
This book applies the videocassette to the study of Shakespeare on television and film. The result is that the films become texts, and Shakespeare in performance can be examined with the scholarly care that has been reserved for printed books.
Publisher: University of Delaware Press
ISBN: 9780874134124
Category : Drama
Languages : en
Pages : 220
Book Description
This book applies the videocassette to the study of Shakespeare on television and film. The result is that the films become texts, and Shakespeare in performance can be examined with the scholarly care that has been reserved for printed books.
Filming Shakespeare's Plays
Author: Anthony Davies
Publisher: Cambridge University Press
ISBN: 9780521399135
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.
Publisher: Cambridge University Press
ISBN: 9780521399135
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Shakespeare's plays provide wonderfully challenging material for the film maker. While acknowledging that dramatic experiences for theatre and cinema audiences are significantly different, this book reveals some of the special qualities of cinema's dramatic language in the film adaptations of Shakespeare's plays by four directors - Laurence Olivier, Orson Welles, Peter Brook and Akira Kurosawa - each of whom has a distinctly different approach to a film representation. Davies begins his study with a comparison of theatrical and cinematic space showing that the dramatic resources of cinema are essentially spatial. The central chapters focus on Laurence Olivier's Henry V, Hamlet and Richard III; Orson Welles' Macbeth, Othello and Chimes at Midnight; Peter Brook's King Lear and Akira Kurosawa's Throne of Blood. Davies discusses the dramatic problems posed by the source plays for these films for the film maker and he examines how these films influenced later theatrical stagings. He concludes with an examination of the demands that distinguish the work of the Shakespearean stage actor from that of his counterpart in film.
Shakespeare on screen, Richard III
Author: Nathalie Vienne-Guerrin
Publisher: Publication Univ Rouen Havre
ISBN: 9782877758390
Category : Political Science
Languages : en
Pages : 340
Book Description
This volume does not only provide the reader with diverging assessments of the Richard III films, but it also deploys a large array of methodologies used to study ‘Shakespeare on film’. What gives the volume its coherence is that it thoroughly interrogates what those films do with and to Shakespeare’s text and suggests that, at least for Shakespearean scholars, Shakespearean films are hybrid creatures. They are and are not films; they are and are not Shakespeare.Ce volume offre non seulement au lecteur un examen précis et pluriel des adaptations filmiques de Richard III mais il déploie tout l’éventail des méthodologies qui permettent d’étudier Shakespeare à l’écran. La cohérence de ce volume vient de ce qu’il propose des questionnements multiples sur ce que ces films font de Shakespeare et suggère que le film shakespearien est une créature hybride qui est et n’est pas un film, qui est et n’est pas Shakespeare. (Ouvrage en anglais)
Publisher: Publication Univ Rouen Havre
ISBN: 9782877758390
Category : Political Science
Languages : en
Pages : 340
Book Description
This volume does not only provide the reader with diverging assessments of the Richard III films, but it also deploys a large array of methodologies used to study ‘Shakespeare on film’. What gives the volume its coherence is that it thoroughly interrogates what those films do with and to Shakespeare’s text and suggests that, at least for Shakespearean scholars, Shakespearean films are hybrid creatures. They are and are not films; they are and are not Shakespeare.Ce volume offre non seulement au lecteur un examen précis et pluriel des adaptations filmiques de Richard III mais il déploie tout l’éventail des méthodologies qui permettent d’étudier Shakespeare à l’écran. La cohérence de ce volume vient de ce qu’il propose des questionnements multiples sur ce que ces films font de Shakespeare et suggère que le film shakespearien est une créature hybride qui est et n’est pas un film, qui est et n’est pas Shakespeare. (Ouvrage en anglais)
The Complete Films of Laurence Olivier
Author: Jerry Vermilye
Publisher: Citadel Press
ISBN: 9780806513027
Category : Biography & Autobiography
Languages : en
Pages : 294
Book Description
Laurence Olivier portrayed characters that were as diverse as they were memorable. From Hamlet to Heathcliff, from a Nazi dentist in 'Marathon Man' to a cunning mystery writer in 'Sleuth' his roles made him one of the most highly acclaimed actors of all time. This book celebrates his career, including casts, credits, synopses and production notes from every movie in which he appeared. Photographs illustrate the text, wit hrare candids borrowed from Olivier collectors.
Publisher: Citadel Press
ISBN: 9780806513027
Category : Biography & Autobiography
Languages : en
Pages : 294
Book Description
Laurence Olivier portrayed characters that were as diverse as they were memorable. From Hamlet to Heathcliff, from a Nazi dentist in 'Marathon Man' to a cunning mystery writer in 'Sleuth' his roles made him one of the most highly acclaimed actors of all time. This book celebrates his career, including casts, credits, synopses and production notes from every movie in which he appeared. Photographs illustrate the text, wit hrare candids borrowed from Olivier collectors.
The Reel Shakespeare
Author: Lisa S. Starks
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639399
Category : Performing Arts
Languages : en
Pages : 306
Book Description
This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639399
Category : Performing Arts
Languages : en
Pages : 306
Book Description
This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'.
The Cambridge Companion to Shakespeare on Film
Author: Russell Jackson
Publisher: Cambridge University Press
ISBN: 9780521639750
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided.
Publisher: Cambridge University Press
ISBN: 9780521639750
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. This lively Companion is a collection of critical and historical essays on the films adapted from, and inspired by, Shakespeare's plays. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; in terms of cinematic and theatrical genres; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh. They also consider specific issues such as the portrayal of Shakespeare's women and the supernatural. The emphasis is on feature films for cinema, rather than television, with strong coverage of Hamlet, Richard III, Macbeth, King Lear and Romeo and Juliet. A guide to further reading and a useful filmography are also provided.
Past and Present
Author: James Chapman
Publisher: Bloomsbury Publishing
ISBN: 0857715577
Category : History
Languages : en
Pages : 417
Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
Publisher: Bloomsbury Publishing
ISBN: 0857715577
Category : History
Languages : en
Pages : 417
Book Description
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues that they present, from gender, class and ethnicity to militarism and imperialism, he also discusses controversies over historical accuracy, and the ways in which devices such as voice overs, title captions, and visual references to photographs and paintings assert a sense of historical verisimilitude. Exploring throughout the book the dialectical relationship between past and present, Chapman reveals how such films promote British achievements - but also sometimes question them - and how they project images of 'Britishness' to audiences both in the UK and internationally.
A History of Shakespeare on Screen
Author: Kenneth S. Rothwell
Publisher: Cambridge University Press
ISBN: 9780521543118
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
This edition of A History of Shakespeare on Screen updates the chronology to 2003, with a new chapter on recent films.
Publisher: Cambridge University Press
ISBN: 9780521543118
Category : Literary Criticism
Languages : en
Pages : 402
Book Description
This edition of A History of Shakespeare on Screen updates the chronology to 2003, with a new chapter on recent films.