Author: Lauren Arrington
Publisher: Liverpool University Press
ISBN: 194295476X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
Late Modernism and Expatriation
Author: Lauren Arrington
Publisher: Liverpool University Press
ISBN: 194295476X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
Publisher: Liverpool University Press
ISBN: 194295476X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
How did living abroad inflect writers’ perspectives on social change in the countries of their birth and in their adopted homelands? How did writers reformulate ideas of social class, race, and gender in these new contexts? How did they develop innovations in form and technique to achieve a style that reflected their social and political commitments? The essays in this book show how the “outward turn” that typifies late modernist writing was precipitated, in part, by writers’ experience of expatriation. Late Modernism & Expatriation encompasses writing from the 1930s to the present day and considers expatriation in both its voluntary and coerced manifestations. Together, the essays in this book shape our understanding of how migration (especially in its late twentieth- and twenty-first century complexities) affects late modernism’s temporalities. The book attends to major theoretical questions about mapping late modernist networks and it foregrounds neglected aspects of writers’ work while placing other writers in a new frame.
American Expatriate Writing and the Paris Moment
Author: Donald Pizer
Publisher: LSU Press
ISBN: 9780807122204
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Montparnasse and its café life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafés along the Seine, and the Right Bank world of the well-to-do . . . for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not: a milieu that, through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of “the Paris moment” in their writing is the altogether fresh focus of Donald Pizer’s study of seven of their major works. Pizer elucidates a striking difference between the genres of expatriate autobiography and fiction, and arranges his discussion accordingly. He first examines Ernest Hemingway’s A Moveable Feast, Gertrude Stein’s The Autobiography of Alice B. Toklas, and The Diary of Anaïs Nin, 1931–1934, all of which depict the emergence and triumph of the creative imagination within the Paris context. He then turns to Hemingway’s The Sun Also Rises, John Dos Passos’ Nineteen-Nineteen, and F. Scott Fitzgerald’s Tender Is the Night, which dramatize the tragic potential in seeking a richness and intensity of creative expression within the city’s setting. Henry Miller’s Tropic of Cancer, a relatively late example of American expatriate writing, constitutes a synthesis of the two tendencies, Pizer shows. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates’ response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work’s themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience, that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place, and innovative self-reflexive forms composes, Pizer maintains, the most distinctive contribution of expatriate writing to the literary movement called high modernism.
Publisher: LSU Press
ISBN: 9780807122204
Category : Literary Criticism
Languages : en
Pages : 172
Book Description
Montparnasse and its café life, the shabby working-class area of the place de la Contrescarpe and the Pantheon, the small restaurants and cafés along the Seine, and the Right Bank world of the well-to-do . . . for American writers self-exiled to Paris during the 1920s and 1930s, the French capital represented what their homeland could not: a milieu that, through the freedom of thought and action it permitted and the richness of life it offered, nurtured the full expression of the creative imagination. How these expatriates interpreted and gave modernist shape to the myth of “the Paris moment” in their writing is the altogether fresh focus of Donald Pizer’s study of seven of their major works. Pizer elucidates a striking difference between the genres of expatriate autobiography and fiction, and arranges his discussion accordingly. He first examines Ernest Hemingway’s A Moveable Feast, Gertrude Stein’s The Autobiography of Alice B. Toklas, and The Diary of Anaïs Nin, 1931–1934, all of which depict the emergence and triumph of the creative imagination within the Paris context. He then turns to Hemingway’s The Sun Also Rises, John Dos Passos’ Nineteen-Nineteen, and F. Scott Fitzgerald’s Tender Is the Night, which dramatize the tragic potential in seeking a richness and intensity of creative expression within the city’s setting. Henry Miller’s Tropic of Cancer, a relatively late example of American expatriate writing, constitutes a synthesis of the two tendencies, Pizer shows. Through careful readings of the texts, Pizer identifies both the common threads in the expatriates’ response to the Paris moment and the distinctive expression each work gives to their shared experience. Most important, he addresses the neglected question of how the portrayal of the Paris scene helps shape a specific work’s themes and form. He traces such experimental devices as fragmented or cubistic narrative forms, the dramatic representation of consciousness, and sexual explicitness, and explores the powerful and evocative tropes of mobility and feeding. As Pizer demonstrates, Paris between the two world wars was for the American expatriates more than a geographical entity. It was a state of mind, an experience, that engendered the formal expression of a personal aesthetic. The engaging and significant interplay between artist, place, and innovative self-reflexive forms composes, Pizer maintains, the most distinctive contribution of expatriate writing to the literary movement called high modernism.
The Poets of Rapallo
Author: Lauren Arrington
Publisher: Oxford University Press
ISBN: 0198846541
Category : History
Languages : en
Pages : 249
Book Description
Explores W.B. Yeats and Ezra Pound's relationship as played out against the backdrop of Mussolini's Italy in the 1920s and 1930s and shows how Yeats, Pound, and others in their Italian network developed a late modernist style aimed at effecting world change.
Publisher: Oxford University Press
ISBN: 0198846541
Category : History
Languages : en
Pages : 249
Book Description
Explores W.B. Yeats and Ezra Pound's relationship as played out against the backdrop of Mussolini's Italy in the 1920s and 1930s and shows how Yeats, Pound, and others in their Italian network developed a late modernist style aimed at effecting world change.
American Modernism's Expatriate Scene
Author: Daniel Katz
Publisher: Edinburgh University Press
ISBN: 0748691227
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book attempts to address the paradoxes inherent in international modernism (a literary movement which at once strove to cross borders of nation, language, and tradition yet which at the same time often endorsed nationalist and 'racial' models of iden
Publisher: Edinburgh University Press
ISBN: 0748691227
Category : Literary Criticism
Languages : en
Pages : 209
Book Description
This book attempts to address the paradoxes inherent in international modernism (a literary movement which at once strove to cross borders of nation, language, and tradition yet which at the same time often endorsed nationalist and 'racial' models of iden
Travel, Modernism and Modernity
Author: Robert Burden
Publisher: Routledge
ISBN: 1317006496
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
Focusing on the significance of travel in Joseph Conrad, E.M. Forster, D.H. Lawrence, Henry James, and Edith Wharton, Robert Burden shows how travel enabled a new consciousness of mobility and borders during the modernist period. For these authors, Burden suggests, travel becomes a narrative paradigm and dominant trope by which they explore questions of identity and otherness related to deep-seated concerns with the crisis of national cultural identity. He pays particular attention to the important distinction between travel and tourism, at the same time that he attends to the slippage between seeing and sightseeing, between the local character and the stereotype, between art and kitsch, and between older and newer ways of storytelling in the representational crisis of modernism. Burden argues that the greater awareness of cultural difference that characterizes both the travel writing and fiction of these expatriate writers became a defining feature of literary modernism, resulting in a consciousness of cultural difference that challenged the ethnographic project of empire.
Publisher: Routledge
ISBN: 1317006496
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
Focusing on the significance of travel in Joseph Conrad, E.M. Forster, D.H. Lawrence, Henry James, and Edith Wharton, Robert Burden shows how travel enabled a new consciousness of mobility and borders during the modernist period. For these authors, Burden suggests, travel becomes a narrative paradigm and dominant trope by which they explore questions of identity and otherness related to deep-seated concerns with the crisis of national cultural identity. He pays particular attention to the important distinction between travel and tourism, at the same time that he attends to the slippage between seeing and sightseeing, between the local character and the stereotype, between art and kitsch, and between older and newer ways of storytelling in the representational crisis of modernism. Burden argues that the greater awareness of cultural difference that characterizes both the travel writing and fiction of these expatriate writers became a defining feature of literary modernism, resulting in a consciousness of cultural difference that challenged the ethnographic project of empire.
Twenty-first-century Readings of Tender is the Night
Author: William Blazek
Publisher: Liverpool University Press
ISBN: 1846310717
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
F. Scott Fitzgerald's final completed novel, Tender is the Night, published in 1934 but written during the previous decade, is a quintessentially decadent story of Americans abroad in the Jazz Age. In this accessible collection of essays, an impressive congregation of North American and European scholars presents eleven new readings of this widely studied book. The list of noteworthy contributors, including the general editor of the Cambridge Edition of the Works of F. Scott Fitzgerald and the editors of the F. Scott Fitzgerald Review, makes this volume required reading for Fitzgerald scholars and fans.
Publisher: Liverpool University Press
ISBN: 1846310717
Category : Literary Criticism
Languages : en
Pages : 237
Book Description
F. Scott Fitzgerald's final completed novel, Tender is the Night, published in 1934 but written during the previous decade, is a quintessentially decadent story of Americans abroad in the Jazz Age. In this accessible collection of essays, an impressive congregation of North American and European scholars presents eleven new readings of this widely studied book. The list of noteworthy contributors, including the general editor of the Cambridge Edition of the Works of F. Scott Fitzgerald and the editors of the F. Scott Fitzgerald Review, makes this volume required reading for Fitzgerald scholars and fans.
Revolutionary Lives
Author: Lauren Arrington
Publisher: Princeton University Press
ISBN: 0691161240
Category : Art
Languages : en
Pages : 308
Book Description
Constance Markievicz (1868–1927), born to the privileged Protestant upper class in Ireland, embraced suffrage before scandalously leaving for a bohemian life in London and then Paris. She would become known for her roles as politician and Irish revolutionary nationalist. Her husband, Casimir Dunin Markievicz (1874–1932), a painter, playwright, and theater director, was a Polish noble who would eventually join the Russian imperial army to fight on behalf of Polish freedom during World War I. Revolutionary Lives offers the first dual biography of these two prominent European activists and artists. Tracing the Markieviczes' entwined and impassioned trajectories, biographer Lauren Arrington sheds light on the avant-garde cultures of London, Paris, and Dublin, and the rise of anti-imperialism at the turn of the twentieth century. Drawing from new archival material, including previously untranslated newspaper articles, Arrington explores the interests and concerns of Europeans invested in suffrage, socialism, and nationhood. Unlike previous works, Arrington's book brings Casimir Markievicz into the foreground of the story and explains how his liberal imperialism and his wife's socialist republicanism arose from shared experiences, even as their politics remained distinct. Arrington also shows how Constance did not convert suddenly to Irish nationalism, but was gradually radicalized by the Irish Revival. Correcting previous depictions of Constance as hero or hysteric, Arrington presents her as a serious thinker influenced by political and cultural contemporaries. Revolutionary Lives places the exciting biographies of two uniquely creative and political individuals and spouses in the wider context of early twentieth-century European history.
Publisher: Princeton University Press
ISBN: 0691161240
Category : Art
Languages : en
Pages : 308
Book Description
Constance Markievicz (1868–1927), born to the privileged Protestant upper class in Ireland, embraced suffrage before scandalously leaving for a bohemian life in London and then Paris. She would become known for her roles as politician and Irish revolutionary nationalist. Her husband, Casimir Dunin Markievicz (1874–1932), a painter, playwright, and theater director, was a Polish noble who would eventually join the Russian imperial army to fight on behalf of Polish freedom during World War I. Revolutionary Lives offers the first dual biography of these two prominent European activists and artists. Tracing the Markieviczes' entwined and impassioned trajectories, biographer Lauren Arrington sheds light on the avant-garde cultures of London, Paris, and Dublin, and the rise of anti-imperialism at the turn of the twentieth century. Drawing from new archival material, including previously untranslated newspaper articles, Arrington explores the interests and concerns of Europeans invested in suffrage, socialism, and nationhood. Unlike previous works, Arrington's book brings Casimir Markievicz into the foreground of the story and explains how his liberal imperialism and his wife's socialist republicanism arose from shared experiences, even as their politics remained distinct. Arrington also shows how Constance did not convert suddenly to Irish nationalism, but was gradually radicalized by the Irish Revival. Correcting previous depictions of Constance as hero or hysteric, Arrington presents her as a serious thinker influenced by political and cultural contemporaries. Revolutionary Lives places the exciting biographies of two uniquely creative and political individuals and spouses in the wider context of early twentieth-century European history.
From Puritanism to Postmodernism
Author: Richard Ruland
Publisher: Routledge
ISBN: 1317234146
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.
Publisher: Routledge
ISBN: 1317234146
Category : Literary Criticism
Languages : en
Pages : 438
Book Description
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.
Exile's Return
Author: Malcolm Cowley
Publisher: Penguin
ISBN: 1101662670
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.
Publisher: Penguin
ISBN: 1101662670
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.
American Modern
Author: Sharon Corwin
Publisher: Univ of California Press
ISBN: 0520265629
Category : Art
Languages : en
Pages : 212
Book Description
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Publisher: Univ of California Press
ISBN: 0520265629
Category : Art
Languages : en
Pages : 212
Book Description
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.