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Author: Cynthia Marshall
Publisher: SIU Press
ISBN: 9780809316892
Category : Drama
Languages : en
Pages : 168
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Book Description
In this first sustained examination of Cymbeline, The Winter’s Tale, Pericles, and The Tempest in the context of English Renaissance discussions of death, judgment, and afterlife, Cynthia Marshall contends that the late plays of Shakespeare represent the active concerns of a culture heavily imbued with apocalypticism. Only recently has there been wide recognition of how thoroughly apocalyptic thought pervaded the culture of England in the sixteenth and seventeenth centuries. Millenarians, Puritans, Anglicans, and Roman Catholics all shared a concern for last things. Even King James I, speaking in Star Chamber, referred to "the latter days drawing on." In fact, these four plays, considered in themselves, exhibit distinctive qualities of "lastness." They contain, Marshall argues, an alternative theatrical eschatology, representing anxieties about judgment, hopes for personal reunion, and transcendent perspectives on time.
Author: Cynthia Marshall
Publisher: SIU Press
ISBN: 9780809316892
Category : Drama
Languages : en
Pages : 168
Get Book Here
Book Description
In this first sustained examination of Cymbeline, The Winter’s Tale, Pericles, and The Tempest in the context of English Renaissance discussions of death, judgment, and afterlife, Cynthia Marshall contends that the late plays of Shakespeare represent the active concerns of a culture heavily imbued with apocalypticism. Only recently has there been wide recognition of how thoroughly apocalyptic thought pervaded the culture of England in the sixteenth and seventeenth centuries. Millenarians, Puritans, Anglicans, and Roman Catholics all shared a concern for last things. Even King James I, speaking in Star Chamber, referred to "the latter days drawing on." In fact, these four plays, considered in themselves, exhibit distinctive qualities of "lastness." They contain, Marshall argues, an alternative theatrical eschatology, representing anxieties about judgment, hopes for personal reunion, and transcendent perspectives on time.
Author: Jacqueline West
Publisher: HarperCollins
ISBN: 0062875086
Category : Young Adult Fiction
Languages : en
Pages : 416
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Book Description
"Everything I love in a book."—Victoria Schwab, author of #1 New York Times bestseller This Savage Song “The kind of taut, atmospheric thriller that gets your heart racing and sets your imagination on fire. Sensational.”—Claire Legrand, New York Times-bestselling author of Furyborn Finalist for the Minnesota Book Award New York Times–bestselling author Jacqueline West captivates readers with a dark, hypnotic story about the cost of talent—and the evil that lurks just out of sight. Fans of Holly Black and Victoria Schwab will be mesmerized by this gorgeous, magnetic novel. High school senior Anders Thorson is unusually gifted. His band, Last Things, is legendary in their northern Minnesota hometown. With guitar skills that would amaze even if he weren’t only eighteen, Anders is the focus of head-turning admiration. And Thea Malcom, a newcomer to the insular town, is one of his admirers. Thea seems to turn up everywhere Anders goes: gigs at the local coffeehouse, guitar lessons, even in the woods near Anders’s home. When strange things start happening to Anders, blame immediately falls on Thea. But is she trying to hurt him? Or save him? Can he trust a girl who doesn’t seem to know the difference between dreams and reality? And how much are they both willing to sacrifice to get what they want? Told from Anders’s and Thea’s dual points of view, this exquisitely crafted novel is full of unexpected twists and is for fans of Holly Black’s The Darkest Part of the Forest and Melissa Albert’s The Hazel Wood.
Author: Jenny Offill
Publisher: Bloomsbury Publishing
ISBN: 1408879700
Category : Fiction
Languages : en
Pages : 206
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Book Description
_______________ 'Unexpectedly funny' - New York Times 'Full of imagination, humour and invention ... A glorious debut' - Irish Times 'Mesmerising ... She writes with a heartbreaking clarity ... and is dexterously able to evoke emotional extremity through pitch-perfect narrative compression' - The Times _______________ THE EXQUISITE DEBUT NOVEL FROM THE AUTHOR OF WEATHER, SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 To eight-year-old Grace Davitt, her mother, Anna, is a puzzling yet wonderful mystery. This is a woman who has seen a sea serpent in the lake, who paints a timeline of the universe on the sewing-room wall, and who teaches her daughter a secret language which only they can speak. For Grace's father, however, the only truth is science, and increasingly he finds himself shut out by Anna as she draws Grace deeper and deeper into a strange world of myth and obsession. _______________ Selected as a Book of the Year in Guardian, Telegraph, Observer, Irish Times and New York Times 'The charisma and damage of madness lend a desperate glamour' - Elle 'A gem of a book' - Tatler 'Brilliantly captures the confusion of childhood' - Red
Author: Saint Thomas More
Publisher: Scepter Publishers
ISBN: 9781889334653
Category : Religion
Languages : en
Pages : 228
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Book Description
In The Four Last Things, More prescribes frequent meditation on Death, Judgment, Pain and Joy in order to combat the spiritual diseases of pride, covetousness, lust, anger, gluttony, envy and sloth.The Supplication of Souls is More's vigorous, humorous, and artful defense of one of the flashpoints of the Reformation: the Catholic dogma of Purgatory. It is his devastating response to a defamatory political tract that claimed that the greed and corruption of English clergymen stemmed from their insistence on being paid to pray for the dead.
Author: Catherine M. S. Alexander
Publisher: Cambridge University Press
ISBN: 1139828282
Category : Literary Criticism
Languages : en
Pages : 245
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Book Description
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authored - in the period of their composition, consider the significant characteristics of their Jacobean context, and explore the rich afterlives, on stage, in print and other media of The Winter's Tale, Cymbeline, The Tempest, Pericles, The Two Noble Kinsmen and Henry VIII. The volume opens with a historical timeline that places the plays in the contexts of contemporary political events, theatrical events, other cultural milestones, Shakespeare's life and that of his playing company, the King's Men.
Author: Stephen W. Smith
Publisher: Lexington Books
ISBN: 9780739103616
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
What were Shakespeare's final thoughts on history, tragedy, and comedy? Shakespeare's Last Plays focuses much needed scholarly attention on Shakespeare's "Late Romances." The work--a collection of newly commissioned essays by leading scholars of classical political philosophy and literature--offers careful textual analysis of Pericles, Prince of Tyre, Cymbeline, The Winter's Tale, The Tempest, All is True, and The Two Noble Kinsmen. The essays reveal how Shakespeare's thought in these final works compliments, challenges, fulfills, or transforms previously held conceptions of the playwright and his political-philosophical views.
Author: Gregory S. Cootsona
Publisher: Westminster John Knox Press
ISBN: 9780664501600
Category : Religion
Languages : en
Pages : 124
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Book Description
In this well-written and concise volume, Gregory Cootsona explores the doctrines of creation and eschatology (the end of days) in light of contemporary science. He addresses what the relationship is between creation in the beginning and the new creation at the end of time, how the docrtine of creation informs our lives as Christians, and how we grow in faith and love in light of these doctrines. The Foundations of Christian Faith series enables readers to learn about contemporary theology in ways that are clear, enjoyable, and meaningful. It examines the doctrines of the Christian faith and stimulates readers not only to think more deeply about their faith but also to understand it in relation to contemporary challenges and questions. Individuals and study groups alike will find these guides invaluable in their search for depth and integrity in their Christian faith.
Author: Janet Gezari
Publisher: Oxford University Press
ISBN: 0199298181
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Emily Brontë's poetry is more often celebrated than read. This book seeks to reinstate her poems at the heart of Victorian writing while underlining their relevance. For admirers of 'Wuthering Heights', this work brings the concerns and methods of the novel into focus by relating them to the poems.
Author: Curtis Perry
Publisher: Oxford University Press
ISBN: 0199558175
Category : Drama
Languages : en
Pages : 310
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Book Description
Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.
Author: Jacques Khalip
Publisher: Fordham Univ Press
ISBN: 0823279561
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
With the “arrival” of the so-called era of the Anthropocene, certain contemporary theoretical approaches have led us to think that we are only now properly beginning to speculate on an inhuman world that is not for us, as well as confronting our fears and anxieties around ecological, political, social, and philosophical extinction. Reflections on apocalypse and disaster, however, were not foreign to what we historically call romanticism, but in Last Things, Jacques Khalip begins with the “end of things” differently, treating lastness otherwise than either a privation or a conclusion. He emphasizes quieter and non-emphatic modes of thinking the end of the world of thought itself. Without fear, foreshadowing, or catastrophe, Khalip explores lastness as a form, structure, or unit that marks the limits of our life and world, and he reads the fate of romanticism (and romantic studies) within the key of the last. Although this is a reading one could never wish for, it is one, Khalip argues, that we urgently have to make today. The book is not an elegy to the human, or to romanticism; rather, it polemically argues that we should read romanticism as a negative force that exceeds theories, narratives, and figures of survival and sustainability. Each chapter explores a diverse range of romantic and contemporary materials: poetry by John Clare, Emily Dickinson, John Keats, Percy Shelley, and William Wordsworth; philosophical texts by William Godwin, David Hume, Immanuel Kant, and Jean-Jacques Rousseau; paintings by Hubert Robert, Caspar David Friedrich, and Paterson Ewen; installations by Tatsuo Miyajima and James Turrell; and photography by John Dugdale, Peter Hujar, and Joanna Kane. Shuttling between different temporalities, Last Things undertakes an original reorganization of romantic thought for contemporary culture. It examines an “archive” that is on the side of disappearance, perishing, the inhuman, and lastness.
