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Author: Herman Cappelen
Publisher: Oxford University Press, USA
ISBN: 0199231192
Category : Language Arts & Disciplines
Languages : en
Pages : 182
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Book Description
'Language Turned on Itself' is a book about how language can be used to talk about language. It examines the semantics, the pragmatics, and the syntax of linguistic devices that can be used in this way.
Author: Herman Cappelen
Publisher: Oxford University Press, USA
ISBN: 0199231192
Category : Language Arts & Disciplines
Languages : en
Pages : 182
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Book Description
'Language Turned on Itself' is a book about how language can be used to talk about language. It examines the semantics, the pragmatics, and the syntax of linguistic devices that can be used in this way.
Author: Herman Cappelen
Publisher: OUP Oxford
ISBN: 0191528234
Category : Philosophy
Languages : en
Pages : 184
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Book Description
Language Turned on Itself examines what happens when language becomes self-reflexive; when language is used to talk about language. Those who think, talk, and write about language are habitual users of various metalinguistic devices, but reliance on these devices begins early: kids are told, 'That's called a "rabbit"'. It's not implausible that a primitive capacity for the meta-linguistic kicks in at the beginning stages of language acquisition. But no matter when or how frequently these devices are invoked, one thing is clear: they present theorists of language with a complex data pattern. Herman Cappelen and Ernest Lepore show that the study of these devices and patterns not only represents an interesting and neglected project in the philosophy of language, but also carries important consequences for other parts of philosophy. Part I is devoted to presenting data about various aspects of our metalinguistic practices. In Part II, the authors examine and reject the four leading metalinguistic theories, and offer a new account of our use of quotation in a variety of different contexts. But the primary goal of this book is not to promote one theory over another. Rather, it is to present a deeply puzzling set of problems and explain their significance
Author: Ruqaiya Hasan
Publisher: John Benjamins Publishing
ISBN: 9027276307
Category : Language Arts & Disciplines
Languages : en
Pages : 419
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Book Description
This volume focuses on the relation between theory and description by examining aspects of transitivity in different languages. Transitivity — or case grammar, to use the popular term — has always occupied a centre-stage position in linguistics, not least because of its supposedly privileged relation to states of affairs in the real world. Using a systemic functional perspective, the ten papers in this volume make a contribution to this scholarship by focusing on the transitivity patterns in language as the expression of the experiential metafunction. Through a study of different languages — English, Dutch, German, Finnish, Chinese and Pitjantjatjara — the contributors provide functional descriptions of the various categories of process, their participants and circumstances, including phenomena such as di-transitivity, causativity, the get-passive, etc. With the relation between theories and descriptions running through the ten chapters of this volume as sometimes an overt and sometimes a covert theme, the chapters point to the nature of the linguistic fact which is linked ineluctably on the one hand to the nature of the theory and on the other to the speakers’ experience of the world in which they live. The majority of papers included in the volume derive from the 19th International Systemic Functional Congress at Macquarie University.
Author: Sylvain Auroux
Publisher: Walter de Gruyter
ISBN: 3110167352
Category : Historical linguistics
Languages : en
Pages : 934
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Book Description
Author: Jonathan Webster
Publisher: Springer
ISBN: 3642550193
Category : Language Arts & Disciplines
Languages : en
Pages : 135
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Book Description
This book applies linguistic analysis to the poetry of Emeritus Professor Edwin Thumboo, a Singaporean poet and leading figure in Commonwealth literature. The work explores how the poet combines grammar and metaphor to make meaning, making the reader aware of the linguistic resources developed by Thumboo as the basis for his unique technique. The author approaches the poems from a functional linguistic perspective, investigating the multiple layers of meaning and metaphor which go into producing these highly textured, grammatically intricate works of verbal art. The approach is based on Systematic Functional Theory, which assists with investigating how the poet uses language (grammar) to craft his text, in a playful way that reflects a love of the language. The multilingual and multicultural experiences of the poet are seen to have contributed to his uniquely creative use of language. This work demonstrates how Systematic Functional Theory, with its emphasis on exploring the semogenic (meaning-making) power of language, provides the handle we need to better understand poetic works as intentional acts of meaning. The verbal art of Edwin Thumboo illustrate Barthes' point that "Bits of code, formulae, rhythmic models, fragments of social languages, etc. pass into the text and are redistributed within it, for there is always language before and around the text." With a focus on meaning, this functional analysis of poetry offers an insightful look at the linguistic basis of Edwin Thumboo's poetic technique. The work will appeal to scholars with an interest in linguistic analysis and poetry from the Commonwealth and new literatures, and it is also well suited to support courses on literary stylistics or text linguistics.
Author: William Franke
Publisher: Routledge
ISBN: 1000361802
Category : Literary Criticism
Languages : en
Pages : 491
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Book Description
Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante’s lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can lead also to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante’s thought and work indicate an alternative modernity along the path not taken. This other way shows up in Nicholas of Cusa’s conjectural science and in Giambattista Vico’s new science of imagination as alternatives to the exclusive reign of positive empirical science. In continuity with Dante’s vision, they contribute to a reappropriation of self-reflection for the humanities.
Author: Henry W. Pickford
Publisher: Fordham Univ Press
ISBN: 082324542X
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust. The book’s principal aim is to move beyond the familiar debates surrounding postmodernism by demonstrating the usefulness of alternative theories of meaning and understanding from the Anglophone analytic tradition. The book takes as its starting point the claim that Holocaust artworks must fulfill at least two specific yet potentially reciprocally countervailing desiderata: they must meet aesthetic criteria (lest they be, say, merely historical documents) and they must meet historical criteria (they must accurately represent the Holocaust, lest they be merely artworks). I locate this problematic within the tradition of philosophical aesthetics, as a version of the conflict between aesthetic autonomy and aesthetic heteronomy, and claim that Theodor W. Adorno’s “dialectic of aesthetic semblance” describes the normative demand that a successful artwork maintain a dynamic tension between these dual desiderata. While working within a framework inspired by Adorno, the book further claims that certain concepts and lines of reasoning from contemporary philosophy best explicate how individual artworks fulfill these dual desiderata, including the causal theory of names, the philosophy of tacit knowledge, analytic philosophy of quotation, Sartre’s theory of the imaginary, work in the epistemology of testimony, and Walter Benjamin’s theory of dialectical images. Individual chapters provide close readings of lyric poetry by Paul Celan (including a critique of Derridean deconstruction), Holocaust memorials in Berlin, texts by the Austrian quotational artist Heimrad Bäcker, Claude Lanzmann’s film Shoah and Art Spiegelman’s graphic novel Maus. The result is a set of interpretations of Holocaust artworks that, in their precision, specificity and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art.
Author: Laurel J. Brinton
Publisher: John Benjamins Publishing
ISBN: 9027225672
Category : Language Arts & Disciplines
Languages : en
Pages : 357
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Book Description
This text is designed for undergraduate and graduate students interested in contemporary English, especially those whose primary area of interest is English as a second language. Focus is placed exclusively on English data, providing an empirical explication of the structure of the language.
Author:
Publisher: SUNY Press
ISBN: 0791482952
Category :
Languages : en
Pages : 229
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Book Description
Author: Timothy Clark
Publisher: Cambridge University Press
ISBN: 0521405394
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
This book considers Derrida's reading of literature as a form of philosophical thinking.
