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Author: Alison Brown
Publisher:
ISBN:
Category : History
Languages : en
Pages : 368
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Book Description
The Italian Renaissance has traditionally been regarded as a critical turning point in the history of Europe; the vital stepping stone between the Age of Faith and the Age of Reason. This classical view of the Renaissance as the birth of individualism and modernity, as formulated by the famous Swiss historian Jacob Burckhardt, is challenged and reassessed in this intriguing and diverse group of essays. _ Leading scholars from different disciplines use a variety of approaches - textual and literary criticism, social anthropology and gender studies - to re-evaluate the period as a whole. the book is divided into three section, which discuss the model of death and rebirth and its political function; the social context of revival in terms of corporate and individual patronage; and the renaissance body as a political metaphor and social gesture. What emerges is an account of a mixed and lively culture which avoids the old generalizations and gives a fresh view of this most creative and fascinating period of European history.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393003
Category : Art del Renaixement
Languages : en
Pages : 394
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Book Description
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Author: Domenico Laurenza
Publisher: Metropolitan Museum of Art
ISBN: 1588394565
Category : Anatomy, Artistic
Languages : en
Pages : 52
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Book Description
Known as the "century of anatomy," the 16th century in Italy saw an explosion of studies and treatises on the discipline. Medical science advanced at an unprecedented rate, and physicians published on anatomy as never before. Simultaneously, many of the period's most prominent artists--including Leonardo and Michelangelo in Florence, Raphael in Rome, and Rubens working in Italy--turned to the study of anatomy to inform their own drawings and sculptures, some by working directly with anatomists and helping to illustrate their discoveries. The result was a rich corpus of art objects detailing the workings of the human body with an accuracy never before attained. "Art and Anatomy in Renaissance Italy "examines this crossroads between art and science, showing how the attempt to depict bone structure, musculature, and our inner workings--both in drawings and in three dimensions--constituted an important step forward in how the body was represented in art. While already remarkable at the time of their original publication, the anatomical drawings by 16th-century masters have even foreshadowed developments in anatomic studies in modern times.
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
ISBN: 9780192842794
Category : Art
Languages : en
Pages : 356
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Book Description
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Author: Charles L. Mee
Publisher:
ISBN:
Category : Florence
Languages : en
Pages : 136
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Book Description
Contrasts Italian Renaissance cultural, economic, and technological achievements with the widespread crime, violence, and political greed of the era.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300079814
Category : Art
Languages : en
Pages : 14
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Book Description
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
![The World of Renaissance Italy [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/CuXNEAAAQBAJ?fife=w80-h100)
Author: Joseph P. Byrne
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 843
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Book Description
Students of the Italian Renaissance who wish to go beyond the standard names and subjects will find in this text abundant information on the lives, customs, beliefs, and practices of those who lived during this exciting time period. The World of Renaissance Italy: A Daily Life Encyclopedia engages all of the Italian peninsula from the Black Death (1347–1352) to 1600. Unlike other encyclopedic works about the Renaissance era, this book deals exclusively with Italy, revealing the ways common Italian people lived and experienced the events and technological developments that marked the Renaissance era. The coverage specifically spotlights marginal or traditionally marginalized groups, including women, homosexuals, Jews, the elderly, and foreign communities in Italian cities. The entries in this two-volume set are organized into 10 sections of 25 alphabetically listed entries each. Among the broad sections are art, fashion, family and gender, food and drink, housing and community, politics, recreation and social customs, and war. The "See Also" sources for each article are listed by section for easy reference, a feature that students and researchers will greatly appreciate. The extensive collection of contemporary documents include selections from a diary, letters, a travel journal, a merchant's inventory, Inquisition testimony, a metallurgical handbook, and text by an artist that describes what the author feels constitutes great work. Each of the primary source documents accompanies a specific article and provides an added dimension and degree of insight to the material.
Author: Brian S. Pullan
Publisher: Lane, Allen
ISBN:
Category : History
Languages : en
Pages : 392
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Book Description
Author: Susan Gaylard
Publisher: Fordham Univ Press
ISBN: 0823251748
Category : Art
Languages : en
Pages : 385
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Book Description
Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.
Author: Jonathan James Graham Alexander
Publisher:
ISBN: 9780300203981
Category : ART
Languages : en
Pages : 0
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Book Description
"Hand-painted illumination enlivened the burgeoning culture of the book in the Italian Renaissance, spanning the momentous shift from manuscript production to print. J. J. G. Alexander describes key illuminated manuscripts and printed books from the period and explores the social and material worlds in which they were produced. Renaissance humanism encouraged wealthy members of the laity to join the clergy as readers and book collectors. Illuminators responded to patrons' developing interest in classical motifs, and celebrated artists such as Mantegna and Perugino occasionally worked as illuminators. Italian illuminated books found patronage across Europe, their dispersion hastened by the French invasion of Italy at the end of the 15th century.--
Author: Jane Garnett
Publisher: Reaktion Books
ISBN: 1780231423
Category : Art
Languages : en
Pages : 313
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Book Description
Winner of the ACE / Mercers' Book Award 2014 Spectacular Miracles confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. Drawing upon rich documentation from northwest Italy and elsewhere, Spectacular Miracles shows how these images “work” in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder’s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility—devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, Spectacular Miracles is a convincing study of the continuing power of faith and art.
