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Author: William Craft Brumfield
Publisher: Routledge
ISBN: 1317973240
Category : Architecture
Languages : en
Pages : 262
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Book Description
A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.
Author: William Craft Brumfield
Publisher: Routledge
ISBN: 1317973240
Category : Architecture
Languages : en
Pages : 262
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Book Description
A comprehensive guide to Russian architecture, this volume is designed for students and other readers wishing to gain an understanding of the subject.
Author: Aleksandr Vasilʹevich Ri︠a︡bushin
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 168
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Book Description
"Soviet architecture was born and shaped from the outset by dispute..."--from the introductory essay. This catalog documents the architectural output of a country besieged with powerful and conflicting political pressures and aspirations. Text and photos combine to record the architectural heritage of the Communist regime. Translated from the Russian. Lacks an index. 9.5x11" Annotation copyright by Book News, Inc., Portland, OR
Author: Aleksandr V. Rjabušin
Publisher:
ISBN: 9783433023341
Category : Architecture
Languages : en
Pages : 159
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Book Description
Author: R. Stephen Sennott
Publisher: Taylor & Francis
ISBN: 9781579584337
Category : Architecture
Languages : en
Pages : 546
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Book Description
"A balance of sophistication and clarity in the writing, authoritative entries, and strong cross-referencing that links archtects and structures to entries on the history and theory of the profession make this an especially useful source on a century of the world's most notable architecture. The contents feature major architects, firms, and professional issues; buildings, styles, and sites; the architecture of cities and countries; critics and historians; construction, materials, and planning topics; schools, movements, and stylistic and theoretical terms. Entries include well-selected bibliographies and illustrations."--"Reference that rocks," American Libraries, May 2005.
Author: Anna Bronovitskaya
Publisher: Garage Museum of Contemporary Art
ISBN: 9788090671461
Category : Architecture
Languages : en
Pages : 328
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Book Description
Moscow: A Guide to Soviet Modernist Architecture 1955-1991 provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
Author: Jeffrey W. Cody
Publisher: University of Hawaii Press
ISBN: 0824834569
Category : Architecture
Languages : en
Pages : 410
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Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Author: Graeme Gill
Publisher: Cambridge University Press
ISBN: 1139501224
Category : Political Science
Languages : en
Pages : 363
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Book Description
Symbols and Legitimacy in Soviet Politics analyses the way in which Soviet symbolism and ritual changed from the regime's birth in 1917 to its fall in 1991. Graeme Gill focuses on the symbolism in party policy and leaders' speeches, artwork and political posters, and urban redevelopment, and on ritual in the political system. He shows how this symbolism and ritual were worked into a dominant metanarrative which underpinned Soviet political development. Gill also shows how, in each of these spheres, the images changed both over the life of the regime and during particular stages: the Leninist era metanarrative differed from that of the Stalin period, which differed from that of the Khrushchev and Brezhnev periods, which was, in turn, changed significantly under Gorbachev. In charting this development, the book lays bare the dynamics of the Soviet regime and a major reason for its fall.
Author: S. Fortescue
Publisher: Springer
ISBN: 023029314X
Category : Political Science
Languages : en
Pages : 239
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Book Description
Seven leading specialists present chapters devoted to key themes in Soviet and post-Soviet Russian politics. Those themes include: the personal versus the institutional in the political process; legitimacy and legitimation; and change and collapse of a mono-organisational society. While the book focuses on these major themes, individual chapters deal with wide-ranging and even unusual cases: Graeme Gill analyzes the legitimating functions of Moscow's architecture, Sheila Fitzpatrick uses the archives to draw a picture of Stalin 'the boss' dealing with his closest colleagues, Eugene Huskey provides a detailed description of post-Soviet Russian pantouflage, and Archie Brown and Peter Reddaway present their different takes on Gorbachev and the Soviet collapse. Stephen Fortescue provides an overview of policy-making processes from Lenin and Putin, and Leslie Holmes updates the concept of goal-rational legitimacy.
Author: Vladimir Belogolovsky
Publisher: Dom Pub
ISBN: 9783869222899
Category : Architecture
Languages : en
Pages : 175
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Book Description
It was prominent architect and publicist Felix Novikov (b. 1927) who first coined the term Soviet modernism, which refers to the third, concluding period (1955-85) of Soviet architecture. The value of Novikov’s creative path lies in the fact that it spans the years both before and after Soviet modernism. Today, the architect continues to be a prolific writer, critic, and initiator of many inspired ideas that materialize into publications, exhibitions, and conferences. He is the key surviving source for the fullest and most accurate understanding of Soviet architecture after World War II. His principal built works are the Palace of Pioneers in Moscow (1962) and the Science Center of Microelectronics (1969) and Moscow Institute of Electronics (1971) in Zelenograd. His numerous books include Formula of Architecture (1984) and Architects and Architecture (2002).
Author: Matthew S. Witkovsky
Publisher: Yale University Press
ISBN: 0300225717
Category : Art
Languages : en
Pages : 325
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Book Description
Groundbreaking new insight into a rich spectrum of early Soviet art and its spaces of display Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions. Paintings by El Lissitzky and Liubov Popova are joined by sculptures, costumes and textiles, decorative arts, architectural models, books, magazines, films, and more. Also included are rare and important artifacts, among them a selection of illustrated children's notes by Joseph Stalin's daughter, Svetlana Allilueva, as well as reproductions of key exhibition spaces such as the legendary Obmokhu (Constructivist) exhibition in 1921; Aleksandr Rodchenko's 'Workers' Club in 1925; and a Radio-Orator kiosk for live, projected, and printed propaganda designed by Gustav Klutsis in 1922. Bountifully illustrated, this book offers an unprecedented, cross-disciplinary analysis of two momentous decades of Soviet visual culture.
