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Author:
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ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
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Author: Osian's (Firm)
Publisher:
ISBN: 9788181740199
Category : Art, Indic
Languages : en
Pages : 232
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Book Description
Sales catalog of an art collection.
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 800
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Book Description
Author: Partha Ghose
Publisher: Taylor & Francis
ISBN: 042953390X
Category : Religion
Languages : en
Pages : 206
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Book Description
This volume consists of a selection of scholarly essays from literature, philosophy and history on the conception of reality as understood by Rabindranath Tagore and Albert Einstein. The nature of reality has been a long-debated issue among scientists and philosophers. Tagore (1861–1941) met Einstein (1879–1955) at the latter’s house in Kaputh, Germany on 14 July 1930 and had a long conversation on this issue. This conversation has been widely quoted and discussed by scientists, philosophers and scholars from the literary world. The important question that Tagore and Einstein discussed was whether the world is a unity dependent on humanity, or the world is a reality independent of the human factor. Einstein believed that reality is independent of the mind and the human factor. On the other hand, Tagore adopted the opposite view. Nevertheless, both Einstein and Tagore claimed to be realists — their conceptions of reality were obviously fundamentally different. Where does the difference lie? Can it be harmonized at a deeper level? This volume brings together for the first time a gamut of views on this subject from eminent scholars. It presents some key reflections on reality, language, poetry, truth, science, personality, human sciences, virtue ethics, intelligibility and creativity. It will be useful to scholars and researchers of philosophy, literature, history and political studies, as also to those interested in Tagore.
Author: Naman Ahuja
Publisher: Taylor & Francis
ISBN: 100036576X
Category : Art
Languages : en
Pages : 434
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Book Description
The Making of the Modern Indian Artist-Craftsman is intended to be a biographical and critical insight into the work of the potter, painter and photographer Devi Prasad. Apart from the making of his personal history and his times, it leads us to why the act of making (art) itself takes on such a fundamental philosophical significance in his life. This, the author explains, derives directly from his absorption of Gandhi’s philosophy that looked at the act of making or doing as an ethical ideal, and further back to the impact of the Arts and Crafts Movement on the ideology of ‘Swadeshi’ and on the milieu of Santiniketan. This book examines his art along with his role in political activism which, although garnered on Indian soil made him crisscross national borders and assume an important role in the international arena of war resistance. Devi Prasad graduated from Tagore’s Santiniketan in 1944 when he joined the Hindustani Talimi Sangh (which promulgated Nayee Taleem) at Gandhi’s ashram Sevagram as Art ‘Teacher’. His political consciousness saw him participate actively in the Quit India Movement in 1942, in Vinoba Bhave’s Bhoodan and later from 1962 onward as Secretary General (later Chairman) of the War Resisters’ International, the oldest world pacifist organisation based in London. From there he was able to extend his Gandhian values internationally. All of this, while continuing with his life as a prolific artist. Rather than view them as separate worlds or professions, Devi harmonises them within an ethical and conscionable whole. He has written widely on the inextricable link between peace and creativity, on child /basic education, Gandhi and Tagore, on politics and art, in English, Hindi and Bangla. In 2007 he was awarded the Lalit Kala Akademi Ratna and in 2008, the Desikottama by Visva Bharati University, Santiniketan.
Author: Osian's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 226
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Book Description
Auction catalog of the paintings of Indian artists held by the Osian's, Mumbai.
Author: Karin Zitzewitz
Publisher: Univ of California Press
ISBN: 0520387090
Category : Art
Languages : en
Pages : 289
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Book Description
In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. In response to the liberalization of India’s economy, art was cultivated by a booming market as well as by new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art and growth of a network of institutions radiating out from India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages with sixteen of India’s leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections among formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly.
Author: Partha Mitter
Publisher: Reaktion Books
ISBN: 9781861893185
Category : Art
Languages : en
Pages : 282
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Book Description
The Triumph of Modernism probes the intricate interplay of Western modernism and Indian nationalism in the evolution of colonial-era Indian art.
Author: Vibhuti Chakrabarti
Publisher: Routledge
ISBN: 1136778829
Category : Social Science
Languages : en
Pages : 242
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Book Description
In this ground-breaking study the traditional Indian science of architecture and house-building,Vastu Vidya, is explored in terms of its secular uses, at the levels of both theory and contemporary practice. Vastu Vidya is treated as constituting a coherent and complete architectural programme, still of great relevance today. Chakrabarti draws on an impressive amount of textual material, much of it only available in Sanskrit, and presents several extremely valuable illustrations in support of the theories expounded. Each chapter deals with one architectural aspect, and chapters are divided into three sections. For each aspect, the first section explains the prescriptions of the traditional texts; the second section deals with the rather arbitrary use of that aspect by contemporary Indian architects trained in the western manner but striving to relate to Indian roots; while the last section in each chapter explores the selected use of that particular aspect by contemporary Vastu pundits, with their disregard for architectural idiom.
