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Author: Paul Usherwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Author: Paul Usherwood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 220
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Author: Catherine Wynne
Publisher:
ISBN: 9781846826498
Category : Artists
Languages : en
Pages : 0
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Book Description
"This is the first biography of Victorian Britain's greatest war artist, Elizabeth Thompson Butler, who found fame and public acclaim after exhibiting her Crimean War painting The Roll Call in 1874. A favourite of Queen Victoria, she quickly became one of the most celebrated women of the time. She transformed war art by depicting conflict trauma, decades before its designation as a medical condition, and her art championed the ordinary soldier and the dispossessed. Elizabeth Butler achieved celebrity as painter of the British empire in martial mode at a time when Britain's military supremacy was threatened by conflicts in Crimea, Ireland, the Sudan and elsewhere. However, her art became increasingly at odds with the jingoistic mood among the British public at the turn of the century, and by 1914 her reputation was in decline. Married to William Butler, an Irish Catholic officer in the British army, her life in art was a life spent in travel, accompanying her husband on his military postings from Egypt to South Africa. Settling in Ireland from 1905, she witnessed the turbulence of the War of Independence and Civil War. Her Irish paintings include 'Listed for the Connaught Rangers and the politically controversial Evicted. This is a story of travel and history, war and conflict. Catherine Wynne describes brilliantly how a female artist succeeded in this heavily, and often prejudicially, gendered world, and in doing so celebrates the remarkable artistic genius of Elizabeth Butler."--from publisher.
Author: Wilfrid Meynell
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 54
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Author: Julie F. Codell
Publisher: Routledge
ISBN: 0429628072
Category : Art
Languages : en
Pages : 381
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Book Description
This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Lady Elizabeth Southerden Thompson Butler
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 384
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Book Description
Author: Lynne Blackman
Publisher: Univ of South Carolina Press
ISBN: 1611179556
Category : Art
Languages : en
Pages : 432
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Book Description
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn
Author: Valérie Baisnée-Keay
Publisher: Springer Nature
ISBN: 3030848752
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book examines the relationship between words and images in various life-writing works produced by nineteenth to twenty-first century American and British women. It addresses the politics of images in women’s life writing, contending that the presence or absence of images is often strategic. Including a range of different forms of life writing, chapters draw on traditional (auto)biographies, travel narratives, memoirs, diaries, autofiction, cancer narratives, graphic memoirs, artistic installations, quilts and online performances, as life writing moves from page to screen and other media. The book explores a wide range of women who have crossed the boundary between text and image: painters who have become writers, novelists who have become painters, writers who hesitate between images and words, models who seize the camera, and artists who use the frame as a page.
Author: Bernard Cornwell
Publisher: HarperCollins
ISBN: 0062312073
Category : History
Languages : en
Pages : 313
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Book Description
#1 Bestseller in the U.K. From the New York Times bestselling author and master of martial fiction comes the definitive, illustrated history of one of the greatest battles ever fought—a riveting nonfiction chronicle published to commemorate the 200th anniversary of Napoleon’s last stand. On June 18, 1815 the armies of France, Britain and Prussia descended upon a quiet valley south of Brussels. In the previous three days, the French army had beaten the Prussians at Ligny and fought the British to a standstill at Quatre-Bras. The Allies were in retreat. The little village north of where they turned to fight the French army was called Waterloo. The blood-soaked battle to which it gave its name would become a landmark in European history. In his first work of nonfiction, Bernard Cornwell combines his storytelling skills with a meticulously researched history to give a riveting chronicle of every dramatic moment, from Napoleon’s daring escape from Elba to the smoke and gore of the three battlefields and their aftermath. Through quotes from the letters and diaries of Emperor Napoleon, the Duke of Wellington, and the ordinary officers and soldiers, he brings to life how it actually felt to fight those famous battles—as well as the moments of amazing bravery on both sides that left the actual outcome hanging in the balance until the bitter end. Published to coincide with the battle’s bicentennial in 2015, Waterloo is a tense and gripping story of heroism and tragedy—and of the final battle that determined the fate of nineteenth-century Europe.
Author: Martin Van Creveld
Publisher:
ISBN: 9789527065549
Category : History
Languages : en
Pages : 140
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Book Description
