Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
La Vérité Sur Hollywood. Stars, Studios, Pin-up Girls and C°
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
La verité sur Hollywood
Author: J. v Cottom
Publisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : fr
Pages : 320
Book Description
Publisher:
ISBN:
Category : Hollywood (Los Angeles, Calif.)
Languages : fr
Pages : 320
Book Description
Author:
Publisher: Odile Jacob
ISBN: 2738176275
Category :
Languages : en
Pages : 348
Book Description
Publisher: Odile Jacob
ISBN: 2738176275
Category :
Languages : en
Pages : 348
Book Description
Crime & Hollywood Incorporated
Author: Françoise Clary
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 9782877756501
Category : Art
Languages : en
Pages : 212
Book Description
L’ouvrage rassemble des communications bilingues (anglais-français) issues du colloque tenu à l’université de Rouen sur la représentation filmique de la criminalité aux États-Unis de 1929 à 1951. Les liens d’Hollywood avec le crime organisé (mafia urbaine, grand banditisme …) posent diverses questions : l’héroïsation hollywoodienne du gangster, devenu le vecteur d’un nouveau système de valeurs, ne tend-elle pas à apparenter la transgression à un jeu ? L’esthétique de la violence n’accroît-elle pas la fascination des jeunes pour toute déviance, légitimant la mort virtuelle-réelle comme unique solution en cas de conflit ? Les studios hollywoodiens fondent-ils leur puissance et leur légitimité sur la diffusion de valeurs illicites ? Le recueil montre tout d’abord que la diffusion de ces nouveaux comportements répond à des choix économiques ; puis il aborde les rapports entre idéologie et société, traite ensuite de la censure et enfin réexamine l’esthétique de la violence.
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 9782877756501
Category : Art
Languages : en
Pages : 212
Book Description
L’ouvrage rassemble des communications bilingues (anglais-français) issues du colloque tenu à l’université de Rouen sur la représentation filmique de la criminalité aux États-Unis de 1929 à 1951. Les liens d’Hollywood avec le crime organisé (mafia urbaine, grand banditisme …) posent diverses questions : l’héroïsation hollywoodienne du gangster, devenu le vecteur d’un nouveau système de valeurs, ne tend-elle pas à apparenter la transgression à un jeu ? L’esthétique de la violence n’accroît-elle pas la fascination des jeunes pour toute déviance, légitimant la mort virtuelle-réelle comme unique solution en cas de conflit ? Les studios hollywoodiens fondent-ils leur puissance et leur légitimité sur la diffusion de valeurs illicites ? Le recueil montre tout d’abord que la diffusion de ces nouveaux comportements répond à des choix économiques ; puis il aborde les rapports entre idéologie et société, traite ensuite de la censure et enfin réexamine l’esthétique de la violence.
La vérité sur Hollywood
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
Book Description
Letter from France
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 156
Book Description
French Cinema
Author: Rémi Fournier Lanzoni
Publisher: Bloomsbury Publishing USA
ISBN: 1501303090
Category : Performing Arts
Languages : en
Pages : 633
Book Description
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
Publisher: Bloomsbury Publishing USA
ISBN: 1501303090
Category : Performing Arts
Languages : en
Pages : 633
Book Description
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Rémi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
In Praise of Cinematic Bastardy
Author: Sébastien Lefait
Publisher: Cambridge Scholars Publishing
ISBN: 1443838632
Category : Performing Arts
Languages : en
Pages : 275
Book Description
Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family tree, which takes no account of the illegitimate unions, natural children and forgotten ancestors that are nevertheless part and parcel of film history. If that quest should still be conducted, its object, it seems, should not be one sole point of reference. The aim of this book is to create the opportunity of studying, and perhaps of rehabilitating, those shadowy corners of cinematographic creation and film memory, and to provide film studies, but also literature and Arts studies altogether, with a newly productive way of using such familiar notions as difference, quotation, reference, blending, hybridity, miscegenation or crossbreeding.
Publisher: Cambridge Scholars Publishing
ISBN: 1443838632
Category : Performing Arts
Languages : en
Pages : 275
Book Description
Cinema may be called a bastard art in both meanings of the word: because it is usually defined as a hybrid art form, obviously, but also, and perhaps more importantly, because it has been able to become formally as well as generically innovative mostly through adulterous relationships, thus making illegitimacy its grounding principle by preferring a blurred lineage to a legible succession. Trying to find what film is referred to in a sequence, therefore, amounts to establishing a clear family tree, which takes no account of the illegitimate unions, natural children and forgotten ancestors that are nevertheless part and parcel of film history. If that quest should still be conducted, its object, it seems, should not be one sole point of reference. The aim of this book is to create the opportunity of studying, and perhaps of rehabilitating, those shadowy corners of cinematographic creation and film memory, and to provide film studies, but also literature and Arts studies altogether, with a newly productive way of using such familiar notions as difference, quotation, reference, blending, hybridity, miscegenation or crossbreeding.
The Invention of Robert Bresson
Author: Colin Burnett
Publisher: Indiana University Press
ISBN: 025302501X
Category : Performing Arts
Languages : en
Pages : 289
Book Description
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
Publisher: Indiana University Press
ISBN: 025302501X
Category : Performing Arts
Languages : en
Pages : 289
Book Description
Challenging the prevailing notion among cinephiles that the auteur is an isolated genius interested primarily in individualism, Colin Burnett positions Robert Bresson as one whose life's work confronts the cultural forces that helped shape it. Regarded as one of film history's most elusive figures, Bresson (1901–1999) carried himself as an auteur long before cultural magazines, like the famed Cahiers du cinéma, advanced the term to describe such directors as Jacques Tati, Alfred Hitchcock, and Jean-Luc Godard. In this groundbreaking study, Burnett combines biography with cultural history to uncover the roots of the auteur in the alternative cultural marketplace of midcentury France.
Catalog of the Theatre and Drama Collections: Theatre Collection: books on the theatre. 9 v
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 724
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 724
Book Description