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Author: Alfred Cismaru
Publisher: Texas Tech University Press
ISBN: 9780896720558
Category : Literary Criticism
Languages : en
Pages : 158
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Book Description
Marivaux and Moliere are, respectively, the greatest comedy writers of the eighteenth and seventeenth centuries. Whereas a library of critical material exists on Moliere, Marivaux has benefited from less commentary, and many questions concerning this eighteenth-century playwright remain unanswered. Among these, of primary importance is his relationship with Moliere. The present study represents an illuminating discussion of this relationship. It devotes a chapter to each of Marivaux's plays that recalls any aspect of Moliere's comedies. Without detracting from Marivaux's basic originality, Dr. Cismaru shows that Marivaux's alleged scorn for his illustrious predecessor did not prevent him from using molieresque scenes, tone, and vocabulary.The first book-length study of the relationship between Moliere and Marivaux is lucidly written and free from technical jargon. It should benefit both the student of the two playwrights and the specialist.
Author: Alfred Cismaru
Publisher: Texas Tech University Press
ISBN: 9780896720558
Category : Literary Criticism
Languages : en
Pages : 158
Get Book Here
Book Description
Marivaux and Moliere are, respectively, the greatest comedy writers of the eighteenth and seventeenth centuries. Whereas a library of critical material exists on Moliere, Marivaux has benefited from less commentary, and many questions concerning this eighteenth-century playwright remain unanswered. Among these, of primary importance is his relationship with Moliere. The present study represents an illuminating discussion of this relationship. It devotes a chapter to each of Marivaux's plays that recalls any aspect of Moliere's comedies. Without detracting from Marivaux's basic originality, Dr. Cismaru shows that Marivaux's alleged scorn for his illustrious predecessor did not prevent him from using molieresque scenes, tone, and vocabulary.The first book-length study of the relationship between Moliere and Marivaux is lucidly written and free from technical jargon. It should benefit both the student of the two playwrights and the specialist.
Author: ... Marivaux
Publisher:
ISBN:
Category :
Languages : fr
Pages : 116
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Book Description
Author: Yvette Yvonne Marie Went-Daoust
Publisher: Cambridge University Press
ISBN: 052123414X
Category :
Languages : en
Pages : 270
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Book Description
Author: Valentini Papadopoulou Brady
Publisher: Librairie Droz
ISBN: 9782600035057
Category : Love in literature
Languages : en
Pages : 368
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Book Description
Author: Thomas Wynn
Publisher: Oxford University Press
ISBN: 0198895348
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Reading Drama in Eighteenth-Century France is the first book-length study of how plays were read in eighteenth-century France and, relatedly, of closet drama: excessive plays that cannot be performed within the playhouse's confines and which thus appeal to the reader's imagination. This period in France was characterized by 'théâtromanie', a craze that encompassed the page as well as the stage. The book's first part surveys the historical context in which plays were read and offers a theoretical model for understanding this practice. The eighteenth-century closet was valued as a privileged site of reading. Although scholars routinely present this room as a place of calm reflection, Thomas Wynn develops a framework (derived in part from queer theory) to argue that it fosters passionate and disruptive pleasures that elude the coercive normativity of the playhouse. To explore the multipositional experience of reading plays in this period, Wynn turns to the journal Mercure de France, whose extensive reviews help us to think about geographies of reading, coercion, and autonomy. The second part examines how dramatists exploited the critical, imaginative, and formal potential of the reading experience. It offers close analysis of several closet plays: comedies depicting the dispute between Jesuits and Jansenists in the 1730s; Hénault's historical drama François II, roi de France (1747); and erotic plays from the end of the period. The study concludes with an account of Rétif de La Bretonne's Le Drame de la vie (1793)—an extreme and arguably unsurpassed example of closet drama. Ultimately, this book shows, closet drama is not failed theatre but rather an indisputable part of the lively, passionate, and combative theatrical culture of eighteenth-century France.
Author: Arthur Augustus Tilley
Publisher: Cambridge University Press
ISBN: 1316626040
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
Originally published in 1933, this book presents a concise study regarding the works of Racine, Marivaux and Musset, focusing on their pioneering psychological insights and literary realism. The text was written by the renowned Cambridge Classical scholar and critic Arthur Augustus Tilley (1851-1942). This book will be of value to anyone with an interest in dramatic criticism and French literature.
Author: Annie Sparks
Publisher: Bloomsbury Publishing
ISBN: 1408148897
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.
Author: Maria M. Delgado
Publisher: Routledge
ISBN: 0429682190
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
This expanded second edition of Contemporary European Theatre Directors is an ambitious and unprecedented overview of many of the key directors working in European theatre over the past 30 years. This book is a vivid account of the vast range of work undertaken in European theatre during the last three decades, situated lucidly in its artistic, cultural, and political context. Each chapter discusses a particular director, showing the influences on their work, how it has developed over time, its reception, and the complex relation it has with its social and cultural context. The volume includes directors living and working in Italy, Germany, France, Spain, Poland, Russia, Romania, the UK, Belgium, Switzerland, and the Netherlands, offering a broad and international picture of the directing landscape. Now revised and updated, Contemporary European Theatre Directors is an ideal text for both undergraduate and postgraduate directing students, as well as those researching contemporary theatre practices, providing a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe following the end of the Cold War.
Author: Clare Finburgh Delijani
Publisher: Bloomsbury Publishing
ISBN: 1474259944
Category : Performing Arts
Languages : en
Pages : 248
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Book Description
This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these 3 directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht – and thereby prepare the ground for contemporary, politically-engaged 'directors' theatre'. It argues that, in creating their major productions in the prosperous 'glorious decades' that followed the devastation of the Second World War, they represent a first expressly 'European' generation of theatre directors. Revisiting works from the classical dramatic canon by drawing on popular theatre traditions, and reaching out to spectators beyond the educated middle-class elite, they put theatre in the service of uniting a traumatized continent. This study posits that for Littlewood, Strehler and Planchon, theatre has the capacity to create communities.
Author: Denis Hollier
Publisher: Harvard University Press
ISBN: 0674254619
Category : Literary Criticism
Languages : en
Pages : 1202
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Book Description
Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
