Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
"French Sculpture Following the Franco-Prussian War, 1870?0 "
Author: Michael Dorsch
Publisher: Routledge
ISBN: 1351566415
Category : Art
Languages : en
Pages : 221
Book Description
French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.
Publisher: Routledge
ISBN: 1351566415
Category : Art
Languages : en
Pages : 221
Book Description
French Sculpture Following the Franco-Prussian War, 1870-80 investigates the role played by the trope of the 'strong woman, fallen man' in re-establishing morale among the French people following the Franco-Prussian War. The study explores how certain French sculptors - including Falgui?, Merci?Barrias, and Rodin - presented this recent history of defeat in commemorative monuments that increasingly dominated public space across France during the final decades of the nineteenth century. Though it focuses on French nationalism and the commemoration of war (or, as is the case with the French following the Franco-Prussian War, the commemoration of defeat), this volume also examines shifts in gender roles in the latter half of the nineteenth century, and the impact of military defeat on relations between the sexes. The book probes the aesthetic discourse of the period concerning the merits of traditional allegorical sculpture versus new-fangled realist sculpture in depicting modern life. Drawing on extensive archival research, Michael Dorsch gives a voice to the sculptures he discusses, restoring these often ignored works to their proper place in history.
A Text-book of the History of Sculpture
Author: Allan Marquand
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 334
Book Description
The Encyclopædia Britannica
Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1122
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1122
Book Description
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
Author: Elizabeth Boyle O'Reilly
Publisher: DigiCat
ISBN:
Category : Architecture
Languages : en
Pages : 495
Book Description
DigiCat Publishing presents to you this special edition of "How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries" by Elizabeth Boyle O'Reilly. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Architecture
Languages : en
Pages : 495
Book Description
DigiCat Publishing presents to you this special edition of "How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries" by Elizabeth Boyle O'Reilly. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The Encyclopædia Britannica
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1116
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1116
Book Description
The Encyclopaedia Britannica
Author: Hugh Chisholm
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1110
Book Description
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 1110
Book Description
The Dawn of the French Renaissance
Author: Arthur Augustus Tilley
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 740
Book Description
Classed List
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description
Classified List ...
Author: Princeton University. Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 626
Book Description
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 626
Book Description