La Sainte Famille, Sainte Catherine et gloire d'Anges. Cadre noir et or. Toile. Haut. 59 cent.; larg. 42 cent

La Sainte Famille, Sainte Catherine et gloire d'Anges. Cadre noir et or. Toile. Haut. 59 cent.; larg. 42 cent PDF Author: Correggio
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La Sainte Famille, Sainte Catherine et gloire d'Anges. Cadre noir et or. Toile. Haut. 59 cent.; larg. 42 cent

La Sainte Famille, Sainte Catherine et gloire d'Anges. Cadre noir et or. Toile. Haut. 59 cent.; larg. 42 cent PDF Author: Correggio
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La Sainte Famille et Sainte Catherine; composition de demi-figures. Cadre noir et or. Toile. Haut. 70 cent.; larg. 82 cent

La Sainte Famille et Sainte Catherine; composition de demi-figures. Cadre noir et or. Toile. Haut. 70 cent.; larg. 82 cent PDF Author: Venetian school
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La Sainte Famille (d'après Raphaël); cadre sculpté et doré. Toile, cent. 51 X 42

La Sainte Famille (d'après Raphaël); cadre sculpté et doré. Toile, cent. 51 X 42 PDF Author: Raphael
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La Sainte Famille avec Sainte Catherine et Saint Zacharie. Bois. Haut. 62 cent., larg. 53 cent

La Sainte Famille avec Sainte Catherine et Saint Zacharie. Bois. Haut. 62 cent., larg. 53 cent PDF Author: Parmigianino
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SAINTE FAMILLE. Fond paysage. Toile, haut. [?] cent., larg. 20 cent

SAINTE FAMILLE. Fond paysage. Toile, haut. [?] cent., larg. 20 cent PDF Author: Salvi Castellucci
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La Sainte Famille, saint Jean et sainte Catherine. Cadre en bois sculpté et doré (bois; l. 0.54; h. 0.68).

La Sainte Famille, saint Jean et sainte Catherine. Cadre en bois sculpté et doré (bois; l. 0.54; h. 0.68). PDF Author: Italian school
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Sainte Catherine feuilletant un livre et tenant la palme du martyre. Cadre noir. Toile. Haut, 82 cent.; larg. 61 cent

Sainte Catherine feuilletant un livre et tenant la palme du martyre. Cadre noir. Toile. Haut, 82 cent.; larg. 61 cent PDF Author: Venetian school
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The Violence of Modernity

The Violence of Modernity PDF Author: Debarati Sanyal
Publisher: JHU Press
ISBN: 1421429292
Category : Literary Criticism
Languages : en
Pages : 289

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The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.

LA SAINTE FAMILLE. Toile. Cadre ancien, bois sculpté et doré. Haut. 0.75 - Larg. 0.70. Voir illustration, planche 29

LA SAINTE FAMILLE. Toile. Cadre ancien, bois sculpté et doré. Haut. 0.75 - Larg. 0.70. Voir illustration, planche 29 PDF Author: Giovanni Benedetto Castiglione
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La Vierge Marie, l'enfant Jésus, Sainte Catherine et Saint Joseph. Cadre noir et or. Toile en haut. M. 0,93 X 0,67

La Vierge Marie, l'enfant Jésus, Sainte Catherine et Saint Joseph. Cadre noir et or. Toile en haut. M. 0,93 X 0,67 PDF Author: Anonymous
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Pages : 0

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