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Author: Idurre Alonso
Publisher: Getty Publications
ISBN: 1606068202
Category : Photography
Languages : en
Pages : 290
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Book Description
This lavishly illustrated volume examines the work of the Venezuelan photographer and art historian Alfredo Boulton, one of the main intellectuals of Latin American modernity. Alfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence. Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from August 29, 2023, to January 21, 2024.
Author: Idurre Alonso
Publisher: Getty Publications
ISBN: 1606068202
Category : Photography
Languages : en
Pages : 290
Get Book Here
Book Description
This lavishly illustrated volume examines the work of the Venezuelan photographer and art historian Alfredo Boulton, one of the main intellectuals of Latin American modernity. Alfredo Boulton (1908–1995) is considered one of the most important champions of modern art in Venezuela and a key intellectual of twentieth-century modernism. He was a pioneer of modern photography, an art critic, a researcher and historian of Venezuelan art, a friend to many of the great artists and architects of the twentieth century, and an expert on the imagery of the heroes of his country’s independence. Yet, Boulton is shockingly underrecognized outside of his native land. The few exhibitions related to his work have focused exclusively on his photographic production; never has there been a project that looks at the full range of Boulton’s efforts, foregrounding his influence on the shaping of Venezuelan art. This volume addresses these lacunae by analyzing Boulton’s groundbreaking photographic practice, his central role in the construction of a modern national artistic canon, and his influence in formalizing and developing art history and criticism in Venezuela. Based on the extensive materials held in Boulton’s archive at the Getty Research Institute, Alfredo Boulton brings together essays by leading scholars in the field to offer a commanding, original perspective on his contributions to the formation of a distinctive modernity at home and beyond. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from August 29, 2023, to January 21, 2024.
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
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Book Description
Author: Jes S. S. Nchez-Ajofr N. Reverte
Publisher: Palibrio
ISBN: 1463318065
Category : Social Science
Languages : en
Pages : 215
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Book Description
La navegación por la vida, puede convertir a las personas en instruidos marineros. Saber dar soluciones en los momentos de mayor riesgo para el naufragio, es la prueba que te convierte en el hábil capitán de tu propio barco. Si toda esta aventura, queda argumentada y bien documentada, no hay duda que, sobrevivirá al inevitable, y definitivo naufragio por nuestra vida, como garantía para próximos navegadores. Mis cartas fueron llegando a importantes archivos de vanguardia: los periódicos aceptaron la información, y fueron testigos de escarpados viajes por mi mente. Cientos de artículos dirigidos a la sección de "cartas al director" fueron viendo la luz por toda la geografía nacional. Así, periódicos como El País, La Vanguardia, La Verdad, Diario de León, Diario La Nueva España de Oviedo, La Voz de Galicia, Diario de Mallorca, Diario Bahía de Cádiz, Diario Palentino, Diario de Burgos, El Norte de Castilla, Heraldo de Aragón (Zaragoza), El Correo Español-El Pueblo Vasco, Diario Montañés de Santander, Diario Sur (Málaga, Marbella y Melilla). De esta manera, se convirtieron en 'notarios' de mis aventuras. La revista XL Semanal de gran tirada nacional, me convirtió en marinero de alto rango al haberme premiado en el apartado de carta de la semana, la enviada con el título: El Reloj de mi abuelo (dedicada con todo el cariño, a la muerte de mi padre) con un comentario de Lorenzo Silva (abogado y escritor); además de haberme publicado otras tantas de opinión. Este libro, se convierte por tanto, en un torrente variado, ante sentimientos e ideas de la vida. El Autor http: //jsreverte.com/
Author: Luisa Benion
Publisher: Page Publishing Inc
ISBN: 1662460368
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
Desde el momento en que Peter tuvo conciencia del sentido de su existencia (5 años de edad), sintió la energía única del Caribe, la magia de Cuba que moldeó su destino sin igual. Peter, un niño con genio artístico y una sensibilidad extraordinaria, es víctima de abuso físico; al saber esto de manera accidental, su abuela y confidente, acude a la santería como un recurso para liberarlo de dicho trauma y esta experiencia trae consigo predicciones que llenan esta historia de esoterismo al estilo Caribe, en la lucha de Peter por superar las debilidades del ego y su encuentro con ley de atracción. Al ser víctima del gobierno castrista, la madre de Peter decide inmigrar a Nueva York y, a pesar del increíble desafío de empezar una nueva vida en un país foráneo y con recursos, dramáticamente, limitados, la cadena de personajes que Peter conoce en el trayecto de su vida es sin igual: Che Guevara, Fidel Castro, Liza Minelli, Oscar de la Renta, Mia Farrow, Truman Capote, Vidal Sassoon, Jaqueline Kennedy, Diana Ross, Whitney Houston y muchos más. Esta historia cuenta con la influencia esotérica de la cultura cubana, por medio de las predicciones de Isabel, la bruja santera, (entre ellas develar a los asesinos de Kennedy y Marilyn Monroe), y a la vez, varios enfoques como el de Neale Donald, “Conversations with God”, Abraham Hicks, “Ask and it is given”, Facundo Cabral “Este es un nuevo día”.
Author: Roberto Cantú
Publisher: Cambridge Scholars Publishing
ISBN: 1443874124
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Carlos Fuentes (1928–2012) was the most prominent novelist in contemporary Mexico and, until his recent death, one of the leading voices in Latin America’s Boom generation. He received the most prestigious awards and prizes in the world, including the Latin Civilization Award (presented by the Presidents of Brazil, Mexico, and France), the Miguel de Cervantes Prize, and the Prince of Asturias Award. During his fecund and accomplished life as a writer, literary theorist, and political analyst, Fuentes turned his attention to the major conflicts of the twentieth century – from the Second World War and the Cuban Revolution, to the Soviet invasion of Czechoslovakia, the war in Vietnam, and the post-revolutionary crisis of the one-party rule in Mexico – and attended to their political and international importance in his novels, short fiction, and essays. Known for his experimentation in narrative techniques, and for novels and essays written in a global range that illuminate the conflicts of our times, Fuentes’s writings have been rightfully translated into most of the world’s languages. His literary work continues to spur and provoke the interest of a global readership on diverse civilizations and eras, from Imperial Spain and post-revolutionary France, to Ancient and Modern Mexico, the United States, and Latin America. The Reptant Eagle: Essays on Carlos Fuentes and the Art of the Novel includes nineteen essays and one full introduction written exclusively for this volume by renowned Fuentes scholars from Asia, Europe, the United States, and Latin America. Collected into five parts, the essays integrate wide-ranging methods and innovative readings of The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975) and, among other novels, Distant Relations (1980); they analyze the visual arts in Fuentes’s novels (Diego Rivera’s murals and world film); chart and comment on the translations of Fuentes’s narratives into Japanese and Romanian; and propose comprehensive readings of The Buried Mirror (1992) and Personas (2012), Fuentes’s posthumous book of essays. Beyond their comprehensive and interdisciplinary scope, the book’s essays trace Fuentes’s conscious resolve to contribute to the art of the novel and to its uninterrupted tradition, from Cervantes and Rabelais to Thomas Mann and Alejo Carpentier, and from the Boom generation to Latin America’s “Boomerang” group of younger writers. This book will be of importance to literary critics, teachers, students, and readers interested in Carlos Fuentes’s world-embracing literary work.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1094
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Book Description
Author: Zanna Gilbert
Publisher: Getty Publications
ISBN: 1606067230
Category : Art
Languages : en
Pages : 338
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Book Description
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. Drawing on research conducted by Getty and international partners, the essays in this volume address a variety of topics, including the general history, emergence, and reception of Concrete art; processes and color; scientific analysis of works; illustrated chronologies of the paint industry in Brazil and Argentina; and Concrete design on paper. An innovative technical study of the Concrete art movement in Latin America, this volume will be indispensable to scholars, practitioners, and students of Latin American art.
Author: Tatiana Flores
Publisher: Yale University Press
ISBN: 0300184484
Category : Art
Languages : en
Pages : 360
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Book Description
"A groundbreaking look at avant-garde art and literature in the wake of the Mexican Revolution, illustrating Mexico City's importance as a major center for the development of modernism"--Provided by publisher.
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
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Book Description
Author: Claire Farago
Publisher: Routledge
ISBN: 1351551299
Category : Art
Languages : en
Pages : 648
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Book Description
For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his Treatise on Painting, first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors. The cross-cultural approach employed here demonstrates that Leonardo's Treatise on Painting is an ideal case study through which to chart the institutionalization of art in Europe and beyond for 400 years. The volume includes original essays by scholars studying a wide variety of national and institutional settings. The coherence of the volume is established by the shared subject matter and interpretative aim: to understand how Leonardo's ideas were used. With its focus on the active reception of an important text overlooked in studies of the artist's solitary genius, the collection takes Leonardo studies to a new level of historical inquiry. Leonardo da Vinci's most significant contribution to Western art was his interpretation of painting as a science grounded in geometry and direct observation of nature. One of the most important questions to emerge from this study is, what enabled the same text to produce so many different styles of painting?
