Fenella, ossia, La Muta di Portici. Melodramma in quattro parti [and in verse], da rappresentarsi nel ... Teatro La Fenice il carnovale dall'anno 1831, etc. [Adapted from “La Muette de Portici” by A. E. Scribe and G. Delavigne.] PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Fenella, ossia, La Muta di Portici. Melodramma in quattro parti [and in verse], da rappresentarsi nel ... Teatro La Fenice il carnovale dall'anno 1831, etc. [Adapted from “La Muette de Portici” by A. E. Scribe and G. Delavigne.] PDF full book. Access full book title Fenella, ossia, La Muta di Portici. Melodramma in quattro parti [and in verse], da rappresentarsi nel ... Teatro La Fenice il carnovale dall'anno 1831, etc. [Adapted from “La Muette de Portici” by A. E. Scribe and G. Delavigne.] by Gaetano ROSSI (Dramatist.). Download full books in PDF and EPUB format.
![Fenella, ossia, La Muta di Portici. Melodramma in quattro parti [and in verse], da rappresentarsi nel ... Teatro La Fenice il carnovale dall'anno 1831, etc. [Adapted from “La Muette de Portici” by A. E. Scribe and G. Delavigne.] PDF](https://books.google.com/books/content/images/frontcover/DqZWAAAAcAAJ?fife=w150-h200)
Author: Gaetano ROSSI (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
![Fenella, ossia, La Muta di Portici. Melodramma in quattro parti [and in verse], da rappresentarsi nel ... Teatro La Fenice il carnovale dall'anno 1831, etc. [Adapted from “La Muette de Portici” by A. E. Scribe and G. Delavigne.] PDF](https://books.google.com/books/content/images/frontcover/DqZWAAAAcAAJ?fife=w80-h100)
Author: Gaetano ROSSI (Dramatist.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 838
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Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 592
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Author: Rachel N. Becker
Publisher: Taylor & Francis
ISBN: 1003854567
Category : Music
Languages : en
Pages : 209
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Book Description
This book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century. Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443825972
Category : Music
Languages : en
Pages : 420
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Book Description
Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
Author: Perth (W.A.). Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 618
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Author: Gaetana Marrone
Publisher: Routledge
ISBN: 1135455295
Category : Literary Criticism
Languages : en
Pages : 2258
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Book Description
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Author: Henry White
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Author: Western Australia. Public Library, Perth
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 608
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Book Description
Author: Harris M. Lentz III
Publisher: McFarland
ISBN: 1476670331
Category : Performing Arts
Languages : en
Pages : 440
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Book Description
The entertainment world lost many notable talents in 2018, including movie icon Burt Reynolds, "Queen of Soul" Aretha Franklin, celebrity chef and food critic Anthony Bourdain, bestselling novelist Anita Shreve and influential Chicago blues artist Otis Rush. Obituaries of actors, filmmakers, musicians, producers, dancers, composers, writers, animals and others associated with the performing arts who died in 2018 are included. Date, place and cause of death are provided for each, along with a career recap and a photograph. Filmographies are given for film and television performers.
