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Author: Justine De Young
Publisher: Bloomsbury Publishing
ISBN: 1786722240
Category : Art
Languages : en
Pages : 288
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Book Description
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Author: Justine De Young
Publisher: Bloomsbury Publishing
ISBN: 1786722240
Category : Art
Languages : en
Pages : 288
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Book Description
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Author: Algirdas Julien Greimas
Publisher: Presses Universitaires de France - PUF
ISBN:
Category : Clothing and dress
Languages : fr
Pages : 488
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Book Description
Cet ouvrage rassemble quelques écrits de jeunesse : La mode en 1830 -- Quelques reflets de la vie sociale en 1830 -- Actualité du saussurisme -- Analyse du contenu. Comment définir les indéfinis Il est préfacé par Michel ARRIVE qui expose de façon très stimulante ce qui devrait constituer le point de vue théorique et épistémologique des sémioticiens d'aujourd'hui sur les premiers travaux du fondateur de l'Ecole de Paris. Dans son introduction, Thomas Broden adpote un point de vue plus documentaire, centré sur les aspects historiques et sociaux de ces premiers écrits sémio-linguistiques de l'auteur de "Sémantique structurale". Les textes ont été établis par Thomas F. Broden et Françoise Rivaux, ce qui a nécessité un lourd travail résultant des regards croisés des deux chercheurs. Pages de début Avertissement Préface mêlée de souvenirs sur la préhistoire de la sémiotique Avant-dire : A. J. Greimas et la linguistique française Illustrations La mode en 1830. Essai de description du vocabulaire vestimentaire d'après les journaux de mode de l'époque. Thèse pour le doctorat ès lettres présentée à la Faculté des lettres de l'Université de Paris (1948) Avant-propos Préface. Objets et méthodes Introduction. Les conceptions de l'élégance vestimentaire 1. Les vêtements et le vêtement 2. Toilette masculine 3. Toilette féminine 4. Matières servant a la confection des vêtements 5. Soins du corps Conclusion Appendice I. Noms de fleurs employées dans la coiffure Appendice II. Noms de couleurs Appendice III. Noms de tissus à fils rectilignes Appendice IV. Noms de points de broderie Quelques reflets de la vie sociale en 1830 dans le vocabulaire des journaux de mode de l'époque. Thèse secondaire (1948) Avant-propos 1. Les nouvelles conditions économiques et sociales 2. Les caractères extérieurs de l'état d'âme romantique 3. L'influence anglaise Conclusion Bibliographie. Ouvrages cités dans les deux thèses Index Sigles et abréviations. Dictionnaires L'actualité du saussurisme Analyse du contenu : Comment définir les indéfinis ? Encore les indéfinis Bibliographie des publications de A. J.Greimas Pages de fin.
Author: Max von Boehn
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 262
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Book Description
Author: Janis Bergman-Carton
Publisher: Yale University Press
ISBN: 9780300053807
Category : Art
Languages : en
Pages : 288
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Book Description
Women in 19th-century French art were represented as victims of a harsh urban working-class life. This book offers the argument that this representation obscured the model woman of ideas, a prominent figure in the narratives of French national and sexual politics.
Author: Jo Gérard
Publisher:
ISBN:
Category : Costume
Languages : fr
Pages : 0
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Book Description
Author: Roland Barthes
Publisher: A&C Black
ISBN: 1472534328
Category : Language Arts & Disciplines
Languages : en
Pages : 224
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Book Description
Roland Barthes was one of the most widely influential thinkers of the 20th Century and his immensely popular and readable writings have covered topics ranging from wrestling to photography. The semiotic power of fashion and clothing were of perennial interest to Barthes and The Language of Fashion - now available in the Bloomsbury Revelations series - collects some of his most important writings on these topics. Barthes' essays here range from the history of clothing to the cultural importance of Coco Chanel, from Hippy style in Morocco to the figure of the dandy, from colour in fashion to the power of jewellery. Barthes' acute analysis and constant questioning make this book an essential read for anyone seeking to understand the cultural power of fashion.
Author: Edgar Saltus
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Susan Hiner
Publisher: University of Pennsylvania Press
ISBN: 0812205332
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
Accessories to Modernity explores the ways in which feminine fashion accessories, such as cashmere shawls, parasols, fans, and handbags, became essential instruments in the bourgeois idealization of womanhood in nineteenth-century France. Considering how these fashionable objects were portrayed in fashion journals and illustrations, as well as fiction, the book explores the histories and cultural weight of the objects themselves and offers fresh readings of works by Balzac, Flaubert, and Zola, some of the most widely read novels of the period. As social boundaries were becoming more and more fluid in the nineteenth century, one effort to impose order over the looming confusion came, in the case of women, through fashion, and the fashion accessory thus became an ever more crucial tool through which social distinction could be created, projected, and maintained. Looking through the lens of fashion, Susan Hiner explores the interplay of imperialist expansion and domestic rituals, the assertion of privilege in the face of increasing social mobility, gendering practices and their relation to social hierarchies, and the rise of commodity culture and woman's paradoxical status as both consumer and object within it. Through her close focus on these luxury objects, Hiner reframes the feminine fashion accessory as a key symbol of modernity that bridges the erotic and proper, the domestic and exotic, and mass production and the work of art while making a larger claim about the "accessory" status—in terms of both complicity and subordination—of bourgeois women in nineteenth-century France. Women were not simply passive bystanders but rather were themselves accessories to the work of modernity from which they were ostensibly excluded.
Author: Jillian Lerner
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773555145
Category : Art
Languages : en
Pages :
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Book Description
Nineteenth-century Paris is often celebrated as the capital of modernity. However, this story is about cultural producers who were among the first to popularize and profit from that idea. Graphic Culture investigates the graphic artists and publishers who positioned themselves as connoisseurs of Parisian modernity in order to market new print publications that would amplify their cultural authority while distributing their impressions to a broad public. Jillian Lerner's exploration of print culture illuminates the changing conditions of vision and social history in July Monarchy Paris. Analyzing a variety of caricatures, fashion plates, celebrity portraits, city guides, and advertising posters from the 1830s and 1840s, she shows how quotidian print imagery began to transform the material and symbolic dimensions of metropolitan life. The author's interdisciplinary approach situates the careers and visual strategies of illustrators such as Paul Gavarni and Achille Devéria in a broader context of urban entertainments and social practices; it brings to light a rich terrain of artistic collaboration and commercial experimentation that linked the worlds of art, literature, fashion, publicity, and the theatre. A timely historical meditation on the emergence of a commercial visual culture that prefigured our own, Graphic Culture traces the promotional power of artistic celebrities and the crucial perceptual and social transformations generated by new media.
Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
