La Grande Manière

La Grande Manière PDF Author: Donald A. Rosenthal
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 188

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Book Description

La Grande Manière

La Grande Manière PDF Author: Donald A. Rosenthal
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 188

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Book Description


La Grande Manière

La Grande Manière PDF Author: University (Rochester, NY)
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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La Grande Maniere. Historical and Religious Painting in France3 1700-1800

La Grande Maniere. Historical and Religious Painting in France3 1700-1800 PDF Author: Donald A. Rosenthal
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Book Description


Painting and Sculpture in France, 1700-1789

Painting and Sculpture in France, 1700-1789 PDF Author: Michael Levey
Publisher: Yale University Press
ISBN: 9780300064940
Category : Art
Languages : en
Pages : 344

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Book Description
Discusses the major painters and sculptors of the period during the last years of France's ancien regime - a period that started with Watteau and the fete galante and closed with the revolutionary history paintings of David.

Representing Belief

Representing Belief PDF Author: Michael Paul Driskel
Publisher: Penn State Press
ISBN: 9780271042701
Category : Art
Languages : en
Pages : 248

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Book Description
Representing Belief provides a detailed discussion and analysis of the forms and meanings in religious art of nineteenth-century France. This genre, usually assigned minimal importance by writers on the period, turns out to occupy a central place in the cultural history of the era, touching the core of the century's conflict between tradition and modernity, science and faith, ultramontanism and naturalism. Although it was generally assumed that this kind of art was of little importance in the evolution of modern painting, Driskel demonstrates that in reality it played a crucial role. Many of the artists discussed are firmly installed in the present canon (Delacroix, Ingres, Manet, Gauguin), while others (Flandrin, Orsel, Gleyre, Cazin) were major figures in their own time, though largely forgotten today. Writing from an interdisciplinary perspective and employing concepts derived from structuralist and poststructuralist theory, Driskel moves beyond simple formalism to restore a category of once-important works to a meaningful context, thereby offering others a model by which to discuss and interpret these paintings. Carefully charting the genealogies of hieraticism and naturalism, he demonstrates that a dramatic shift occurred in the 1860s and 1870s as naturalism gained acceptance among ultramontanes and the hieratic mode began to attract the interest of adherents to the belief system of modernism. Representing Belief is the first book to situate this art in its social and historical contexts and to approach it from this point of view.

Figure and Fantasy in French Painting, 1650-1800

Figure and Fantasy in French Painting, 1650-1800 PDF Author: Robert Barry Simon
Publisher:
ISBN:
Category : Fantasy in art
Languages : en
Pages : 80

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Book Description


Historical Dictionary of Rococo Art

Historical Dictionary of Rococo Art PDF Author: Jennifer D. Milam
Publisher: Scarecrow Press
ISBN: 0810879522
Category : Art
Languages : en
Pages : 336

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Book Description
Historical Dictionary of Rococo Art covers all aspects of Rococo art history through a chronology, an introductory essay, a review of the literature, an extensive bibliography, and over 350 cross-referenced dictionary entries on prominent Rococo painters, sculptors, decorative artists, architects, patrons, theorists, and critics, as well as major centers of artistic production. This book is an excellent access point for students, researchers, and anyone wanting to know more about Rococo art.

The Age of Watteau, Chardin, and Fragonard

The Age of Watteau, Chardin, and Fragonard PDF Author: Musée des beaux-arts du Canada (Ottawa)
Publisher: Yale University Press
ISBN: 0300099460
Category : Art
Languages : en
Pages : 432

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Book Description
Leading scholars shed light on the development of genre painting in this heavily illustrated volume.

French and British Paintings from 1600 to 1800 in the Art Institute of Chicago

French and British Paintings from 1600 to 1800 in the Art Institute of Chicago PDF Author: Art Institute of Chicago
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 336

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Book Description
The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.

Paolo de Matteis

Paolo de Matteis PDF Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351555073
Category : Art
Languages : en
Pages : 502

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Book Description
This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons? aesthetic ideals and agendas. Following a meticulous examination of the ways in which posterity?s impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artist?s most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.