Baroque New Worlds PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Baroque New Worlds PDF full book. Access full book title Baroque New Worlds by Lois Parkinson Zamora. Download full books in PDF and EPUB format.
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
Get Book Here
Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: Lois Parkinson Zamora
Publisher: Duke University Press
ISBN: 0822392526
Category : Literary Criticism
Languages : en
Pages : 690
Get Book Here
Book Description
Baroque New Worlds traces the changing nature of Baroque representation in Europe and the Americas across four centuries, from its seventeenth-century origins as a Catholic and monarchical aesthetic and ideology to its contemporary function as a postcolonial ideology aimed at disrupting entrenched power structures and perceptual categories. Baroque forms are exuberant, ample, dynamic, and porous, and in the regions colonized by Catholic Europe, the Baroque was itself eventually colonized. In the New World, its transplants immediately began to reflect the cultural perspectives and iconographies of the indigenous and African artisans who built and decorated Catholic structures, and Europe’s own cultural products were radically altered in turn. Today, under the rubric of the Neobaroque, this transculturated Baroque continues to impel artistic expression in literature, the visual arts, architecture, and popular entertainment worldwide. Since Neobaroque reconstitutions necessarily reference the European Baroque, this volume begins with the reevaluation of the Baroque that evolved in Europe during the late nineteenth century and the early twentieth. Foundational essays by Friedrich Nietzsche, Heinrich Wölfflin, Walter Benjamin, Eugenio d’Ors, René Wellek, and Mario Praz recuperate and redefine the historical Baroque. Their essays lay the groundwork for the revisionist Latin American essays, many of which have not been translated into English until now. Authors including Alejo Carpentier, José Lezama Lima, Severo Sarduy, Édouard Glissant, Haroldo de Campos, and Carlos Fuentes understand the New World Baroque and Neobaroque as decolonizing strategies in Latin America and other postcolonial contexts. This collection moves between art history and literary criticism to provide a rich interdisciplinary discussion of the transcultural forms and functions of the Baroque. Contributors. Dorothy Z. Baker, Walter Benjamin, Christine Buci-Glucksmann, José Pascual Buxó, Leo Cabranes-Grant, Haroldo de Campos, Alejo Carpentier, Irlemar Chiampi, William Childers, Gonzalo Celorio, Eugenio d’Ors, Jorge Ruedas de la Serna, Carlos Fuentes, Édouard Glissant, Roberto González Echevarría, Ángel Guido, Monika Kaup, José Lezama Lima, Friedrich Nietzsche, Mario Praz, Timothy J. Reiss, Alfonso Reyes, Severo Sarduy, Pedro Henríquez Ureña, Maarten van Delden, René Wellek, Christopher Winks, Heinrich Wölfflin, Lois Parkinson Zamora
Author: Christine Buci-Glucksmann
Publisher: Ohio University Press
ISBN: 0821444379
Category : Philosophy
Languages : en
Pages : 195
Get Book Here
Book Description
Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.
Author: Hanneke Grootenboer
Publisher: University of Chicago Press
ISBN: 0226309703
Category : Art
Languages : en
Pages : 222
Get Book Here
Book Description
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Author: Bracha Ettinger
Publisher: U of Minnesota Press
ISBN: 9780816635870
Category : Social Science
Languages : en
Pages : 272
Get Book Here
Book Description
Artist, psychoanalyst, and feminist theorist Bracha Ettinger presents an original theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. Ettinger works through Lacan’s late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition. She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, before they are differentiated. This is the matrixial realm, a shareable, psychic dimension that underlies the individual unconscious and experience. Concerned with collective trauma and memory, Ettinger’s own experience as an Israeli living with the memory of the Holocaust is a deep source of inspiration for her paintings, several of which are reproduced in the book. The paintings, like the essays, replay the relation between the visible and invisible, the sayable and ineffable; the gaze, the subject, and the other. Bracha Ettinger is a painter and a senior clinical psychologist. She is professor of psychoanalysis and aesthetics at the University of Leeds, England, and Bezalel Academy, Jerusalem. Judith Butler is professor of rhetoric and comparative literature at the University of California, Berkeley. Griselda Pollock is professor of fine arts at the University of Leeds. Brian Massumi is professor of communication at the University of Montreal.
Author: Erik S. Roraback
Publisher: BRILL
ISBN: 900433985X
Category : Literary Criticism
Languages : en
Pages : 311
Get Book Here
Book Description
In his pioneering study The Philosophical Baroque: On Autopoietic Modernities, Erik S. Roraback argues that modern culture, contemplated over its four-century history, resembles nothing so much as the pearl famously described, by periodizers of old, as irregular, barroco. Reframing modernity as a multi-century baroque, Roraback steeps texts by Shakespeare, Henry James, Joyce, and Pynchon in systems theory and the ideas of philosophers of language and culture from Leibniz to such dynamic contemporaries as Luhmann, Benjamin, Blanchot, Deleuze and Guattari, Lacan, and Žižek. The resulting brew, high in intellectual caffeine, will be of value to all who take an interest in cultural modernity—indeed, all who recognize that “modernity” was (and remains) a congeries of competing aesthetic, economic, historical, ideological, philosophical, and political energies
Author: Paul Hernadi
Publisher: Duke University Press
ISBN: 9780822309345
Category : Language Arts & Disciplines
Languages : en
Pages : 252
Get Book Here
Book Description
Author: Zsuzsa Baross
Publisher: Liverpool University Press
ISBN: 1837641668
Category : Philosophy
Languages : en
Pages : 173
Get Book Here
Book Description
In 2004, Jacques Derrida gave one of his final interviews prior to his death. Regarding the future of his work, Derrida advanced two contradictory hypotheses: "I will not be read"; and "despite a handful of good readers ...I am yet to be read". This book is an homage to the spirit of Derrida, and seeks to grasp the significance of his death.
Author: Fred Evans
Publisher: State University of New York Press
ISBN: 0791492036
Category : Philosophy
Languages : en
Pages : 293
Get Book Here
Book Description
Some of the best interpretations and evaluations of Merleau-Ponty's innovative notions of chiasm and flesh are presented here by prominent scholars from the United States and Europe. Divided into three sections, the book first establishes the notion of the flesh as a consistent concept and unfolds the nuances of flesh that make it a compelling idea. The second section adds to the force of this idea by showing how flesh can be extended to phenomena that Merleau-Ponty was not able to treat, such as the internet and virtual reality, and the third offers criticisms of Merleau-Ponty from feminist and Levinasian points of view. All the essays attest to the fecundity of Merleau-Ponty's later thought for such central philosophical issues as the bonds between self, others, and the world. Contributors include Renaud Barbaras, Mauro Carbone, Edward S. Casey, Suzanne L. Cataldi, Tina Chanter, Françoise Dastur, Jean Greisch, Lawrence Hass, Marjorie Hass, James Hatley, Henri Maldiney, Linda Martin Alcoff, Berhard Waldenfels, Gail Weiss, Hugh J. Silverman, and Edith Wyschogrod.
Author: Philippe Delerm
Publisher: iUniverse
ISBN: 1583481826
Category :
Languages : en
Pages : 278
Get Book Here
Book Description
[This book is written in French.] Philippe Delerm nous entraîne dans le périple insensé des peintres préraphaélites. Une aventure envoûtante où des personnages se déchirent. Un destin en clair-obscur. On se demande si le faste n'est pas le comble de la misère, et si le recours aux paradis artificiels ne masque pas d'autres détresses. Philippe Delerm draws us into the insane world of the pre-raphaelite painters. A spellbinding adventure in which characters tear each other apart. A destiny in chiaroscuro. It makes us wonder whether splendor is the height of misery, and whether the resort to artificial Edens is simply a mask for other troubles.
Author: Mieke Bal
Publisher: Stanford University Press
ISBN: 9780804728089
Category : Literary Criticism
Languages : en
Pages : 308
Get Book Here
Book Description
In The Mottled Screen, the author challenges the view that literary texts cannot be examined by words alone, arguing that images also play a role in the interpretation process.
