Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 258
Book Description
Rome
Author: Rose Marie San Juan
Publisher: U of Minnesota Press
ISBN: 9780816637911
Category : History
Languages : en
Pages : 342
Book Description
"Focusing on images and descriptions of movement and spectacle - everyday street activities, congregations in market piazzas, life in the Jewish ghetto and the plague hospital, papal and other ceremonial processions, public punishment, and pilgrimage routes - Rose Marie San Juan uncovers the social tensions and conflicts within seventeenth-century Roman society that are both concealed within and prompted by mass-produced representations of the city. These depictions of Rome - guidebooks, street posters, broadsheets and brochures, topographic and thematic maps, city views, and collectible images of landmarks and other famous sights - redefined the ways in which public space was experienced, controlled, and utilized, encouraging tourists, pilgrims, and penitents while constraining the activities and movements of women, merchants, dissidents, and Jews."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: U of Minnesota Press
ISBN: 9780816637911
Category : History
Languages : en
Pages : 342
Book Description
"Focusing on images and descriptions of movement and spectacle - everyday street activities, congregations in market piazzas, life in the Jewish ghetto and the plague hospital, papal and other ceremonial processions, public punishment, and pilgrimage routes - Rose Marie San Juan uncovers the social tensions and conflicts within seventeenth-century Roman society that are both concealed within and prompted by mass-produced representations of the city. These depictions of Rome - guidebooks, street posters, broadsheets and brochures, topographic and thematic maps, city views, and collectible images of landmarks and other famous sights - redefined the ways in which public space was experienced, controlled, and utilized, encouraging tourists, pilgrims, and penitents while constraining the activities and movements of women, merchants, dissidents, and Jews."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The cities and bishoprics of Phrygia
Author: William Mitchell Ramsay
Publisher:
ISBN:
Category : Bishops
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Bishops
Languages : en
Pages : 484
Book Description
The Cities and Bishoprics of Phrygia: pt. I. The Lycos Valley and south-western Phrygia
Author: Sir William Mitchell Ramsay
Publisher:
ISBN:
Category : Bishops
Languages : en
Pages : 486
Book Description
Publisher:
ISBN:
Category : Bishops
Languages : en
Pages : 486
Book Description
Giovanni Battista Rubini and the Bel Canto Tenors
Author: Dan H. Marek
Publisher: Scarecrow Press
ISBN: 0810886685
Category : Music
Languages : en
Pages : 439
Book Description
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
Publisher: Scarecrow Press
ISBN: 0810886685
Category : Music
Languages : en
Pages : 439
Book Description
Giovanni Battista Rubini (1794-1854) was a legendary tenor and the first 19th-century non-castrati male singer to become an international star of opera. The previous two centuries had been the era of the castrati, with tenors and basses relegated to character and supporting roles in the operas of their time. Rubini stood apart because he not only matched the castrati in coloratura and pathos, but he also had an extraordinarily high voice. With Rubini’s rise, and in his wake, several tenors came to sing roles written specifically for them by Rossini, Bellini, Donizetti, and many other lesser-known bel canto composers. Signaling the end of the dominance of castrati on stage, this period would last some 40 years until the advent of Grand Opera, Wagner, and Verdi and the appearance of the first so-called High C from the chest by Gilbert-Louis Duprez in 1837. Since then, the accepted tenor sound has followed the tradition epitomized by Enrico Caruso and, in our own era, Luciano Pavarotti and Placido Domingo. Many composers, conductor, and performers would come to regard bel canto dramatic operas as decorative and vapid until Maria Callas and Tulio Serafin demonstrated the heights this genre of opera could reach. However, opera directors and opera performers of late who have expressed an interest in reviving selected masterpieces from the bel canto tradition have found themselves confronted with the problem of locating tenors versed in the vocal techniques necessary to carry the high tessituras. In Giovanni Battista Rubini and the Bel Canto Tenors: History and Technique, Dan H. Marek explores the extraordinary life of Rubini in order to frame this special period in the history of opera and connect the technique of the castrati who were among Rubini’s instructors. Drawing on the work of Berton Coffin, Marek offers long-sought answers to the challenges presented by high tessitura of bel canto operas for tenors. To further assist working singers, Giovanni Battista Rubini and the Bel Canto Tenors includes over 60 pages of exercises written by Rubini himself before 1840, which Marek, for the first time ever has adapted to acoustical phonetics. Professional singers, teachers and their students, vocal coaches, and opera conductors will find this work indispensable as the only English-language work on high tessitura for tenor and soprano singing.
The Harmonicon
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 646
Book Description
The Harmonicon
Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 268
Book Description
The Quarterly Musical Magazine and Review
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 596
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 596
Book Description
Musical Standard
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 842
Book Description
The Examiner
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 850
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 850
Book Description