Author: Giovan Gualberto Bottarelli
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
La Famiglia in scompiglio; or the Family in an uproar. Drama giocoso ... da rappresentarsi sopra il Teatro di S. M. B. Ital. & Eng
Author: Giovan Gualberto Bottarelli
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Catalogue of Opera Librettos Printed Before 1800: Author list, composer list and aria index
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 520
Book Description
A History of Late Eighteenth Century Drama, 1750-1800
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 408
Book Description
Dictionary-catalogue of Operas and Operettas which Have Been Performed on the Public Stage
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
Book Description
Catalogue of the Library of the Sacred Harmonic Society
Author: Sacred Harmonic Society (London, England)
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 158
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 158
Book Description
Catalogue of the Library of the Sacred Harmonic Society
Author: Sacred Harmonic Society (London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
The Body, the Dance and the Text
Author: Brynn Wein Shiovitz
Publisher: McFarland
ISBN: 1476671893
Category : Performing Arts
Languages : en
Pages : 277
Book Description
This collection of new essays explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the "Other." Contributors draw on varied backgrounds to examine different movement practices. They focus on movement as a meaning-making process, including the choreographic act of writing. The challenges faced by marginalized bodies are discussed, along with the ability of a body to question, contest and re-write historical narratives.
Publisher: McFarland
ISBN: 1476671893
Category : Performing Arts
Languages : en
Pages : 277
Book Description
This collection of new essays explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the "Other." Contributors draw on varied backgrounds to examine different movement practices. They focus on movement as a meaning-making process, including the choreographic act of writing. The challenges faced by marginalized bodies are discussed, along with the ability of a body to question, contest and re-write historical narratives.
Music and Theatre in Handel's World
Author: Donald Burrows
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268
Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.