Author:
Publisher: Opera Journeys Publishing
ISBN:
Category : Art
Languages : en
Pages : 48
Book Description
A complete newly translated Libretto of Rossini;s Donna del Lago featuring Italian-English side-by-side and music highlight examples.
Rossini's La Donna del Lago Libretto
Author:
Publisher: Opera Journeys Publishing
ISBN:
Category : Art
Languages : en
Pages : 48
Book Description
A complete newly translated Libretto of Rossini;s Donna del Lago featuring Italian-English side-by-side and music highlight examples.
Publisher: Opera Journeys Publishing
ISBN:
Category : Art
Languages : en
Pages : 48
Book Description
A complete newly translated Libretto of Rossini;s Donna del Lago featuring Italian-English side-by-side and music highlight examples.
La Donna del Lago. The Lady of the Lake, a melodramatic opera, in two acts. [Founded by A. L. Tottola upon Sir W. Scott's “Lady of the Lake.”] Ital. and Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
Book Description
La Donna del Lago. The Lady of the Lake. A melodramatic opera, in two acts ... As represented at the King's Theatre, Haymarket, March 1837. [Libretto by A. L. Tottola.] Ital. & Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
La Donna del Lago; The Lady of the Lake. A melo-dramatic opera, in two acts. [By A. L. Tottola, founded on Sir Walter Scott's “Lady of the Lake.”] First performed at the King's Theatre ... The translation by W. J. Walter. Ital. & Eng
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 72
Book Description
La Donna del Lago. (Das Fräulein vom See.) Melodramma in due atti da rappresentarsi nel Reale Teatro di Sassonia. [By A. L. Tottola, based on Sir Walter Scott's “Lady of the Lake”.]
Author: Andrea Leone Tottola
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
Gioachino Rossini
Author: Denise Gallo
Publisher: Routledge
ISBN: 1135847010
Category : Music
Languages : en
Pages : 417
Book Description
Giochino Rossini: A Research and Information Guide is designed as a tool for those beginning to study the life and works of Gioachino Rossini as well as for those who wish to explore beyond the established biographies and commentaries. The first edition was published in 2001, and represented a survey of some 878 publications relating to the composer’s life and works. The second edition is revised and updated to include the more than 150 books and articles written in the field of Rossini studies since then. Contents range from sources published in the early decades of the nineteenth century to works currently in progress. General subject areas include Rossini's biography, historical and analytical studies of his operatic and non-operatic compositions, his personal and professional associations, and the reassessment of his role in the development of nineteenth-century music.
Publisher: Routledge
ISBN: 1135847010
Category : Music
Languages : en
Pages : 417
Book Description
Giochino Rossini: A Research and Information Guide is designed as a tool for those beginning to study the life and works of Gioachino Rossini as well as for those who wish to explore beyond the established biographies and commentaries. The first edition was published in 2001, and represented a survey of some 878 publications relating to the composer’s life and works. The second edition is revised and updated to include the more than 150 books and articles written in the field of Rossini studies since then. Contents range from sources published in the early decades of the nineteenth century to works currently in progress. General subject areas include Rossini's biography, historical and analytical studies of his operatic and non-operatic compositions, his personal and professional associations, and the reassessment of his role in the development of nineteenth-century music.
Opera in Paris from the Empire to the Commune
Author: Mark Everist
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511
Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
Publisher: Routledge
ISBN: 1351661019
Category : Music
Languages : en
Pages : 511
Book Description
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage. This change of emphasis is having an impact on the world of opera production, with new productions of works not heard since the nineteenth century taking their place in the modern repertory. This awakening of enthusiasm has come at something of a price. Selling French opera as little more than an important precursor to Verdi or Wagner has entailed a focus on works produced exclusively for the Paris Opéra at the expense of the vast range of other types of stage music produced in the capital: opéra comique, opérette, comédie-vaudeville and mélodrame, for example. The first part of this book therefore seeks to reintroduce a number of norms to the study of stage music in Paris: to re-establish contexts and conventions that still remain obscure. The second and third parts acknowledge Paris as an importer and exporter of opera, and its focus moves towards the music of its closest neighbours, the Italian-speaking states, and of its most problematic partners, the German-speaking states, especially the music of Weber and Wagner. Prefaced by an introduction that develops the volume’s overriding intellectual drivers of cultural exchange, genre and institution, this collection brings together twelve of the author’s previously published articles and essays, fully updated for this volume and translated into English for the first time.
Rethinking Difference in Music Scholarship
Author: Olivia Bloechl
Publisher: Cambridge University Press
ISBN: 1316194434
Category : Music
Languages : en
Pages : 451
Book Description
Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished contributors is a major contribution to this field, covering the key issues and offering an array of individual case studies and methodologies. It also grapples with the changed intellectual landscape since the 1990s. Criticism of difference-based knowledge has emerged from within and outside the discipline, and musicology has had to confront new configurations of difference in a changing world. This book addresses these and other such challenges in a wide-ranging theoretical introduction that situates difference within broader debates over recognition and explores alternative frameworks, such as redistribution and freedom. Voicing a range of perspectives on these issues, this collection reveals why differences and similarities among people matter for music and musical thought.
Publisher: Cambridge University Press
ISBN: 1316194434
Category : Music
Languages : en
Pages : 451
Book Description
Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished contributors is a major contribution to this field, covering the key issues and offering an array of individual case studies and methodologies. It also grapples with the changed intellectual landscape since the 1990s. Criticism of difference-based knowledge has emerged from within and outside the discipline, and musicology has had to confront new configurations of difference in a changing world. This book addresses these and other such challenges in a wide-ranging theoretical introduction that situates difference within broader debates over recognition and explores alternative frameworks, such as redistribution and freedom. Voicing a range of perspectives on these issues, this collection reveals why differences and similarities among people matter for music and musical thought.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
La dama del lago. Melodrama serio en dos actos, para representarse en el Teatro nacional de Mexico. [A translation of “La Donna del lago,” of A. L. Tottola, based on Sir Walter Scott's “Lady of the Lake.” With the Italian text.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
Book Description