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Author: Henri Breuil
Publisher:
ISBN:
Category : Altamira Cave (Spain)
Languages : es
Pages : 388
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Book Description
Author: Henri Breuil
Publisher:
ISBN:
Category : Altamira Cave (Spain)
Languages : es
Pages : 388
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Book Description
Author: C. Saiz-Jimenez
Publisher: CRC Press
ISBN: 1315739976
Category : Social Science
Languages : en
Pages : 329
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Book Description
This proceedings volume contains selected papers presented at the Workshop on the Conservation of the Subterranean Cultural Heritage, held 25-27 March 2014, in Seville, Spain. The workshop was organized by the Spanish Network of Science and Technology for the Conservation of Cultural Heritage (TechnoHeritage). Contributions cover the following fields: archaeology, history, conservation, maintenance and restoration, architectural sciences and engineering.
Author:
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 118
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Book Description
Author: Günter Berghaus
Publisher: Bloomsbury Publishing USA
ISBN: 0313059578
Category : Social Science
Languages : en
Pages : 278
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Book Description
Following the discovery of Franco-Caribbean cave art in the nineteenth century, standard interpretations of these works usually revolved around hunting, magic, and fertility cults. Orthodox positions such as these have weighed heavily on later generations of art historians, archaeologists, and anthropologists, even those whose views dissented from those of their predecessors. In the last few decades, however, new approaches to cave art, often based on discoveries made in Africa, Asia, Australia, North America, and the Arctic region, have produced new insights into possible meanings and functions of prehistoric paintings and sculptures. This new collection of essays explores these insights, gathering the observations of eight experts from a variety of disciplines, and examining some of the social and spiritual functions of a variety of artistic genres ranging from 40,000 B.C. to 5,000 B.C. These insights, which derive from evolutionary biology, feminist scholarship, ritual studies, and new modes of anthropology, argue collectively that prehistoric art was a culture-specific form of communication that should be interpreted in the social context of early hunger-gatherer societies and should not be measured with the criteria and paradigms of modern art. Essential reading for anyone interested in prehistoric art or its cultural implications, this volume represents a bold step forward in the research and analysis of the very first artists.
Author: Paul Pettitt
Publisher: Routledge
ISBN: 1136699090
Category : Social Science
Languages : en
Pages : 352
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Book Description
Humans are unique in that they expend considerable effort and ingenuity in disposing of the dead. Some of the recognisable ways we do this are visible in the Palaeolithic archaeology of the Ice Age. The Palaeolithic Origins of Human Burial takes a novel approach to the long-term development of human mortuary activity – the various ways we deal with the dead and with dead bodies. It is the first comprehensive survey of Palaeolithic mortuary activity in the English language. Observations in the modern world as to how chimpanzees behave towards their dead allow us to identify ‘core’ areas of behaviour towards the dead that probably have very deep evolutionary antiquity. From that point, the palaeontological and archaeological records of the Pliocene and Pleistocene are surveyed. The core chapters of the book survey the mortuary activities of early hominins, archaic members of the genus Homo, early Homo sapiens, the Neanderthals, the Early and Mid Upper Palaeolithic, and the Late Upper Palaeolithic world. Burial is a striking component of Palaeolithic mortuary activity, although existing examples are odd and this probably does not reflect what modern societies believe burial to be, and modern ways of thinking of the dead probably arose only at the very end of the Pleistocene. When did symbolic aspects of mortuary ritual evolve? When did the dead themselves become symbols? In discussing such questions, The Palaeolithic Origins of Human Burial offers an engaging contribution to the debate on modern human origins. It is illustrated throughout, includes up-to-date examples from the Lower to Late Upper Palaeolithic, including information hitherto unpublished.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 914
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Book Description
Author: Primitiva Bueno-Ramírez
Publisher: Archaeopress Publishing Ltd
ISBN: 1784912239
Category : Social Science
Languages : en
Pages : 190
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Book Description
The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
Author: Magda Polo Pujadas
Publisher: Ed. Universidad de Cantabria
ISBN: 9788481029154
Category : Art
Languages : en
Pages : 372
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Book Description
One of the most difficult challenges a music theoretician faces, be it historically, philosophically or in other aspects, is that of correctly and precisely framing the meaning that music has in a specific moment: deducing the “why” and revealing the secret hidden within. The book Pure and Programme Music in the Romanticism, a rigorous and indispensable study to understand music in the period in which music as an expression of feelings, begins to reach the threshold of the sublime —primarily focusing attention on what pure and programme music represent. Both types of music are instrumental, but the difference between them is that the first one, pure music, exists on its own, and for its own sake, establishing an iron-clad alliance with the form. Programme music is inspired by other forms of artistic expression, especially literature, and is indelibly linked with the content. However, halfway between these two types of music, a new one is born: absolute music. This music is the result from the dialectic established between the pure and programme, exactly in the middle of two opposing philosophies, that of Idealism and that of Materialism. All of this context described in this book is what defines the essence of Romantic music but also what allows us to understand the music of the twentieth century and that of today, because the controversy between pure music and programme music has represented, in the history of western musical thought, the turning point that led to the creation of the Gesamtkunstwerk (Total Work of Art) and the relationship between music and film, for example, as well as other artistic expressions.
Author: César González Sainz
Publisher: Ed. Universidad de Cantabria
ISBN: 9788481023442
Category : History
Languages : en
Pages : 202
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Book Description
Base de datos elaborada por el Departamento de Ciencias Históricas de la Universidad de Cantabria que recoge documentación gráfica sobre el arte paleolítico en el norte de España.
Author: Ana M. S. Bettencourt
Publisher: Oxbow Books
ISBN: 1789254914
Category : Social Science
Languages : en
Pages : 492
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Book Description
Weapons and tools are frequently found depicted in rock art in many parts of the globe and different periods and in varying social contexts. This collection of papers by leading rock art specialists examines the subjective and metaphorical value of weapons and tools in art, the actions that created them, and their contexts. It also takes into account that such representations incorporate and transmit some kind of understanding about the world and the relationship between objects and humans. Contributors analyse objects and weapons as status symbols, as evidences of cultural contacts, as ideological devices, etc. Divided into regional sections which, for once, do not focus on Scandinavia, chapters deal with the representations of weapons and certain kinds of tools (such as axes and sickles) in different prehistoric, protohistoric and traditional community contexts all over the world. Attention focuses on rock art, but also looks at stelae and statue-menhirs, as well as other kinds of ‘container’ or vehicle for this kind of depiction. The major concern is to discuss the possible meanings of these embodied signs in different areas and periods, since meanings are permeable both to time and space. Papers either centre their attention in broader approaches based on a specific area, region or people, or focus on particular case studies.
