Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
La Clemenza Di Tito; Or, The Clemency of Titus
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 74
Book Description
La Clemenza di Tito; or, the Clemency of Titus. A serious opera, in two acts: curtailed from Metastasio, etc. Ital. & Eng.Jpp. 59
Author: Pietro Metastasio
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 62
Book Description
La Clemenza Di Tito (The Clemency of Titus)
Author: Wolfgang Amadeus Mozart
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 48
Book Description
La Clemenza Di Tito
Author: John A. Rice
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Publisher: Cambridge University Press
ISBN: 9780521369497
Category : Music
Languages : en
Pages : 198
Book Description
The first book to be devoted to Mozart's opera, La clemenza di Tito, with historical and critical analysis.
Mozart
Author: Jan Swafford
Publisher: HarperCollins
ISBN: 0062433598
Category : Biography & Autobiography
Languages : en
Pages : 832
Book Description
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
Publisher: HarperCollins
ISBN: 0062433598
Category : Biography & Autobiography
Languages : en
Pages : 832
Book Description
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
Catalogue of Opera Librettos Printed Before 1800
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Librettos
Languages : en
Pages : 516
Book Description
Catalogue of Opera Librettos Printed Before 1800
Author: Oscar George Theodore Sonneck
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 516
Book Description
Mozart Reimagined
Author: Tyson Vick
Publisher: Lulu.com
ISBN: 9781329610491
Category : Art
Languages : en
Pages : 170
Book Description
Mozart Reimagined brings a fresh new perspective to the operas of renowned classical composer Wolfgang Amadeus Mozart. Nearly one hundred photographs by artist Tyson Vick illustrate scenes from each and every one of Mozart's theatrical works. Every image is lushly costumed and gorgeously staged, vividly bringing the stories and music of Mozart to life. Mozart Reimagined promises to be the most informative, humorous and entertaining book you will find about Mozart! Whether you love opera, hate opera or don't know a thing about opera, you will be positively yearning to listen to a Mozart opera after reading Mozart Reimagined.
Publisher: Lulu.com
ISBN: 9781329610491
Category : Art
Languages : en
Pages : 170
Book Description
Mozart Reimagined brings a fresh new perspective to the operas of renowned classical composer Wolfgang Amadeus Mozart. Nearly one hundred photographs by artist Tyson Vick illustrate scenes from each and every one of Mozart's theatrical works. Every image is lushly costumed and gorgeously staged, vividly bringing the stories and music of Mozart to life. Mozart Reimagined promises to be the most informative, humorous and entertaining book you will find about Mozart! Whether you love opera, hate opera or don't know a thing about opera, you will be positively yearning to listen to a Mozart opera after reading Mozart Reimagined.
Mozart's The Magic Flute
Author: Wolfgang Amadeus Mozart
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : de
Pages : 132
Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Publisher: Opera Journeys Publishing
ISBN: 0977145506
Category : Music
Languages : de
Pages : 132
Book Description
A comprehensive guide to Mozart's THE MAGIC FLUTE, featuring insightful and in depth Commentary and Analysis, a complete, newly translated Libretto with German/English translation side-by side, and over 30 music highlight examples.
Discourse on the State of the Jews
Author: Simone Luzzatto
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110528231
Category : History
Languages : en
Pages : 448
Book Description
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110528231
Category : History
Languages : en
Pages : 448
Book Description
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.