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Author: Louis Raemaekers
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 231
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Book Description
DigiCat Publishing presents to you this special edition of "Kultur in Cartoons" (With accompanying notes by well-known English writers) by Louis Raemaekers. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Louis Raemaekers
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 231
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Book Description
DigiCat Publishing presents to you this special edition of "Kultur in Cartoons" (With accompanying notes by well-known English writers) by Louis Raemaekers. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: Louis Raemaekers
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 244
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Book Description
A collection of wordless cartoons by Louis Raemaekers, reflecting particularly on the German atrocities during World War I and the Netherland's position during the war; each cartoon is accompanied by explanatory text.
Author: Sandy Northrop
Publisher: Routledge
ISBN: 1351532456
Category : Political Science
Languages : en
Pages : 204
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Book Description
From Benjamin Franklin's drawing of the first American political cartoon in 1754 to contemporary cartoonists' blistering attacks on George W. Bush and initial love-affair with Barack Obama, editorial cartoons have been a part of American journalism and politics. American Political Cartoons chronicles the nation's highs and lows in an extensive collection of cartoons that span the entire history of American political cartooning."Good cartoons hit you primitively and emotionally," said cartoonist Doug Marlette. "A cartoon is a frontal attack, a slam dunk, a cluster bomb." Most cartoonists pride themselves on attacking honestly, if ruthlessly. American Political Cartoons recounts many direct hits, recalling the discomfort of the cartoons' targets and the delight of their readers.Through skillful combination of pictures and words, cartoonists galvanize public opinion for or against their subjects. In the process they have revealed truths about us and our democratic system that have been both embarrassing and ennobling. Stephen Hess and Sandy Northrop note that not all cartoonists have worn white hats. Many have perpetuated demeaning ethnic stereotypes, slandered honest politicians, and oversimplified complex issues.
Author:
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983998607
Category :
Languages : en
Pages : 250
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Book Description
When his cartoons began to reach America toward the end of 1916 this country was neutral. It is with peculiar satisfaction, therefore, that I base this brief foreword upon press extracts published prior to America's participation in the war. If it were possible to discover today an individual who was entirely ignorant as to the causes and conduct of the war, he would, after an inspection of a hundred or more of these cartoons, probably utter his conviction somewhat as follows: "I do not believe that these drawings have the slightest relation to the truth; I do not believe that it is possible for such things to happen in the twenti-eth century." He would be quite justified, in his ignorance of what has happened in Europe, in expressing such an opinion, just as any of us, with the possible exception of the disciples of Bernhardi himself, would have been justified in expressing a similar view in July, 1914. What is the view of all informed people today? "To Raemaekers the war is not a topic, or a subject for charity. It is a vivid heartrending reality," says the New York "Evening Post," "and you come away from the rooms where his cartoons now hang so aware of what war is that mental neutrality is for you a horror. If you have slackened in your determination to find out, these cartoons are a slap in the face. Raemaekers drives home a universal point that concerns not merely Germans, but every country where royal decrees have supreme power. Shall one man ever be given the power to seek his ends, using the people as his pawns? We cannot look at the cartoons and remain in ignorance of exactly what is the basis of truth on which they are built." The "Philadelphia American" likens Raemaekers to a sensitized plate upon which the spirit which brought on the war has imprinted itself forever, and adds: "What he gives out on that subject is as pitilessly true as a photograph. They look down upon us in their naked truth, those pictures which are to be, before the judgment-seat of history, the last indictment of the German nation. Of all impressions, there is one which will hold you in its inexorable grip: it is that Louis Raemaekers has told you the truth."
Author: Louis Raemaekers
Publisher: Abela Publishing Ltd
ISBN: 8826455430
Category : Art
Languages : en
Pages : 246
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Book Description
Throughout history cartoons can have had a powerful psychological, emotional, and political impact. One hundred years before WWI, Napoleon is reported to have said that the English caricaturist James Gillray "did more than all the armies in Europe to bring me down.” During World War I, no cartoonist exercised more influence than Louis Raemaekers of Holland. Charged with "endangering Dutch neutrality," his cartoons led the German Government to offer a 12,000 guilder reward for his capture, dead or alive. A German newspaper, summarizing the terms of peace Germany would exact after it won the war, declared that “Indemnity would be demanded for every one of Raemaekers' cartoons.” Raemaekers cartoons were also instrumental in fighting against deeply entrenched American isolationism. When, in 1917, the United States entered the war, Raemaekers embarked on a lecture tour of the USA and Canada, rallying the new allies for support and arguing the case for mobilisation against the German Empire. The Christian Science Monitor commented “From the outset his works revealed something more than the humorous or ironical power of the caricaturist; they showed that behind the mere pictorial comment on the war was a man who thought and wrought with deep and uncompromising conviction as to right and wrong.” All too often art critics, art historians, aestheticians, and others have dismissed cartoons and caricatures as silly — not serious — trivial, and irrelevant. Yet, as you will see with the cartoons in this first volume, here are cartoons and caricatures that, in retrospect, possibly had more effect on the German High Command and German populace than possibly a new Allied offensive, giving weight to the adage “The Pen is Mightier than the Sword.” - if only pen and paper could have been used to greater effect in this, the Great War.
Author: Louis Raemaekers
Publisher:
ISBN:
Category : Advertising cards
Languages : en
Pages : 318
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Book Description
Author:
Publisher: IOS Press
ISBN:
Category :
Languages : en
Pages : 10439
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Book Description
Author:
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 904
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Book Description
Author: Matthew D'Auria
Publisher: Routledge
ISBN: 1351678450
Category : History
Languages : en
Pages : 265
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Book Description
Given the destruction and suffering caused by more than four years of industrialised warfare and economic hardship, scholars have tended to focus on the nationalism and hatred in the belligerent countries, holding that it led to a fundamental rupture of any sense of European commonality and unity. It is the central aim of this volume to correct this view and to highlight that many observers saw the conflict as a ‘European civil war’, and to discuss what this meant for discourses about Europe. Bringing together a remarkable range of compelling and highly original topics, this collection explores notions, images, and ideas of Europe in the midst of catastrophe.
Author: Guy Hansen
Publisher: National Library of Australia
ISBN: 0642279365
Category : Humor
Languages : en
Pages : 160
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Book Description
Cartoons can give us a pictorial history of Australia in a series ofcartoon 'time capsules'; they often hold a mirror up to Australian society.This book shows how cartoonists helped develop a visual vocabulary forAustralian life and culture--whether it is 'The Little Boy from Manly', alarrikin digger or Tony Abbott's red speedos. Inked:Australian Cartoons presents a selection ofthought-provoking cartoons from the National Library of Australia's extensivearchive, covering topics from the First Fleet to the present day. The bookshows readers the breadth of Australia's cartooning history, from historic subjectssuch as convict life, the goldfields, early royal visits and Ashes cricketstests, through the cartoon greats such as WillDyson, Bruce Petty, Michael Leunig, to contemporary cartoons by significant artists such as David Pope, JonKudelka, Judy Horacek, Cathy Wilcox and David Rowe. Inked shows how the role of cartoonists has shifted from illustrator tocommentator, skilfully capturing the controversial topics of the day. AuthorGuy Hansen shows how whether it be post-war politics and the demise of theLabor government, capital punishment, the Vietnam War, Indigenous affairs or changingrelationships with Britain and Asia, nothing has escaped our skilledcartoonists' satirical pens.
