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Author: Elisabeth Krack
Publisher:
ISBN: 9783205788591
Category : Antiquities
Languages : de
Pages : 257
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Book Description
Die Aufarbeitung der eigenen (Restaurier- )geschichte ist für die junge Disziplin der Konservierungswissenschaft zur Notwendigkeit geworden. Denn die Evaluierung von früher angewandten Materialien und Methoden dient heute als Basis für die Entwicklung aktueller Erhaltungsstrategien in Museen und in der Denkmalpflege. Ausgehend vom 19. Jahrhundert, als bürgerliches Engagement und historisches Bewusstsein erstmals Grundlagen für die Kulturguterhaltung bildeten, spannt die Autorin am Fallbeispiel der Universität für angewandte Kunst Wien einen breiten Bogen von den Anfängen der Restaurierungstätigkeiten an der damaligen Kunstgewerbeschule über die Gründung der ersten Meisterklasse für Metallrestaurierung im Jahr 1964 bis zum heutigen international verankerten Institut für Konservierung und Restaurierung.
Author: Elisabeth Krack
Publisher:
ISBN: 9783205788591
Category : Antiquities
Languages : de
Pages : 257
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Book Description
Die Aufarbeitung der eigenen (Restaurier- )geschichte ist für die junge Disziplin der Konservierungswissenschaft zur Notwendigkeit geworden. Denn die Evaluierung von früher angewandten Materialien und Methoden dient heute als Basis für die Entwicklung aktueller Erhaltungsstrategien in Museen und in der Denkmalpflege. Ausgehend vom 19. Jahrhundert, als bürgerliches Engagement und historisches Bewusstsein erstmals Grundlagen für die Kulturguterhaltung bildeten, spannt die Autorin am Fallbeispiel der Universität für angewandte Kunst Wien einen breiten Bogen von den Anfängen der Restaurierungstätigkeiten an der damaligen Kunstgewerbeschule über die Gründung der ersten Meisterklasse für Metallrestaurierung im Jahr 1964 bis zum heutigen international verankerten Institut für Konservierung und Restaurierung.
Author: Elisabeth Krack
Publisher:
ISBN:
Category :
Languages : de
Pages :
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Book Description
An overview of the academic courses of study and vocational trainings offered in the conservation and restoration of objects of decorative arts and metal in German-speaking countries points to a lack of continuity and identity. This is due to the fact that this field is a relatively young one and many universities have only offered degree courses since the 1990s. In Austria there are two Universities, the "Akademie der bildenden Künste" and the "Universität für angewandte Kunst". Both are located in Vienna and have a old-established academic experience. The long tradition particular to the field of restoration of objects of decorative arts at the University of Applied Arts Vienna is exceptionally. Early conservation and preservation research and restoration work started in the late 19th century. This is a distinctive feature, as other institutions with a similarly long history put their focus on the restoration of paintings and painting technique research instead. The "Kunstgewerbemuseum", todays Museum of Applied Arts Vienna, was founded 1863. In 1868 the school called "Kunstgewerbeschule" was attached. It is famous for its leading design-position during art nouveau an developed into todays University of Applied Arts Vienna. Both stood in close contact with the "K.K. Centralcommission". This historic preservation agency, established in 1850, concentrated in the preservation of monuments and historic buildings of the large Habsburg Empire. During the 19th century new emerging ideas of conservation where well known at "Kunstgewerbeschule" and "Kunstgewerbemuseum".Teaching staff at the school made in their annual reports notes of early restoration. But they did it as an additional business and therefore more detailed information is not given. Women in the studios for enamelwork (Adele von Stark) and the studio for textile work (Rosalia Rothansl) were about 1900 pioneers in field of object conservation. The first official class for conservation existed 1902 - 1910, named "Atelier für Kunstweberei und Restaurierung". A lot of information about the astonishing mordern ethics and methods in Conservation at that time can be extracted from two conferences that took place in Vienna: The First Arthistorical Congress in 1873 and the Enquete about Conservation of Art in 1904. Curators of the Museum of applied Arts and to a certain extent teaching staff of the "Kunstgewerbeschule" were involved with organisation and speeches.A new era for the conservation at University of Applied Arts Vienna started after World War Two. Otto Nedbal, a conservator experienced in metal crafts, was appointed at the university. He at first assumed the existing class for enamelwork. In 1964 he founded a new master class for restoration of metals and objects of enamel. But the content of teaching and the requirements for diploma thesis changed significant during the following forty years and this class evolved into today's Institute for Conservation and Restoration. The specialization of painting conservation was established by Nedbals successor Hubert Dietrich in 1980. In the course of a reorganization of the university in 2000 and the appointment of Gabriela Krist as head of the new conservation department, the new specializations of conservation of stone and textile were arranged.
Author: Gabriela Krist
Publisher: Böhlau Verlag Wien
ISBN: 3205201353
Category : Art
Languages : en
Pages : 658
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Book Description
Prevention is an attempt to look into the future and have a positive influence on it – therefore it is one of the most important aspects in the area of collection care, the central, current field of applied research in conservation and restoration. With sustainability damage and loss are avoided, dangers averted and research conducted. Collection care is only successful, if the theory is appropriately implemented in museum practice.
Author: Gabriela Krist
Publisher: Böhlau Verlag Wien
ISBN: 9783205785798
Category : Art
Languages : de
Pages : 436
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Book Description
Author: Suzanne Keene
Publisher: Routledge
ISBN: 113514544X
Category : Antiques & Collectibles
Languages : en
Pages : 157
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Book Description
Suzanne Keene's pioneering book shows how museums and other cultural organizations fit into the new world of information and electronic communications and, most importantly, how they can take advantage of what it has to offer. By using new technology museums can build knowledge bases around information about collections. A collection object can be the central link for information about past and present, places, people and concepts, technologies, ways of working and evidence of the natural world. 'Digital Collections' explains how this vision can be realized. Sound, video and animations can be digitized and developed as a central resource that can be drawn on for many varied access routes: via the World Wide Web; CD ROMs; through on-gallery screens, and other future products still in development. These technological capabilities raise many compelling issues that need to be understood in order to successfully develop information collections. In this book Suzanne Keene reviews these issues clearly and comprehensively. Her accompanying Click-Through Guide provides the latest news and links to Internet information. Suzanne Keene is a senior manager of museum collections and information at the Science Museum, London. She led the UK LASSI project to select a collections information system for UK museums. This, with her experience in directing information technology and multimedia projects, means that she is accustomed to translating the highly technical concepts of information technology into high level issues for senior and strategic management.
Author: Thomas DaCosta Kaufmann
Publisher: University of Chicago Press
ISBN: 9780226133119
Category : Art
Languages : en
Pages : 512
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Book Description
Art history traditionally classifies works of art by country as well as period, but often political borders and cultural boundaries are highly complex and fluid. Questions of identity, policy, and exchange make it difficult to determine the "place" of art, and often the art itself results from these conflicts of geography and culture. Addressing an important approach to art history, Thomas DaCosta Kaufmann's book offers essays that focus on the intricacies of accounting for the geographical dimension of art history during the early modern period in Europe, Latin America, and Asia. Toward a Geography of Art presents a historical overview of these complexities, debates contemporary concerns, and completes its exploration with a diverse collection of case studies. Employing the author's expertise in a variety of fields, the book delves into critical issues such as transculturation of indigenous traditions, mestizaje, the artistic metropolis, artistic diffusion, transfer, circulation, subversion, and center and periphery. What results is a foundational study that establishes the geography of art as a subject and forces us to reconsider assumptions about the place of art that underlie the longstanding narratives of art history.
Author: Derrill M. Kerrick
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501509616
Category : Science
Languages : en
Pages : 864
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Book Description
Volume 26 of Reviews in Mineralogy provides a multidisciplinary review of our current knowledge of contact metamorphism. As in any field of endeavor, we are provided with new questions, thereby dictating future directions of study. Hopefully, this volume will provide inspiration and direction for future research on contact metamorphism. The Mineralogical Society of America sponsored the short course on Contact Metamorphism, October 17-19, 1991, at the Pala Mesa Resort, Fallbrook, California, prior to its annual meeting with the Geological Society of America.
Author: Kirsten Hannema
Publisher:
ISBN: 9789462083530
Category : Architecture
Languages : en
Pages : 184
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Book Description
Each year an editorial team selects noteworthy architectural projects in Dutch architecture, with particular attention to commissionership, architecture policy and projects that have achieved spectacular results with limited resources. We are proud that ‘Amsterdam Oersoep’, the artwork by artists Arno Coenen, Iris Roskam and Hans van Bentem, has been included in this year’s edition!
Author: S. Siegesmund (ed.)
Publisher: Geological Society of London
ISBN: 9781862391239
Category : Science
Languages : en
Pages : 474
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Book Description
Author: Isabelle Dervaux
Publisher: National Academy Museum and School of Fine Arts
ISBN:
Category : Art
Languages : en
Pages : 198
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Book Description
While Surrealism was becoming out of fashion in Europe in the 1930s, it enjoyed a growing popularity on the other side of the Atlantic. This text traces the history of this movement in the United States from about 1930 to 1950 by examining its manifestations throughout the country.
