Author: Peter Elsdon
Publisher: Oxford University Press
ISBN: 0199779252
Category : History
Languages : en
Pages : 182
Book Description
In Keith Jarrett's The Köln Concert, Peter Elsdon presents, for the first time, a detailed musical account of Keith Jarrett's best-selling The Köln Concert. It explores the way in which Jarrett developed the format of the solo improvised concert, and looks at the subsequent reception of the record.
Keith Jarrett's The Koln Concert
Author: Peter Elsdon
Publisher: Oxford University Press
ISBN: 0199779252
Category : History
Languages : en
Pages : 182
Book Description
In Keith Jarrett's The Köln Concert, Peter Elsdon presents, for the first time, a detailed musical account of Keith Jarrett's best-selling The Köln Concert. It explores the way in which Jarrett developed the format of the solo improvised concert, and looks at the subsequent reception of the record.
Publisher: Oxford University Press
ISBN: 0199779252
Category : History
Languages : en
Pages : 182
Book Description
In Keith Jarrett's The Köln Concert, Peter Elsdon presents, for the first time, a detailed musical account of Keith Jarrett's best-selling The Köln Concert. It explores the way in which Jarrett developed the format of the solo improvised concert, and looks at the subsequent reception of the record.
Keith Jarrett's The Koln Concert
Author: Peter Elsdon
Publisher: Oxford University Press
ISBN: 0199986592
Category : Music
Languages : en
Pages : 182
Book Description
Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His The Köln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: a remarkable achievement for any jazz record, but an unprecedented feat for a two-disc set of solo piano performances featuring no well-known songs. In Keith Jarrett's The Köln Concert, author Peter Elsdon seeks to uncover what it is about this recording, about Keith Jarrett's performance, that elicits such success. Recognizing The Köln Concert as a multi-faceted text, Elsdon engages with it musically, culturally, aesthetically, and historically in order to understand the concert and album as a means through which Jarrett articulated his own cultural and musical outlook, and establish himself as a serious artist. Through these explorations of the concert as text, of the recording and of the live performance, Keith Jarrett's The Köln Concert fills a major hole in jazz scholarship, and is essential reading for jazz scholars and musicians alike, as well as Keith Jarrett's many fans.
Publisher: Oxford University Press
ISBN: 0199986592
Category : Music
Languages : en
Pages : 182
Book Description
Keith Jarrett ranks among the most accomplished and influential pianists in jazz history. His The Köln Concert stands among the most important jazz recordings of the past four decades, not only because of the music on the record, but also because of the remarkable reception it has received from musicians and lay-listeners alike. Since the album's 1975 release, it has sold over three million copies: a remarkable achievement for any jazz record, but an unprecedented feat for a two-disc set of solo piano performances featuring no well-known songs. In Keith Jarrett's The Köln Concert, author Peter Elsdon seeks to uncover what it is about this recording, about Keith Jarrett's performance, that elicits such success. Recognizing The Köln Concert as a multi-faceted text, Elsdon engages with it musically, culturally, aesthetically, and historically in order to understand the concert and album as a means through which Jarrett articulated his own cultural and musical outlook, and establish himself as a serious artist. Through these explorations of the concert as text, of the recording and of the live performance, Keith Jarrett's The Köln Concert fills a major hole in jazz scholarship, and is essential reading for jazz scholars and musicians alike, as well as Keith Jarrett's many fans.
Keith Jarrett
Author: Wolfgang Sandner
Publisher: Equinox Publishing (UK)
ISBN: 9781800500129
Category : Biography & Autobiography
Languages : en
Pages :
Book Description
Keith Jarrett is one of the great pianists of our times. Before achieving worldwide fame for his solo improvisations, he had already collaborated with Art Blakey, Charles Lloyd and Miles Davis. His 'Köln Concert' album (1975) has now sold around four million copies and become the most successful solo recording in jazz history. His interpretations of the music of Bach, Händel, Bartók or Shostakovich, have also received much attention in later years. Jarrett is considered difficult and inaccessible, and has often abandoned the stage during his concerts due to restless audiences or disturbing photographers.Few writers have come as close to Keith Jarrett as Wolfgang Sandner, who has not only closely followed Jarrett's remarkable career from the 1960s, but has also had the opportunity to visit him in his home in the United States. For this biography, which is full of detailed musical analysis and cross-references to other artistic genres, Sandner has collected new information about Jarrett's family background, much of which is thanks to the translator, Keith Jarrett's youngest brother Chris. The book explores Jarrett's work with other musicians, in particular the members of his American and European Quartets and his Standards Trio, it charts the development of his solo concerts, and it also investigates his work in the classical sphere, as well as the highly original music he has created in his own home studio. It also covers his associations with his various record labels and producers, notably his unparalleled relationship with ECM and its founder Manfred Eicher. This English edition is a significantly extended and updated version of the German original.
Publisher: Equinox Publishing (UK)
ISBN: 9781800500129
Category : Biography & Autobiography
Languages : en
Pages :
Book Description
Keith Jarrett is one of the great pianists of our times. Before achieving worldwide fame for his solo improvisations, he had already collaborated with Art Blakey, Charles Lloyd and Miles Davis. His 'Köln Concert' album (1975) has now sold around four million copies and become the most successful solo recording in jazz history. His interpretations of the music of Bach, Händel, Bartók or Shostakovich, have also received much attention in later years. Jarrett is considered difficult and inaccessible, and has often abandoned the stage during his concerts due to restless audiences or disturbing photographers.Few writers have come as close to Keith Jarrett as Wolfgang Sandner, who has not only closely followed Jarrett's remarkable career from the 1960s, but has also had the opportunity to visit him in his home in the United States. For this biography, which is full of detailed musical analysis and cross-references to other artistic genres, Sandner has collected new information about Jarrett's family background, much of which is thanks to the translator, Keith Jarrett's youngest brother Chris. The book explores Jarrett's work with other musicians, in particular the members of his American and European Quartets and his Standards Trio, it charts the development of his solo concerts, and it also investigates his work in the classical sphere, as well as the highly original music he has created in his own home studio. It also covers his associations with his various record labels and producers, notably his unparalleled relationship with ECM and its founder Manfred Eicher. This English edition is a significantly extended and updated version of the German original.
Playing Changes
Author: Nate Chinen
Publisher: Vintage
ISBN: 1101873493
Category : Music
Languages : en
Pages : 290
Book Description
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
Publisher: Vintage
ISBN: 1101873493
Category : Music
Languages : en
Pages : 290
Book Description
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
Keith Jarrett
Author: Ian Carr
Publisher: Da Capo Press
ISBN: 9780306804786
Category : Music
Languages : en
Pages : 272
Book Description
Keith Jarrett is probably the most influential jazz pianist living today: his concerts have made him world famous. He was a child prodigy who had his first solo performance at the age of seven. In the sixties he played with the Jazz Messengers and then with the Charles Lloyd Quartet, touring Europe, Asia, and Russia. He played electric keyboards with Miles Davis at the beginning of the seventies, and went on to lead two different jazz groups—one American and one European. He straddles practically every form of twentieth century music—he has produced totally composed music, and has performed classical music as well as jazz. Jarrett has revolutionized the whole concept of what a solo pianist can do. And his albums such as Solo Concerts (at Lausanne and Bremen), Belonging, The Koln Concert, and My Song have gained him a worldwide following.Now, with Keith Jarrett: The Man and His Music, Ian Carr has written the definitive story of Jarrett's musical development and his personal journey. This is a revealing, fascinating, and enlightening account of one of the outstanding musicians of our age.
Publisher: Da Capo Press
ISBN: 9780306804786
Category : Music
Languages : en
Pages : 272
Book Description
Keith Jarrett is probably the most influential jazz pianist living today: his concerts have made him world famous. He was a child prodigy who had his first solo performance at the age of seven. In the sixties he played with the Jazz Messengers and then with the Charles Lloyd Quartet, touring Europe, Asia, and Russia. He played electric keyboards with Miles Davis at the beginning of the seventies, and went on to lead two different jazz groups—one American and one European. He straddles practically every form of twentieth century music—he has produced totally composed music, and has performed classical music as well as jazz. Jarrett has revolutionized the whole concept of what a solo pianist can do. And his albums such as Solo Concerts (at Lausanne and Bremen), Belonging, The Koln Concert, and My Song have gained him a worldwide following.Now, with Keith Jarrett: The Man and His Music, Ian Carr has written the definitive story of Jarrett's musical development and his personal journey. This is a revealing, fascinating, and enlightening account of one of the outstanding musicians of our age.
Interaction, Improvisation, and Interplay in Jazz
Author: Robert Hodson
Publisher: Routledge
ISBN: 1135869421
Category : Music
Languages : en
Pages : 208
Book Description
Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised lines of the soloist and their underlying harmonic progressions. This approach overlooks the basic fact that when you listen to jazz, you almost never hear a single line, but rather a musical fabric woven by several musicians in real time. While it is often pragmatic to single out an individual solo line, it is important to remember that an improvised solo is but one thread in that fabric; and it is a thread supported by, responded to, and responsive of the parts being played by the other musicians in the group. Interaction, Improvisation, and Interplay in Jazz Performance explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music, including: jazz improvisation through theory and analysis musical roles, behaviours and relationships harmony, interaction and performance Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience.
Publisher: Routledge
ISBN: 1135869421
Category : Music
Languages : en
Pages : 208
Book Description
Interaction, Improvisation, and Interplay in Jazz Performance offers a new and exciting way to listen to and understand jazz. When describing a performance, most jazz writers focus on the improvised lines of the soloist and their underlying harmonic progressions. This approach overlooks the basic fact that when you listen to jazz, you almost never hear a single line, but rather a musical fabric woven by several musicians in real time. While it is often pragmatic to single out an individual solo line, it is important to remember that an improvised solo is but one thread in that fabric; and it is a thread supported by, responded to, and responsive of the parts being played by the other musicians in the group. Interaction, Improvisation, and Interplay in Jazz Performance explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music, including: jazz improvisation through theory and analysis musical roles, behaviours and relationships harmony, interaction and performance Interaction, Improvisation, and Interplay in Jazz Performance will appeal to students of jazz history, composition, and performance, as well as to the general jazz audience.
The Blue Moment: Miles Davis's Kind of Blue and the Remaking of Modern Music
Author: Richard Williams
Publisher: W. W. Norton & Company
ISBN: 0393076636
Category : History
Languages : en
Pages : 321
Book Description
A brilliant, wide-ranging book on how Miles Davis's seminal 1959 jazz album "Kind of Blue" revolutionized music and culture in the 20th century.
Publisher: W. W. Norton & Company
ISBN: 0393076636
Category : History
Languages : en
Pages : 321
Book Description
A brilliant, wide-ranging book on how Miles Davis's seminal 1959 jazz album "Kind of Blue" revolutionized music and culture in the 20th century.
Especially in Jazzy Style, Book 1
Author: Dennis Alexander
Publisher: Alfred Music
ISBN: 1457436981
Category : Music
Languages : en
Pages : 26
Book Description
The goal of this book is to introduce early intermediate piano students to the rhythms, harmonies and other unique characteristics of jazz. Students will be motivated by the variety of styles and sounds that have that special Dennis Alexander sound. From lyrical melodies to infectious rhythms and harmonies, playing jazz styles has never been more fun! Titles: * As September Goesξ * Jazz Jamξ * Purple Sageξ * Rhythmiconξ * Smooth as Silkξ * Sneakin' 'Roundξ * Soft-Shoe Bluesξ * Soul Searcherξ * Tahitian Nightsξ * A Touch of Rhumbaξ * Valse du jour
Publisher: Alfred Music
ISBN: 1457436981
Category : Music
Languages : en
Pages : 26
Book Description
The goal of this book is to introduce early intermediate piano students to the rhythms, harmonies and other unique characteristics of jazz. Students will be motivated by the variety of styles and sounds that have that special Dennis Alexander sound. From lyrical melodies to infectious rhythms and harmonies, playing jazz styles has never been more fun! Titles: * As September Goesξ * Jazz Jamξ * Purple Sageξ * Rhythmiconξ * Smooth as Silkξ * Sneakin' 'Roundξ * Soft-Shoe Bluesξ * Soul Searcherξ * Tahitian Nightsξ * A Touch of Rhumbaξ * Valse du jour
Make to Know
Author: Lorne M. Buchman
Publisher: Thames & Hudson
ISBN: 0500776954
Category : Design
Languages : en
Pages : 273
Book Description
Make to Know: From Spaces of Uncertainty to Creative Discovery will change the way you think about creativity. The book upends popular notions of innate artistic and visionary genius and probes instead the event of discovery that happens through the act of making. In contrast to the classic tale of Michelangelo, who 'saw the angel in the stone', the artists and designers Buchman interviews for this book talk about knowing their work as they engage in the doing. Make to Know explores the revelatory nature of the creative journey itself. As Buchman weaves together the vivid stories of his multiple conversations, we learn about writers of all stripes as they confront creative spaces of uncertainty 'the blank page'; about visual artists and what they understand from the materials they encounter; about designers and architects and the iterative process of solving problems; and about actors and musicians facing the surprises of improvisational performance. Make to Know is a book that will, ultimately, open a path to your own making, and, in the end, will have significant implications for how you live. Make to Know presents a way of thinking that democratizes creativity and uncovers a process that leads to knowing both ones work and oneself. It is relevant to anyone interested in why creativity matters.
Publisher: Thames & Hudson
ISBN: 0500776954
Category : Design
Languages : en
Pages : 273
Book Description
Make to Know: From Spaces of Uncertainty to Creative Discovery will change the way you think about creativity. The book upends popular notions of innate artistic and visionary genius and probes instead the event of discovery that happens through the act of making. In contrast to the classic tale of Michelangelo, who 'saw the angel in the stone', the artists and designers Buchman interviews for this book talk about knowing their work as they engage in the doing. Make to Know explores the revelatory nature of the creative journey itself. As Buchman weaves together the vivid stories of his multiple conversations, we learn about writers of all stripes as they confront creative spaces of uncertainty 'the blank page'; about visual artists and what they understand from the materials they encounter; about designers and architects and the iterative process of solving problems; and about actors and musicians facing the surprises of improvisational performance. Make to Know is a book that will, ultimately, open a path to your own making, and, in the end, will have significant implications for how you live. Make to Know presents a way of thinking that democratizes creativity and uncovers a process that leads to knowing both ones work and oneself. It is relevant to anyone interested in why creativity matters.
Music and Gesture
Author: Elaine King
Publisher: Routledge
ISBN: 1351557793
Category : Music
Languages : en
Pages : 284
Book Description
This volume showcases key theoretical ideas and practical considerations in the growing area of scholarship on musical gesture. The book constructs and explores the relations between music and gesture from a range of differing perspectives, identifying theoretical approaches and examining the nature of certain types of gesture in musical performance. The twelve chapters in this volume are organized into a heuristic progression from theory to practice, from essay to case study. Theoretical considerations about the interpretation of musical gestures are identified and phrased in terms of semiotics, the mimetic hypothesis, concepts of musical force, immanence, quotation and topic, and the work of musical gestures. The lives of musical gestures in performance are revealed through engaging with their rhythmic properties as well as inquiring into the breathing of pianists, the nature of clarinettists' bodily movements, and the physical acts and personae of individual artists, specifically Keith Jarrett and Robbie Williams. The reader is encouraged to listen to the various resonances and tensions between the chapters, including the importance given to bodies, processes, motions, expressions, and interpretations of musical gesture. The book will be of significance to musicologists, theorists, semioticians, analysts, composers and performers, as well as scholars working in different research communities with an interest in the study of gesture.
Publisher: Routledge
ISBN: 1351557793
Category : Music
Languages : en
Pages : 284
Book Description
This volume showcases key theoretical ideas and practical considerations in the growing area of scholarship on musical gesture. The book constructs and explores the relations between music and gesture from a range of differing perspectives, identifying theoretical approaches and examining the nature of certain types of gesture in musical performance. The twelve chapters in this volume are organized into a heuristic progression from theory to practice, from essay to case study. Theoretical considerations about the interpretation of musical gestures are identified and phrased in terms of semiotics, the mimetic hypothesis, concepts of musical force, immanence, quotation and topic, and the work of musical gestures. The lives of musical gestures in performance are revealed through engaging with their rhythmic properties as well as inquiring into the breathing of pianists, the nature of clarinettists' bodily movements, and the physical acts and personae of individual artists, specifically Keith Jarrett and Robbie Williams. The reader is encouraged to listen to the various resonances and tensions between the chapters, including the importance given to bodies, processes, motions, expressions, and interpretations of musical gesture. The book will be of significance to musicologists, theorists, semioticians, analysts, composers and performers, as well as scholars working in different research communities with an interest in the study of gesture.