Kasimir Malevich's Black Square and the Genesis of Suprematism 1907-1915

Kasimir Malevich's Black Square and the Genesis of Suprematism 1907-1915 PDF Author: William Sherwin Simmons
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 344

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Kasimir Malevich's Black Square and the Genesis of Suprematism 1907-1915

Kasimir Malevich's Black Square and the Genesis of Suprematism 1907-1915 PDF Author: William Sherwin Simmons
Publisher: Garland Publishing
ISBN:
Category : Art
Languages : en
Pages : 344

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Book Description


Kasimir Malevich's Black Square and the Genesis of Suprematism, 1907-1915

Kasimir Malevich's Black Square and the Genesis of Suprematism, 1907-1915 PDF Author: William Sherwin Simmons
Publisher:
ISBN:
Category :
Languages : en
Pages : 319

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Kazimir Malevich and the Art of Geometry

Kazimir Malevich and the Art of Geometry PDF Author: John Milner
Publisher: Yale University Press
ISBN: 9780300064179
Category : Art
Languages : en
Pages : 258

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Book Description
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The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition

The Fourth Dimension and Non-Euclidean Geometry in Modern Art, revised edition PDF Author: Linda Dalrymple Henderson
Publisher: MIT Press
ISBN: 0262536552
Category : Art
Languages : en
Pages : 759

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Book Description
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.

Black Square

Black Square PDF Author: Aleksandra Shatskikh
Publisher: Yale University Press
ISBN: 0300162294
Category : Art
Languages : en
Pages : 470

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Book Description
Kazimir Malevich’s painting Black Square is one of the twentieth century's emblematic paintings, the visual manifestation of a new period in world artistic culture at its inception. None of Malevich’s contemporary revolutionaries created a manifesto, an emblem, as capacious and in its own way unique as this work; it became both the quintessence of the Russian avant-gardist's own art—which he called Suprematism—and a milestone on the highway of world art. Writing about this single painting, Aleksandra Shatskikh sheds new light on Malevich, the Suprematist movement, and the Russian avant-garde. Malevich devoted his entire life to explicating Black Square's meanings. This process engendered a great legacy: the original abstract movement in painting and its theoretical grounding; philosophical treatises; architectural models; new art pedagogy; innovative approaches to theater, music, and poetry; and the creation of a new visual environment through the introduction of decorative applied designs. All of this together spoke to the tremendous potential for innovative shape and thought formation concentrated in Black Square. To this day, many circumstances and events of the origins of Suprematism have remained obscure and have sprouted arbitrary interpretations and fictions. Close study of archival materials and testimonies of contemporaries synchronous to the events described has allowed this author to establish the true genesis of Suprematism and its principal painting.

Day of the Artist

Day of the Artist PDF Author: Linda Patricia Cleary
Publisher:
ISBN: 9781320549431
Category :
Languages : en
Pages :

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Book Description
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Painting and Sculpture in Europe, 1880-1940

Painting and Sculpture in Europe, 1880-1940 PDF Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628

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Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.

Kazimir Malevich

Kazimir Malevich PDF Author: Rainer Crone
Publisher: Reaktion Books
ISBN: 9780948462818
Category : Art
Languages : en
Pages : 262

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Book Description
Malevich's sudden and startling realization of a non-objective way of painting – which he termed Suprematism – stands as a seminal moment in the history of twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine and early years in Moscow – where he was closely involved in the Futurist circle – through to the late 1920s and beyond. The authors of this book convincingly demonstrate that it is only through a close and sustained reading of Malevich's late – and still widely misunderstood – painterly oeuvre that his extraordinarily inventive stance can truly be comprehended. Crone and Moos trace the close relationship between Malevich's practice and other contemporary non-political revolutions in physics, linguistics and poetry. They present Malevich as a uniquely creative artist, embodying in his work many of the insights and discoveries that define the twentieth century and the condition of modern life.

Short History of the Shadow

Short History of the Shadow PDF Author: Victor I. Stoichita
Publisher: Reaktion Books
ISBN: 9781861890009
Category : Art
Languages : en
Pages : 268

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Book Description
Looks at the depiction and meaning of shadows in the history of Western art

To Build a Shadowy Isle of Bliss

To Build a Shadowy Isle of Bliss PDF Author: Michelle Weinroth
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773596984
Category : Poetry
Languages : en
Pages : 411

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Book Description
To Build a Shadowy Isle of Bliss casts new light on the political radicalism and social thought of nineteenth-century artist, author, and revolutionary, William Morris. Standing on the cusp of a new wave of scholarship, this book presents an exciting convergence of views among internationally renowned scholars in the field of Victorian Studies. Balancing variety and unity, this collection reappraises Morris’s concept of social change and asks how we might think beyond the institutions and epistemologies of our time. Though the political significance of Morris’s creative work is often underestimated, the essays in this volume showcase its subtlety and sophistication. Each chapter discerns the power and novelty of Morris’s radicalism within his aesthetic creations and demonstrates how his most compelling political ideas bloomed wherever his dexterous hand had been at work - in wallpapers, floral borders, medievalist romances, and verse. Morris's theory and practice of aesthetic creation can be seen as the crucible of his entire philosophy of social change. In situating Morris's radicalism at the heart of his creative legacy, and in reanimating debates about nineteenth-century art and politics, To Build a Shadowy Isle of Bliss challenges and expands received notions of the radical, the aesthetic, and the political.