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Author: Wassily Kandinsky
Publisher: Parkstone International
ISBN: 1785250604
Category : Art
Languages : en
Pages : 256
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Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
Author: Wassily Kandinsky
Publisher: Parkstone International
ISBN: 1785250604
Category : Art
Languages : en
Pages : 256
Get Book Here
Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: Wassily Kandinsky
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 36
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Book Description
Author: Neil A. Weiss
Publisher: Yale University Press
ISBN: 0300056478
Category : Art
Languages : en
Pages : 321
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Book Description
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
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Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author: Wassily Kandinsky
Publisher: Yale University Press
ISBN: 0300238495
Category : Art
Languages : en
Pages : 153
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Book Description
Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 564
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Book Description
Volume One
Author: Anna Maria Giusti
Publisher: Philip Wilson Publishers, Limited
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 320
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Book Description
Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 618
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Book Description
Volume Two
Author: Lisa Florman
Publisher: Stanford University Press
ISBN: 0804789231
Category : Art
Languages : en
Pages : 281
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Book Description
This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Kojève, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.
