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Author: Ulf Küster
Publisher: Hatje Cantz Verlag
ISBN: 9783775741699
Category : Art, German
Languages : en
Pages : 0
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Book Description
For just a few years at the beginning of the twentieth century, Munich was the ?hot spot? of Germany?s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc?s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a stroke of luck for the arts. The journal and exhibition of the same name made international waves when they heralded the start of the modern era in Germany before the First World War. Since then, the names of the movement?s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky, August Macke et al., signal an essential chapter in the international history of art marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This beautiful publication that dedicates itself to this topic will show a revolutionary re-valuation of the arts in an open Europe.00Exhibition: Fondation Beyeler, Riehen/Basel, Switzerland (4.9.2016-22.1.2017).
Author: Ulf Küster
Publisher: Hatje Cantz Verlag
ISBN: 9783775741699
Category : Art, German
Languages : en
Pages : 0
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Book Description
For just a few years at the beginning of the twentieth century, Munich was the ?hot spot? of Germany?s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc?s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a stroke of luck for the arts. The journal and exhibition of the same name made international waves when they heralded the start of the modern era in Germany before the First World War. Since then, the names of the movement?s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky, August Macke et al., signal an essential chapter in the international history of art marked by the transition of painting into a vibrant, colorful and transcendental form of abstraction. This beautiful publication that dedicates itself to this topic will show a revolutionary re-valuation of the arts in an open Europe.00Exhibition: Fondation Beyeler, Riehen/Basel, Switzerland (4.9.2016-22.1.2017).
Author: Wassily Kandinsky
Publisher:
ISBN: 9781854376732
Category : Art, Modern
Languages : en
Pages : 296
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Book Description
The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in Munich, in 1912, and edited by Kandinsky and Marc, The Blaue Reiter Almanac presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the Blaue Reiter in context for contemporary readers.
Author: Dorothy Price
Publisher: Manchester University Press
ISBN: 1526121646
Category : Art
Languages : en
Pages : 359
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Book Description
This book presents new research on the histories and legacies of the German Expressionist group Blaue Reiter, the founding force behind modernist abstraction. For the first time Blaue Reiter is subjected to a variety of novel inter-disciplinary perspectives, ranging from a philosophical enquiry into its language and visual perception to analyses of its gender dynamics, its reception at different historical junctures throughout the twentieth century and its legacies for post-colonial aesthetic practices. The volume offers a new perspective on familiar aspects of Expressionism and abstraction, taking seriously the inheritance of modernism for the twenty-first century in ways that will help to recalibrate the field of Expressionist studies for future scholarship. Blaue Reiter still matters, the contributors argue, because the legacies of abstraction are still being debated by artists, writers, philosophers and cultural theorists today.
Author: Annette Vezin
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 222
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Book Description
Study of the Russian painter and 'inventor' of Abstract Art, Vasily Kandinsky (1866-1944) and the European artists who formed the 'Blaue Reiter' group from 1911 onwards
Author: Matthias Mühling
Publisher: Hatje Cantz Verlag
ISBN: 3775748415
Category : Art
Languages : de
Pages : 444
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Book Description
»Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 für ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911–1914) als einen der ersten transnationalen Künstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Künstler*innen – unter ihnen Gabriele Münter, Alfred Kubin, Maria Marc und Elisabeth Epstein – nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter für ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen.
Author: Wassily Kandinsky
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 308
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Book Description
The Blaue Reiter (Blue Rider) art movement was founded in 1911 by the young painters Wassily Kandinsky and Franz Marc, and was active in Europe until 1914. Originally published in Munich in 1912 and edited by Kandinsky and Marc-- the movements's almanac presented their synthesis of international culture to the European avant garde at large. In both the selection of essays and its innovative interplay of word and image, The Blaue Reiter Almanac remains one of our most critically important works of literature on the art theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of Modernism, simulates the original German format, and includes documents, and musical notations, as well as seminal essays by Kandinsky, Schoenberg, Marc and others. Nearly 150 illustrations, from ancient and contemporary sources, capture the wide-ranging interests and passions that inspired Kandinsky's and Marc's programmatic attempt to make Modernism accessible across national and chronological boundaries. Also included is Klaus Lankheit's extensive critical introduction, which places the Blaue Reiter in context for contemporary readers."The almanac remains unique among European writings on art; no other country produced a comparable work capturing the excitement and tension of the years before World War I." (Will Grohmann)
Author: Hajo Düchting
Publisher:
ISBN: 9783836537049
Category : Blaue Reiter (Group of artists)
Languages : en
Pages : 96
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Book Description
Join the heady ride of Der Blaue Reiter, the group of artists who galloped just three years of the early 20th century together, but in their rejection of establishment standards and charge into a new artistic realm marked a major step in the evolution of European Expressionist and abstract art.
Author: Wassily Kandinsky
Publisher: Leon Amiel Publisher
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Wassily Kandinsky
Publisher: Yale University Press
ISBN: 0300238495
Category : Art
Languages : en
Pages : 153
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Book Description
Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.
Author: Volker Adolphs
Publisher:
ISBN: 9783775738835
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"[August Macke and Franz Marc] conducted many long and involved discussions about the goals of art, coming to both similar and different conclusions. These dialogues enabled each of them to stake out his own position and provided the impetus driving their exchange. While Macke's art referred directly to the world he saw around him, his images deriving their authenticity from the sensual presence of that world, Marc sought to arrive at a spiritual understanding of the world and strove to develop art forms that would render visible the unity of being in his pictures. Divided into several sections, the exhibition traces the development of both artists from 1910 onward : from their first encounters in Tegernsee, Sindelsdorf, and later Bonn, to their early preoccupation with the theory of color, their work within the Blue Rider, and their participation in important exhibitions, such as those staged by the Cologne Sonderbund and the Erster Deutscher Herbstsalon. In its portrayal of the journeys they undertook together, their reciprocal visits and gifts, and the execution of arts and crafts works, the exhibition also attests to the key role played in their deepening friendship by the two artists' wives, Elisabeth Macke and Maria Marc. Their bond culminated in 1912 in the mural Paradise, jointly painted in Macke's Bonne studio. The exhibition also shows in some detail how Macke and Marc incorporated the ideas of Fauvism, Cubism, Futurism, and Orphism in their work as well as the positions they adopted on the notion of non-representative art. Out of these influences and ideas each evolved an art of his own, a trajectory that the exhibition documents right up to the final pictures produced in 1914, when the catastrophe of war brought an abrupt end to their lives and work."--Foreword.