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Author: Peg Weiss
Publisher:
ISBN: 9780691003740
Category : Art nouveau
Languages : en
Pages : 268
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Book Description
Examines the influence of Munich's cultural life on the early development of the art of Wassily Kadinsky
Author: Peg Weiss
Publisher:
ISBN: 9780691003740
Category : Art nouveau
Languages : en
Pages : 268
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Book Description
Examines the influence of Munich's cultural life on the early development of the art of Wassily Kadinsky
Author: Wassily Kandinsky
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Merging the time-tested formats of the museum solo show and the historic location-centered exhibition, Kandinsky in Munich was the first of a series of in-depth curatorial examinations. Focusing exclusively on the artist's early career in that city, the exhibition and catalogue features over 250 images of both Kandinsky's work and that of his friends, teachers, and colleagues while in Munich. Also included are essays by Peter Jelavich and Peg Weiss, a selected bibliography of works written on and by the artist; a chronology of the artist's life, and a documents section that lists relevant archival materials.
Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264
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Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Author: Peter Jelavich
Publisher: Harvard University Press
ISBN: 9780674588356
Category : History
Languages : en
Pages : 436
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Book Description
This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siegrave;cle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.
Author: Neil A. Weiss
Publisher: Yale University Press
ISBN: 0300056478
Category : Art
Languages : en
Pages : 321
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Book Description
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Author: Magdalena Dabrowski
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
Essay by Magdalena Dabrowski. Foreword by Richard E. Oldenburg.
Author: Christopher Short
Publisher: Peter Lang
ISBN: 9783039113996
Category : Art
Languages : en
Pages : 286
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Book Description
Kandinsky's theory of art has usually been treated as little more than a guide to help our understanding of his paintings. In contrast, this book attends primarily to the artist's writings on art; thus his art theory is treated on its own terms. Drawing on the diverse literature that has been written on Kandinsky's art and theory, the author demonstrates that while many different perspectives on his work have been identified, none holds the 'key' to that work. Instead, the book shows Kandinsky's method in his writings to be highly eclectic, resulting in an exciting and challenging variety of content (a description that also applies, as a postscript to the book shows, to his method in painting). Kandinsky, however, transcended this diversity and consistently sought evidence of the unity of all things: something that would be realised through his understanding of the term 'synthesis'. The book follows Kandinsky's fascinating attempts to establish synthesis (not only in art but also in other disciplines including science, mathematics, law and politics) in his key theoretical publications: On the Spiritual in Art (1911) and Point and Line to Plane (1926). The result is a new and innovative understanding of both Kandinsky's art theory and his art.
Author: Wassily Kandinsky
Publisher: Yale University Press
ISBN: 0300238495
Category : Art
Languages : en
Pages : 153
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Book Description
Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.
Author: Robin Lenman
Publisher: Manchester University Press
ISBN: 9780719036361
Category : Art
Languages : en
Pages : 296
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Book Description
In times past, everyday business might mean making a trip to the pawnbroker, giving a loan to a trusted friend of selling off a coat, all to make ends meet. Both women and men engaged in this daily budgeting, but women's roles were especially important in achieving some level of comfort and avoiding penury. In some communities, the daily practices in place in the seventeenth century persisted into the twentieth, whilst other groups adopted new ways, such as using numbers to chart domestic affairs and turning to the savings banks that appeared in the nineteenth century. These strategies promised respectability and greater access to new consumer goods: better clothes and finer furnishings accompanied a newly disciplined behaviour. Therefore, in the material world of the past and in the changing habits of earlier generations lie crucial turning points. This book explores these previously under-researched patterns and practices that gave shape to modern consumer society.
Author: Walter L. Adamson
Publisher: University of California Press
ISBN: 0520261534
Category : Art
Languages : en
Pages : 448
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Book Description
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.
