Kandinsky in Munich

Kandinsky in Munich PDF Author: Peg Weiss
Publisher:
ISBN: 9780691003740
Category : Art nouveau
Languages : en
Pages : 268

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Book Description
Examines the influence of Munich's cultural life on the early development of the art of Wassily Kadinsky

Kandinsky in Munich

Kandinsky in Munich PDF Author: Peg Weiss
Publisher:
ISBN: 9780691003740
Category : Art nouveau
Languages : en
Pages : 268

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Book Description
Examines the influence of Munich's cultural life on the early development of the art of Wassily Kadinsky

Klee and Kandinsky in Munich and at the Bauhaus

Klee and Kandinsky in Munich and at the Bauhaus PDF Author: Beeke Sell Tower
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 368

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Book Description


Kandinsky in Munich

Kandinsky in Munich PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 312

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Book Description


Sounds

Sounds PDF Author: Wassily Kandinsky
Publisher: Yale University Press
ISBN: 0300238495
Category : Art
Languages : en
Pages : 153

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Book Description
Now in an updated English edition with full color illustrations, Kandinsky's fascinating and witty artist's book represents a crucial moment in the painter's move toward abstraction.

Kandinsky

Kandinsky PDF Author: Wassily Kandinsky
Publisher: Parkstone International
ISBN: 1785250604
Category : Art
Languages : en
Pages : 256

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Book Description
Wassily Kandinsky (1866-1944) was a Russian painter credited as being among the first to truly venture into abstract art. He persisted in expressing his internal world of abstraction despite negative criticism from his peers. He veered away from painting that could be viewed as representational in order to express his emotions, leading to his unique use of colour and form. Although his works received heavy censure at the time, in later years they would become greatly influential.

Kandinsky at the Guggenheim

Kandinsky at the Guggenheim PDF Author: Vivian Endicott Barnett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320

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Book Description
Studie over het werk van de Russische kunstenaar Vasilij Vasil'evic̆ Kandinskij (1866-1944) in het New Yorkse museum.

The Blaue Reiter Almanac

The Blaue Reiter Almanac PDF Author: Wassily Kandinsky
Publisher:
ISBN: 9781854376732
Category : Art, Modern
Languages : en
Pages : 296

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Book Description
The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in Munich, in 1912, and edited by Kandinsky and Marc, The Blaue Reiter Almanac presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the Blaue Reiter in context for contemporary readers.

Wassily Kandinsky, 1866-1944

Wassily Kandinsky, 1866-1944 PDF Author: Hajo Düchting
Publisher: Taschen
ISBN: 9783822859827
Category : Art
Languages : en
Pages : 104

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Book Description
The founder of abstract art The Russian painter Wassily Kandinsky (1866-1944), who later lived in Germany and France, is one of the pioneers of twentieth-century art. Nowadays he is regarded as the founder of abstract art and is, moreover, the chief theoretician of this type of painting. Together with Franz Marc and others he founded the group of artists known as the "Blauer Reiter" in Munich. His art then freed itself more and more from the object, eventually culminating in the "First Abstract Watercolour" of 1910. In his theoretical writings Kandinsky repeatedly sought the proximity of music; and just as in music, where the individual notes constitute the medium whose effect stems from harmony and euphony, Kandinsky was aiming for a pure concord of colour through the interplay of various shades. Gauguin had demanded that everything "must be sacrificed to pure colours". Kandinsky was the first to realise this and thus to influence a whole range of artists. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

The Visual Arts in Germany, 1890-1937

The Visual Arts in Germany, 1890-1937 PDF Author: Shearer West
Publisher: Manchester University Press
ISBN: 9780719052798
Category : Art
Languages : en
Pages : 264

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Book Description
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.

The Munich Secession

The Munich Secession PDF Author: Maria Makela
Publisher:
ISBN: 9780691002873
Category : Art
Languages : en
Pages : 368

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Book Description
In April 1892 the first art Secession in the German-speaking countries came into being in Munich, Central Europe's undisputed capital of the visual arts. Featuring the work of German painters, sculptors, and designers, as well as that of vanguard artists from around the world, the Munich Secession was a progressive force in the German art world for nearly a decade, its exhibitions regularly attended and praised by Paul Klee, Wassily Kandinsky, and other modernists at the outset of their careers. "Those artists who were not included, or who thought themselves inadequately represented in the large official exhibitions held in the major German cities, had economic as well as aesthetic reasons for creating new outlets for their work.... The first of these Secessions [is] the subject of an interesting and well-researched study by Maria Makela."--James Joll, The New York Review of Books "Makela combines aesthetic analysis with institutional history, and does so very well. She has written the first thoroughly documented account of the Munich Secession in any language." --Peter Paret, The Art Bulletin ..".a carefully documented chronicle of the Munich Secession...an indispensable guide. It is a pioneering study that manages to be solid yet provocative..."--Brooks Adams, Art in America