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Author: Carolin Duttlinger
Publisher: Oxford University Press
ISBN: 0199219451
Category : Fiction
Languages : en
Pages : 295
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Book Description
Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. In the first detailed study of photography in Kafka's work, which includes more than 20 illustrations, Carolin Duttlinger gives close readings of the most important prose works, as well as the letters and diaries.
Author: Carolin Duttlinger
Publisher: Oxford University Press
ISBN: 0199219451
Category : Fiction
Languages : en
Pages : 295
Get Book Here
Book Description
Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. In the first detailed study of photography in Kafka's work, which includes more than 20 illustrations, Carolin Duttlinger gives close readings of the most important prose works, as well as the letters and diaries.
Author: Isak Winkel Holm
Publisher: Bloomsbury Publishing USA
ISBN: 1501347845
Category : Literary Criticism
Languages : en
Pages : 297
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Book Description
In 1911, Franz Kafka encountered the Kaiser Panorama: a stereoscopic peep show offering an illusion of three-dimensional depth. After the experience, he began to emulate the apparatus in his literary sketches, developing a style we might call "stereoscopic," juxtaposing, like the optical stereoscope, two images of the same object seen from slightly different perspectives. Isak Winkel Holm argues that Kafka's stereoscopic style is crucial to an understanding of the relation between literature and politics in Kafka's work. At the level of content, the stereoscopic style offers a representation of the basic order of a specific community. At the level of form, the stereoscopic style is structured as the juxtaposition of two dissimilar images of the same community. At the level of function, finally, the style provokes a reconsideration, and perhaps even a reconfiguration, of the social order itself. With insights from literary studies, philosophical aesthetics and political theory, Kafka's Stereoscopes offers a detailed but highly readable argument for the relevance of Kafka's literary works in today's political reality.
Author: Emily Troscianko
Publisher: Routledge
ISBN: 1136180052
Category : Language Arts & Disciplines
Languages : en
Pages : 273
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Book Description
This book uses insights from the cognitive sciences to illuminate Kafka’s poetics, exemplifying a paradigm for literary studies in which cognitive-scientific insights are brought to bear directly on literary texts. The volume shows that the concept of "cognitive realism" can be a critically productive framework for exploring how textual evocations of cognition correspond to or diverge from cognitive realities, and how this may affect real readers. In particular, it argues that Kafka’s evocations of visual perception (including narrative perspective) and emotion can be understood as fundamentally enactive, and that in this sense they are "cognitively realistic". These cognitively realistic qualities are likely to establish a compellingly direct connection with the reader’s imagination, but because they contradict folk-psychological assumptions about how our minds work, they may also leave the reader unsettled. This is the first time a fully interdisciplinary research paradigm has been used to explore a single author’s fictional works in depth, opening up avenues for future research in cognitive literary science.
Author: Carolin Duttlinger
Publisher: OUP Oxford
ISBN: 0191527483
Category : Literary Collections
Languages : en
Pages : 295
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Book Description
Throughout his life, Franz Kafka was fascinated by photography, a medium which for him came to encapsulate both the attractions and the pitfalls of modern life. Kafka's personal engagement with the medium - as a keen viewer and collector of photographs as well as an amateur photographer - is reflected in his writings, which explore photography from a variety of different perspectives. By far the most frequently and extensively discussed visual medium in Kafka's texts, photography is paradigmatic of his relationship to visuality more generally. This study not only explores photography's recurrence as a theme within his texts but it is also the first to take systematic account of Kafka's use of photographs as literary source material. Kafka and Photography presents one of the most important modern writers from an entirely new perspective; it sheds new light on familiar works and uncovers unexplored aspects of Kafka's engagement with his time and context. Providing a chronological account of key prose works, as well as the personal writings, this study is accessible to students and lay readers. It will be of interest not only to literary scholars but also to those working in photography, media, and cultural studies. Its detailed textual analyses are set against a richly documented historical context which illustrates Kafka's interest in contemporary culture through a range of visual material taken from public as well as private sources - some of which has only recently become available. As this book demonstrates, photography had a profound impact on Kafka's literary imagination and as such helps to explain the mesmerizing intensity of enigmatic visual detail which is a hallmark of his narratives.
Author: Flannery O'Connor
Publisher: Macmillan
ISBN: 0374515360
Category : Fiction
Languages : en
Pages : 581
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Book Description
Winner of the National Book Award The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction. There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death—is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.
Author: Espen Hammer
Publisher: Oxford University Press
ISBN: 0190461470
Category : Philosophy
Languages : en
Pages : 313
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Book Description
Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity (whether about himself, or the anonymous system he is facing), only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique.
Author: Carolin Duttlinger
Publisher: Cambridge University Press
ISBN: 1107085497
Category : Literary Criticism
Languages : en
Pages : 365
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Book Description
Accessible essays place Kafka in historical, political and cultural context, providing new and often unexpected perspectives on his works.
Author: Francis J. Broucek
Publisher: Guilford Press
ISBN: 9780898624441
Category : Psychology
Languages : en
Pages : 190
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Book Description
In this ambitious new work, Frank Broucek explores the affect of shame--its functions, and its relationship to sexuality, self, and others. With a special focus on the relationship between shame and self-objectification, he proposes an innovative new theory that links shame to our sense of self from early development through maturity. In exploring this theme, Broucek--a psychoanalytically trained psychiatrist--breaks new ground in understanding the development of the self, establishing a perspective on narcissism that differs markedly from traditional psychoanalytic concepts. An illuminating overview of the modern literature precedes a provocative analysis of the role of shame in the formation of the self. Here, Broucek identifies the three major sources of shame: the infant's experiences of interpersonal inefficacy; self-objectification resulting in a kind of self-alienation or primary dissociation; and the experience of being unloved, rejected, or scapegoated by important others. In the course of development, these vectors cause the self's overinvestment in the idealized self-image and a devaluation of the actual self, an event explored in depth in the chapter on narcissism. Broucek also addresses the role of shame in psychoanalysis and in society. The neglect of this emotion in psychoanalytic theory and technique, the author contends, results from a critical lack of understanding of shame and its effect--potentially adverse--on the practice of psychotherapy. Finally, Broucek's analysis of widespread shamelessness in modern times logically extends the ideas presented earlier. Maintaining a critical balance in its coverage and interpretation, SHAME AND THE SELF marks a significant contribution to the understanding of the nature of shame and its role in our psychic life. As such, it is essential reading for all practicing psychiatrists, psychologists, social workers, and other mental health practitioners.
Author: Gillian Beer
Publisher: Routledge
ISBN: 1351195174
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
"'Interdisciplinarity' has dynamised the Modern Humanities like no other recent academic trend. Yet, this presents serious challenges involving both translation and affect: how can we transmit facts and interpretations, sense and sensations between disciplines, between different artistic media, between cultures, between the private and the public sphere? What are the advantages, the difficulties, and risks? Another challenge concerns language: if single disciplines have produced their own technologies of reading and writing, this book examines and breaks the routine to propose alternative languages. Some of the most distinctive voices in criticism, both established and upcoming, from literature, music, the visual arts, psychoanalysis and philosophy, amongst others, show here their commitment to comparative thinking. The challenge has been to reach beyond the jargon and the epistemological constraints of individual disciplines while remaining coherent and incisive. The outcome successfully reveals new links between different forms of cultural expression. Gillian Beer (English Literature, Science Writing), Malcolm Bowie (French Literature, Psychoanalysis) and Beate Perrey (Music, Poetry, Psychoanalysis) are the instigators of the interdisplinary research project New Languages for Criticism: Cross-Currents and Resistances, which since 2002 has been under the auspices of CRASSH, the Centre for Research in the Arts, Social Sciences and Humanities at the University of Cambridge."
Author: Mark Christian Thompson
Publisher: Northwestern University Press
ISBN: 0810132877
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Kafka's Blues proves the startling thesis that many of Kafka's major works engage in a coherent, sustained meditation on racial transformation from white European into what Kafka refers to as the "Negro" (a term he used in English). Indeed, this book demonstrates that cultural assimilation and bodily transformation in Kafka's work are impossible without passage through a state of being "Negro." Kafka represents this passage in various ways—from reflections on New World slavery and black music to evolutionary theory, biblical allusion, and aesthetic primitivism—each grounded in a concept of writing that is linked to the perceived congenital musicality of the "Negro," and which is bound to his wider conception of aesthetic production. Mark Christian Thompson offers new close readings of canonical texts and undervalued letters and diary entries set in the context of the afterlife of New World slavery and in Czech and German popular culture.
