Author: Zoë Kincaid
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 518
Book Description
Kabuki, the Popular Stage of Japan
Author: Zoë Kincaid
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 518
Book Description
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 518
Book Description
A Guide to the Japanese Stage
Author: Ronald Cavaye
Publisher: Kodansha
ISBN: 9784770029874
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Japan has a wide range of unique, highly refined performing arts that haveeveloped over centuries. This guide provides a brief history andntroduction to the features of each genre, together with recommendations oflays that are accessible to non-Japanese audiences. Brief synopses arerovided to approximately fifty selected plays, and well-known popularompanies, actors, writers, and directors are introduced. The text is widelyllustrated, and includes information about theatre listings, how to getickets, and which plays are available on DVD. It will be invaluable fornyone planning a visit to Japan and keen to experience its theatre firsthand,s well as providing additional insights for students of Japanese theatrend literature.
Publisher: Kodansha
ISBN: 9784770029874
Category : Performing Arts
Languages : en
Pages : 296
Book Description
Japan has a wide range of unique, highly refined performing arts that haveeveloped over centuries. This guide provides a brief history andntroduction to the features of each genre, together with recommendations oflays that are accessible to non-Japanese audiences. Brief synopses arerovided to approximately fifty selected plays, and well-known popularompanies, actors, writers, and directors are introduced. The text is widelyllustrated, and includes information about theatre listings, how to getickets, and which plays are available on DVD. It will be invaluable fornyone planning a visit to Japan and keen to experience its theatre firsthand,s well as providing additional insights for students of Japanese theatrend literature.
The Kabuki Theatre of Japan
Author: Adolphe Clarence Scott
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 319
Book Description
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 319
Book Description
Kabuki
Author: Zoë Kinkcaid
Publisher:
ISBN:
Category :
Languages : en
Pages : 385
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 385
Book Description
Heroes of the Kabuki Stage
Author: Arendie Herwig
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
"Heroes of the kabuki stage" is written for kabuki lovers and collectors of kabuki woodblock prints, eager to know more about the interesting images on their prints. This lavishly illustrated book has no precedent in a Western language outside Japan. The introduction to this form of theatrical art is placed in the historical and social context of Tokugawa and Meiji Japan between 1603 and 1912. Many of the conventions in the theatre are explained and practically all aspects of kabuki are investigated. The evolution of the playhouse itself, the fascinating interaction between actors and audiences, as well as the development of plays are discussed. There is no other theatre tradition with such elaborate costumes, make-up and variety of acting styles, and these aspects are explained in detail. A brief historical outline of actor prints and their designers, from both Edo (present-day Tokyo) and Osaka, is also included. A large section of the book is dedicated to retelling the 36 popular kabuki plays that are still performed today. Many theatre pieces have their origin in the Nô and puppet theatre traditions: all sources are mentioned in the short introduction to each retelling, which also include{s} detailed notes and references as well as gossip and anecdotes from the world of the theatre. The main scenes of each play and the actors in their leading roles are illustrated by woodblock prints, produced over a period of more than a century. The bibliography provides an up-to-date list of books and articles in Western languages about kabuki. Heroes of the kabuki stage is unique for its extensive index on roles, actors, playwrights, subjects and attributes, which will enable the reader and print collector to find his way in the spectacular world of kabuki.
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 368
Book Description
"Heroes of the kabuki stage" is written for kabuki lovers and collectors of kabuki woodblock prints, eager to know more about the interesting images on their prints. This lavishly illustrated book has no precedent in a Western language outside Japan. The introduction to this form of theatrical art is placed in the historical and social context of Tokugawa and Meiji Japan between 1603 and 1912. Many of the conventions in the theatre are explained and practically all aspects of kabuki are investigated. The evolution of the playhouse itself, the fascinating interaction between actors and audiences, as well as the development of plays are discussed. There is no other theatre tradition with such elaborate costumes, make-up and variety of acting styles, and these aspects are explained in detail. A brief historical outline of actor prints and their designers, from both Edo (present-day Tokyo) and Osaka, is also included. A large section of the book is dedicated to retelling the 36 popular kabuki plays that are still performed today. Many theatre pieces have their origin in the Nô and puppet theatre traditions: all sources are mentioned in the short introduction to each retelling, which also include{s} detailed notes and references as well as gossip and anecdotes from the world of the theatre. The main scenes of each play and the actors in their leading roles are illustrated by woodblock prints, produced over a period of more than a century. The bibliography provides an up-to-date list of books and articles in Western languages about kabuki. Heroes of the kabuki stage is unique for its extensive index on roles, actors, playwrights, subjects and attributes, which will enable the reader and print collector to find his way in the spectacular world of kabuki.
Kabuki
Author: Zoë Kincaid
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Kabuki Heroes on the Osaka Stage, 1780-1830
Author: C. Andrew Gerstle
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
The creation of celebrity and fame is a topic easily understandable in today's world of pop idol competitions and reality TV shows. This exhibition and catalogue will focus on a similar phenomenon of the late eighteenth and nineteenth centuries, when urban Osaka and Tokyo created superstar actors, and will show how this was a stimulus for the creation of theatre, visual arts and poetry. Visitors to the exhibition will be struck by a colourful and varied visual display through which actors were portrayed as legendary urban heroes. The dates of items included will range from about 1780 until the 1830s; but the core of the exhibition will cover the period 1800-1821, and focus on the fierce rivalry between the two Osaka Kabuki superstars, Arashi Kichisaburo II (Rikan I, 1769-1821) and Nakamura Utaemon III (Shikan I, 1778-1838). Books, surimono, single sheet actor prints and albums will highlight the different ways in which actors and performances were represented, and show how this was part of a complex strategy to create celebrity for the actors, poets and artists involved.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 316
Book Description
The creation of celebrity and fame is a topic easily understandable in today's world of pop idol competitions and reality TV shows. This exhibition and catalogue will focus on a similar phenomenon of the late eighteenth and nineteenth centuries, when urban Osaka and Tokyo created superstar actors, and will show how this was a stimulus for the creation of theatre, visual arts and poetry. Visitors to the exhibition will be struck by a colourful and varied visual display through which actors were portrayed as legendary urban heroes. The dates of items included will range from about 1780 until the 1830s; but the core of the exhibition will cover the period 1800-1821, and focus on the fierce rivalry between the two Osaka Kabuki superstars, Arashi Kichisaburo II (Rikan I, 1769-1821) and Nakamura Utaemon III (Shikan I, 1778-1838). Books, surimono, single sheet actor prints and albums will highlight the different ways in which actors and performances were represented, and show how this was part of a complex strategy to create celebrity for the actors, poets and artists involved.
Edo Kabuki in Transition
Author: Satoko Shimazaki
Publisher: Columbia University Press
ISBN: 0231540523
Category : History
Languages : en
Pages : 389
Book Description
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
Publisher: Columbia University Press
ISBN: 0231540523
Category : History
Languages : en
Pages : 389
Book Description
Satoko Shimazaki revisits three centuries of kabuki theater, reframing it as a key player in the formation of an early modern urban identity in Edo Japan and exploring the process that resulted in its re-creation in Tokyo as a national theatrical tradition. Challenging the prevailing understanding of early modern kabuki as a subversive entertainment and a threat to shogunal authority, Shimazaki argues that kabuki instilled a sense of shared history in the inhabitants of Edo (present-day Tokyo) by invoking "worlds," or sekai, derived from earlier military tales, and overlaying them onto the present. She then analyzes the profound changes that took place in Edo kabuki toward the end of the early modern period, which witnessed the rise of a new type of character: the vengeful female ghost. Shimazaki's bold reinterpretation of the history of kabuki centers on the popular ghost play Tokaido Yotsuya kaidan (The Eastern Seaboard Highway Ghost Stories at Yotsuya, 1825) by Tsuruya Nanboku IV. Drawing not only on kabuki scripts but also on a wide range of other sources, from theatrical ephemera and popular fiction to medical and religious texts, she sheds light on the development of the ubiquitous trope of the vengeful female ghost and its illumination of new themes at a time when the samurai world was losing its relevance. She explores in detail the process by which nineteenth-century playwrights began dismantling the Edo tradition of "presenting the past" by abandoning their long-standing reliance on the sekai. She then reveals how, in the 1920s, a new generation of kabuki playwrights, critics, and scholars reinvented the form again, "textualizing" kabuki so that it could be pressed into service as a guarantor of national identity.
Kabuki Dancer
Author: 有吉佐和子
Publisher: Kodansha
ISBN:
Category : Japan
Languages : en
Pages : 360
Book Description
A fictionalized biography of Okuni, the 17th Century Japanese temple dancer who invented the Kabuki theatre. The novel chronicles her love life and the public's reaction to her innovations, such as cross-dressing, reaction which tended to vary with the political climate of the day.
Publisher: Kodansha
ISBN:
Category : Japan
Languages : en
Pages : 360
Book Description
A fictionalized biography of Okuni, the 17th Century Japanese temple dancer who invented the Kabuki theatre. The novel chronicles her love life and the public's reaction to her innovations, such as cross-dressing, reaction which tended to vary with the political climate of the day.
Ikkaku Sennin
Author: John Dietrich Mitchell
Publisher: Iasta
ISBN: 9781882763061
Category : Drama
Languages : en
Pages : 288
Book Description
The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.
Publisher: Iasta
ISBN: 9781882763061
Category : Drama
Languages : en
Pages : 288
Book Description
The appeal of Asian Theater in America today confirms that the theatre of the Far East is a remarkable and catalytic experience for a Western audience. Staging Japanese Theatre presents two complete plays in the theatrical forms of Noh and Kabuki. Each play appears in Japanese with English translations on facing pages and is pre-ceded by a brief history of the theatre form and the evolution of the production. The text contains an abundance of photographs, diagrams, and the stage directions from the IASTA performance.