The Photomontages of Hannah Höch

The Photomontages of Hannah Höch PDF Author: Hannah Höch
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 238

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Book Description
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.

The Photomontages of Hannah Höch

The Photomontages of Hannah Höch PDF Author: Hannah Höch
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 238

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Book Description
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.

Hannah Höch

Hannah Höch PDF Author: Hannah Höch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 376

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Book Description
La muestra presenta 189 piezas, agrupadas cronológicamente, que permiten recorrer la trayectoria creadora de Höch, que tuvo en el fotomontaje uno de sus ejes, sin abandonar otros lenguajes como la pintura, el dibujo, el collage o el diseño escenográfico, y que resume algunas claves del siglo XX, como el afán de experimentación y el uso de nuevas técnicas, la imparable incorporación de la mujer a la sociedad occidental, la constatación del horror y la violencia que conllevan las políticas de exclusión racial y la necesidad de buscar en la soledad una válvula de escape y también de potenciación de la creatividad.

Frederick Kiesler: Face to Face with the Avant-Garde

Frederick Kiesler: Face to Face with the Avant-Garde PDF Author: Peter Bogner
Publisher: Birkhäuser
ISBN: 3035615411
Category : Architecture
Languages : en
Pages : 360

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Book Description
Network of superlatives Frederick Kiesler was a committed networker and communicated regularly with the who’s who of the avant-garde. He was an important intermediary between the visionary ideas of the European Moderne movement and the up-and-coming New York art scene. About 20 contributions portray his colorful life and his multifaceted oeuvre in various contexts, and place Kiesler in a dialog with the most important artists and architects of his time. The publication on the occasion of the 20 year anniversary of the Friedrich Kiesler Foundation deals with his relationship with the Bauhaus, surrealism, and the New York School, as well as with personalities such as Richard Buckminster Fuller, Marcel Duchamp, Arshile Gorky, Theo van Doesburg, Piet Mondrian, Hans Arp, Sigfried Giedion, and others. An interwoven analysis of his life and work Contributions on individual and case studies Kiesler and Bauhaus, Mondrian, Buckminster Fuller, Duchamp, and many others

Jewish Art in Nazi Germany

Jewish Art in Nazi Germany PDF Author: Dana Smith
Publisher: Routledge
ISBN: 1000568083
Category : History
Languages : en
Pages : 210

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Book Description
This book provides a social and cultural history of Jewish art in Nazi Germany, with a focus on the Jewish artists, art critics, and audiences in Nazi Bavaria. From the time of its conceptualization in the autumn of 1933 until its final curtain call in November 1938, the Jewish Cultural League in Bavaria sustained three departments: music, visual arts, and adult education. The Bavarian example steps outside the highly professional cultural milieu of Jewish Berlin, and instead looks at relatively unknown efforts of Bavarian Jewish artists as they used art to define what it now meant, to them, to be Jewish under Nazism. Insightful and engaging, this book is ideal for advanced undergraduate students, graduate students, and scholars interested in social and cultural histories of Jews in Germany.

Concise Dictionary of Women Artists

Concise Dictionary of Women Artists PDF Author: Delia Gaze
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786

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Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.

Inventing Abstraction, 1910-1925

Inventing Abstraction, 1910-1925 PDF Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708287
Category : Art
Languages : en
Pages : 378

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Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Glitter and Doom

Glitter and Doom PDF Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 1588392007
Category : Neue Sachlichkeit (Art)
Languages : en
Pages : 306

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Book Description
In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. Glitter and Doom is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists' own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.

100 Years On: Revisiting the First Russian Art Exhibition of 1922

100 Years On: Revisiting the First Russian Art Exhibition of 1922 PDF Author: Isabel Wünsche
Publisher: Böhlau Köln
ISBN: 3412525650
Category : Art
Languages : en
Pages : 277

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Book Description
The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.

Encyclopedia of Twentieth-Century Photography, 3-Volume Set

Encyclopedia of Twentieth-Century Photography, 3-Volume Set PDF Author: Lynne Warren
Publisher: Routledge
ISBN: 1135205434
Category : Photography
Languages : en
Pages : 1849

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Book Description
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

Bauhaus 1919-1933

Bauhaus 1919-1933 PDF Author: Barry Bergdoll
Publisher: The Museum of Modern Art
ISBN: 9780870707582
Category : Art
Languages : en
Pages : 348

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Book Description
The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers in an extraordinary conversation about modern art. Bauhaus 1919-1933, published to accompany a major multimedia exhibition at MoMA, is the first comprehensive treatment of the subject by MoMA since 1938 and offers a new generational perspective on the 20th century's most influential experiment in artistic education. It brings together works in a broad range of mediums, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theatre and costume design, and painting and sculpture - many of which have rarely if ever been seen outside of Germany. Featuring about 400 colour plates and a rich range of documentary images, this publication includes two overarching images by the exhibition's curators, Leah Dickerman and Barry Bergdoll, concise interpretive essays on key objects by over twenty leading scholars, and an illustrated, narrative chronology.