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Author: Barbara Rogers-Gardner
Publisher:
ISBN: 9781630512545
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
Three plays analyzed from a Jungian perspective and a fresh wit, catching many contemporary nuances in these well-loved plays and their continuing relevance for today. Barbara Rogers-Gardner has a Ph.D. in comparative literature from Rutgers University and has published two novels as well as numerous scholarly articles. She has taught at Ramapo College of New Jersey, the University of California, Santa Barbara, and is now a member of the faculty at Pacifica Graduate Institute, a center for the study of Depth Psychology. From the book: "A model of Jung's mature, harmonious self is to be found in Prospero, who trusts that death is an initiation into divinity. Prospero's shadow is recognized and embraced in Caliban, the poetic, sensual monster who grounds us in pig-nuts and music. Not in individualism, the sort of maladaptive bog in which Claudius, lago, and Stephano sink, but in accommodating the self to the social order does the Shakespearean hero find his peace." "Dr. Rogers-Gardner places Shake-speare's characters under the lens of archetypal theory, showing us eruptions from the unconscious, fragmentation of the ego, and finally the maturation pro-cess in which opposites are conjoined. In this brilliant blend of Depth Psychol-ogy and current literary criticism, we cannot help but see ourselves." -Dr. C. Edward Crowther, Jungian psy-chotherapist and author of "Intimacy: Strategies for Successful Relationships"
![Jung and Shakespeare - Hamlet, Othello and the Tempest [Paperback] PDF](https://books.google.com/books/content/images/frontcover/qxwTswEACAAJ?fife=w80-h100)
Author: Barbara Rogers-Gardner
Publisher:
ISBN: 9781630512545
Category : Literary Criticism
Languages : en
Pages : 128
Get Book Here
Book Description
Three plays analyzed from a Jungian perspective and a fresh wit, catching many contemporary nuances in these well-loved plays and their continuing relevance for today. Barbara Rogers-Gardner has a Ph.D. in comparative literature from Rutgers University and has published two novels as well as numerous scholarly articles. She has taught at Ramapo College of New Jersey, the University of California, Santa Barbara, and is now a member of the faculty at Pacifica Graduate Institute, a center for the study of Depth Psychology. From the book: "A model of Jung's mature, harmonious self is to be found in Prospero, who trusts that death is an initiation into divinity. Prospero's shadow is recognized and embraced in Caliban, the poetic, sensual monster who grounds us in pig-nuts and music. Not in individualism, the sort of maladaptive bog in which Claudius, lago, and Stephano sink, but in accommodating the self to the social order does the Shakespearean hero find his peace." "Dr. Rogers-Gardner places Shake-speare's characters under the lens of archetypal theory, showing us eruptions from the unconscious, fragmentation of the ego, and finally the maturation pro-cess in which opposites are conjoined. In this brilliant blend of Depth Psychol-ogy and current literary criticism, we cannot help but see ourselves." -Dr. C. Edward Crowther, Jungian psy-chotherapist and author of "Intimacy: Strategies for Successful Relationships"
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1832
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Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 3126
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Author: Bruce T. Sajdak
Publisher:
ISBN:
Category :
Languages : en
Pages : 986
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Book Description
Author: Jonathan Locke Hart
Publisher: Routledge
ISBN: 0429663293
Category : Drama
Languages : en
Pages : 373
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Book Description
Shakespeare and Asia brings together innovative scholars from Asia or with Asian connections to explore these matters of East-West and global contexts then and now. The collection ranges from interpretations of Shakespeare’s plays and his relations with other authors like Marlowe and Dickens through Shakespeare and history and ecology to studies of film, opera or scholarship in Japan, Russia, India, Pakistan, Singapore, Taiwan and mainland China. The adaptations of Kozintsev and Kurosawa; Bollywood adaptations of Shakespeare’s plays; different Shakespearean dramas and how they are interpreted, adapted and represented for the local Pakistani audience; the Peking-opera adaptation of Hamlet ; Féng Xiǎogāng’s The Banquet as an adaptation of Hamlet; the ideology of the film, Shakespeare Wallah. Asian adaptations of Hamlet will be at the heart of this volume. Hamlet is also analyzed in light of Oedipus and the Sphinx. Shakespeare is also considered as a historicist and in terms of what influence he has on Chinese writers and historical television. Lear is Here and Cleopatra and Her Fools, two adapted Shakespearean plays on the contemporary Taiwanese stage, are also discussed. This collection also examines in Shakespeare the patriarchal prerogative and notion of violence; carnival and space in the comedies; the exotic and strange; and ecology. The book is rich, ranging and innovative and will contribute to Shakespeare studies, Shakespeare and media and film, Shakespeare and Asia and global Shakespeare.
Author: Sarah Hatchuel
Publisher: Presses universitaires de Rouen et du Havre
ISBN: 2877758427
Category : Art
Languages : en
Pages : 393
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Book Description
Is there a specificity to adapting a Roman play to the screen ? This volume interrogates the ways directors and actors have filmed and performed the Shakespearean works known as the "Roman plays", which are, in chronological order of writing, Titus Andronicus, Julius Caesar, Antony and Cleopatra and Coriolanus. In the variety of plays and story lines, common questions nevertheless arise. Is there such a thing as filmic "Romanness"? By exploring the different ways in which the Roman plays are re-interpreted in the light of Roman history, film history and the Shakespearean tradition, the papers in this volume all take part in the ceaseless investigation of what the plays keep saying not only about our vision of the past, but also about our perception of the present.
Author: Meewon Lee
Publisher: Taylor & Francis
ISBN: 1040145000
Category : Social Science
Languages : en
Pages : 240
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Book Description
Lee provides a comprehensive insight into important topics within modern Korean theatre and conducts an in-depth evaluation of the major discourses that shaped Korean theatre during the 20th century. The book adopts a topical approach to explore modern Korean theatre through a more focused lens. Examining key subjects such as Korean Playwrights. Korean adaptations of Shakespeare, the National Theatre, feminist theatre, and the intercultural potential of a Far Eastern theatrical bloc, it provides a rigorous understanding of the evolution of Korean theatre during the 20th century and explores the moments of rupture and innovation within the chronological history of theatre. The book is a vital resource of interest to scholars and students interested in East Asian culture and theatre, specifically Korean culture.
Author: Jeffrey Kahan
Publisher: Routledge
ISBN: 1135973652
Category : Literary Criticism
Languages : en
Pages : 385
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Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
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Publisher:
ISBN:
Category :
Languages : en
Pages : 516
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Author: Alexa Alice Joubin
Publisher: Bloomsbury Publishing
ISBN: 1350410829
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
A concise guide to global performances of Shakespeare, this volume combines methodologies of dramaturgy, film and performance studies, critical race and gender studies and anthropological thick description. This companion guides students from critical methodologies through big pictures of global Shakespeare to case studies that employ these methodologies. It uses a site-specific lens to examine global performances of Shakespeare on stage, on radio and on screen. As well as featuring methodological chapters on modernist adaptations, global cinema, multilingual productions and Shakespeare in translation, the volume includes short histories of adaptations of Shakespeare in Southeast Asia, Latin America, the Arab world, India, the Slavic world, Iran, Afghanistan and the Farsi-speaking diaspora. It uses these micro-historical narratives to demonstrate the value of local knowledge by analysing the relationships between Shakespeare and his modern interlocutors. Finally, thematically organized case studies apply the methodologies to analyse key productions in Brazil, Korea, Yemen, Kuwait, China and elsewhere. The final chapter considers pedagogical strategies in a global setting. These chapters showcase the how of global Shakespeare studies: how do minoritized artists and audiences engage with Shakespeare? And how do we analyse the diverse and polyphonic performances with an eye towards equity and social justice?
