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Author: Donald H. Mayo
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
What is the source of artistic inspiration and the related effect of great art upon the audience or reader? This work provides the best answer yet given to this difficult question that has been speculated upon by artists and in philosophic writings since Plato. The author has extracted and explicated a coherent theory of aesthetics from Carl Jung's voluminous writings, arguing that Jung's is the best explanation of the phenomenon of artistic inspiration. Finally a scheme is proposed for a system of criticism based on Jung's writings.
Author: Donald H. Mayo
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
What is the source of artistic inspiration and the related effect of great art upon the audience or reader? This work provides the best answer yet given to this difficult question that has been speculated upon by artists and in philosophic writings since Plato. The author has extracted and explicated a coherent theory of aesthetics from Carl Jung's voluminous writings, arguing that Jung's is the best explanation of the phenomenon of artistic inspiration. Finally a scheme is proposed for a system of criticism based on Jung's writings.
Author: Tjeu Van den Berk
Publisher: Routledge
ISBN: 0415610273
Category : Art
Languages : en
Pages : 178
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Book Description
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Young Woon Ko
Publisher: Cambridge Scholars Publishing
ISBN: 144382786X
Category : Religion
Languages : en
Pages : 165
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Book Description
Jung’s understanding of Yijing for supporting the synchronistic principle reveals the key issues of his archetypal theory. Jung’s archetypal theory, which is the basic motif of his understanding of Yijing, illuminates the religious significance of Yijing. Jung defines the human experience of the divine as an archetypal process by way of which the unconscious conveys the human religious experience. In this way, the divine and the unconscious mind are inseparable from each other. For the human experience of the divine, Jung’s archetypal theory developed in a theistic tradition is encountered with the religious character of the non-theistic tradition of Yijing. From Jung’s partial adaptation of Yijing, however, we notice the differences between Jung’s archetypal psychology and the Yijing cosmological view. This difference represents the difference between the Western and the East Asian tradition. This aspect is well shown in the fact that Jung’s theoretical assumption for the definition of archetype is deeply associated with Plato’s Idea and the Kantian a priori category. Accordingly, Jung brings their timeless-spaceless realm of archetype into the synchronistic phenomenon of the psyche and identifies the Yijing text with the readable archetype. Yet, the synchronistic moment that Jung presents is the phenomenon always involved in subjective experience and intuition, which are developed in the duration of time. The synchronistic phenomenon is not transcendent or the objective flowing of time-in-itself regardless of our subjective experience.
Author: Tjeu van den Berk
Publisher: Routledge
ISBN: 113572735X
Category : Psychology
Languages : en
Pages : 178
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Book Description
In this book, Tjeu van den Berk examines C. G. Jung's personal perspective on art and how his work intensely engages with this theme. It analyses Jung’s profound reflections on artistic considerations such as how we experience art, the specific qualities in the perception of beauty, the nature of the creative process and the aesthetic attitude. Jung on Art considers Jung's feelings about art simply being 'art' rather than reducing it to a moral, political, religious or psychological product. It also discusses Jung’s notion that the artist is only a breeding ground for a piece of art, and once complete, the piece has an independent existence. Topics covered include: symbolism the difference between art and aesthetics Jung's ideas about himself as an artist the psychology of art Jung's perspective on modern art and surrealism. This book will be of great interest to all Jungian scholars, as well as those interested in the meeting of Jung and art.
Author: C. G. Jung
Publisher: Princeton University Press
ISBN: 140088604X
Category : Psychology
Languages : en
Pages : 221
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Book Description
Contents: Mandalas. I. A Study in the Process of Individuation. II. Concerning Mandala Symbolism Index Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: The Foundation of the Works of C.G. Jung
Publisher: W. W. Norton & Company
ISBN: 0393254887
Category : Psychology
Languages : en
Pages : 588
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Book Description
A lavishly illustrated volume of C.G. Jung’s visual work, from drawing to painting to sculpture. A world-renowned, founding figure in analytical psychology, and one of the twentieth century’s most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung’s practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title “artist.” But the long-awaited and landmark publication, in 2009, of C.G. Jung’s The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of “thinking in images” in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication. The release of The Red Book generated enormous interest in Jung’s visual works and allowed scholars to engage with the legacy of Jung’s creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung’s visual efforts from early childhood to adult life while illuminating the close relation of Jung’s lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung’s engagement with visual art as maker, collector, and analyst.
Author: Murray Stein
Publisher: Chiron Publications
ISBN: 1630517186
Category : Psychology
Languages : en
Pages : 507
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Book Description
Edited by Murray Stein and Thomas Arzt, the essays in the series Jung's Red Book for Our Time: Searching for Soul under Postmodern Conditions are geared to the recognition that the posthumous publication of The Red Book: Liber Novus by C.G. Jung in 2009 was a meaningful gift to our contemporary world. The Red Book can be considered as a contribution to the "Golden Chain" (aurea catena) of the world's imaginative literature reaching back to the ancient Sumerian Epic of Gilgamesh. As Jung describes this tradition in a letter to Max Rychner, "Faust is the most recent pillar in that bridge of the spirit which spans the morass of world history, beginning with the Gilgamesh epic, the I Ching, the Upanishads, the Tao-te-Ching, the fragments of Heraclitus, and continuing in the Gospel of St. John, the letters of St. Paul, in Meister Eckhart and in Dante." The Red Book extends the "Golden Chain" into our era. Each of the 18 essays in this third volume of the series, Jung's Red Book for Our Time, is unique, and all of them converge on the central theme of the relevance of The Red Book for people today in search of soul under postmodern conditions. This is the third volume of a multi-volume series set up on a global and multicultural level and includes essays from the following distinguished Jungian analysts and scholars:
Author: Laner Cassar
Publisher: Routledge
ISBN: 042984557X
Category : Psychology
Languages : en
Pages : 242
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Book Description
Jung's Technique of Active Imagination and Desoille's Directed Waking Dream Method brings together Carl Jung’s active imagination and Robert Desoille’s "rêve éveillé dirigé/directed waking dream" method (RED). It studies the historical development of these approaches in Central Europe in the first half of the 20th century and explores their theoretical similarities and differences, proposing an integrated framework of clinical practice. The book aims to study the wider European context of the 1900s which influenced the development of both Jung’s and Desoille’s methods. This work compares the spatial metaphors of interiority used by both Jung and Desoille to describe the traditional concept of inner psychic space in the waking dreams of Jung’s active imagination and Desoille’s RED. It also attempts a broader theoretical comparison between the procedural aspects of both RED and active imagination by identifying commonalities and divergences between the two approaches. This book is a unique contribution to analytical psychology and will be of great interest for academics, researchers and post-graduate students interested in the use of imagination and mental imagery in analysis, psychotherapy and counselling. The book’s historical focus will be of particular relevance to Jungian and Desoillian scholars since it is the first of its kind to trace the connections between the two schools and it gives a detailed account of Desoille’s early life and his first written works. This book was a Gradiva Award nominee for 2021.
Author: Daryl Sharp
Publisher: Inner City Books, 1991 [i.e. 1990]
ISBN:
Category : Psychology
Languages : en
Pages : 170
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Book Description
"Illustrates the broad scope of analytical psychology and the interrelationship of Jung's cultural, scientific and clinical work. Definitions are accompanied by choice extracts from Jung's Collected Works, with informed commentary and generous crossreferences."--
Author: Craig Bradshaw Woelfel
Publisher: Univ of South Carolina Press
ISBN: 1611179068
Category : Religion
Languages : en
Pages : 247
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Book Description
An exploration of belief as an experience, both secular and religious, through the study of major literary works At the height of modernism in the 1920s, what did it mean to believe and how was it experienced? Craig Woelfel seeks to answer this pivotal question in Varieties of Aesthetic Experience: Literary Modernism and Dissociation of Belief, a groundbreaking exploration of the relationship between secular modernity and religious engagement. Woelfel hinges his argument on the unlikely comparison of two revered modern writers: T. S. Eliot and E. M. Forster. They had vastly different experiences with religion, as Eliot converted to Christianity later in life and Forster became a steadfast nonbeliever over time, but Woelfel contends that their stories offer a compelling model for belief as broken and ambivalent rather than constant. Narratives of faith—its loss or gain—are no longer linear but instead are just as fractured and varied as the modernists themselves. Drawing from Eliot's and Forster's major and minor creative and critical works, Woelfel makes the case for a "dissociation of belief" during the modern era—a separation of emotional and spiritual religious experience from its reduction to forms. He contextualizes belief in the modern era alongside modernist religious studies scholarship and current secularization theory, with particular attention to Charles Taylor's A Secular Age, paving the way for a more nuanced understanding of religious engagement at the time. In Varieties of Aesthetic Experience, Woelfel considers major literary works—including Eliot's The Waste Land and Forster's A Passage to India—as well as the Cambridge Clark Lectures and previously unstudied personal writings from both authors. The volume revolves around a line from Eliot himself, from a lecture in which he said that he wanted "to see art, and to see it whole." Rather than excluding belief from the conversation, Woelfel contends that modernist art can become a critical liminal space for exploring what it means to believe in a secular age.
