Journal of the Viola Da Gamba Society of America PDF Download
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Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
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Book Description
Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 68
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Viola da gamba music
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The Viola da Gamba Society of America (VdGSA) is a nonprofit organization dedicated to supporting activities related to the viola da gamba in the United States and abroad. The society publishes a quarterly newsletter and an annual journal. The VdGSA has issued recordings, offers reprints of consort music, and owns a collection of viols. Information about events, publications, membership, and the viol is available.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 19
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Book Description
Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 220
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Book Description
Author: Viola da Gamba Society of America
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
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Book Description
Author: Bettina Hoffmann
Publisher: Routledge
ISBN: 9780367443757
Category :
Languages : en
Pages : 0
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Book Description
The viola da gamba was a central instrument in European music from the late fifteenth century well into the late eighteenth. Bettina Hoffmann offers an introduction to the instrument-its construction, technique and history-for the non-specialist with a wealth of original archival scholarship that experts will relish.
Author: Paul Furnas
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 700
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Book Description
Author: Nathalie Dolmetsch
Publisher:
ISBN:
Category : Viola da gamba
Languages : en
Pages : 91
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Book Description
Author: Michael Fleming
Publisher: Taylor & Francis
ISBN: 1317147162
Category : Music
Languages : en
Pages : 422
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Book Description
Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
