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Author:
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ISBN:
Category : Numismatics
Languages : en
Pages : 336
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Author:
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ISBN:
Category : Numismatics
Languages : en
Pages : 440
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Author: Frank Henry Norton
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 310
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Vols. 42-49 include the Proceedings of the American numismatics society, 1908-1915/16.
Author: Frank Henry Norton
Publisher:
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Category : Numismatics
Languages : en
Pages : 494
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Author:
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ISBN:
Category : Numismatics
Languages : en
Pages : 350
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Author:
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ISBN:
Category : Numismatics
Languages : en
Pages : 464
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Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 338521744X
Category : Fiction
Languages : en
Pages : 158
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Reprint of the original, first published in 1875.
Author: Heinz Tschachler
Publisher: McFarland
ISBN: 1476681104
Category : History
Languages : en
Pages : 247
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Book Description
George Washington is the most popular subject on coins, medals, tokens, paper money and postage stamps in America. Attempts to eliminate one-dollar bills from circulation, replacing them with coins, have been unsuccessful. Americans' reluctance to part with their "Georges" are beyond rational considerations but tap into deep-felt emotions. To discard one-dollar bills means discarding the metaphorical Father of His Country. Alexander Hamilton, the nation's first Secretary of the Treasury, said that monetary tokens were "vehicles of useful impressions." This numismatic history of George Washington traces the persistence of his image on American currency. These images are mostly from the late 18th-century. This book also offers a close look at the pictorial tradition in which these images are rooted.
Author: Peter J. Tomson
Publisher: BRILL
ISBN: 9004278478
Category : Religion
Languages : en
Pages : 562
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The papers in this volume are organized around the ambition to reboot the writing of history about Jews and Christians in the first two centuries CE. Many are convinced of the need for a new perspective on this crucial period that saw both the birth of rabbinic Judaism and apostolic Christianity and their parting of ways. Yet the traditional paradigm of Judaism and Christianity as being two totally different systems of life and thought still predominates in thought, handbooks, and programs of research and teaching. As a result, the sources are still being read as reflecting two separate histories, one Jewish and the other Christian. The contributors to the present work were invited to attempt to approach the ancient Jewish and Christian sources as belonging to one single history, precisely in order to get a better view of the process that separated both communities. In doing so, it is necessary to pay constant attention to the common factor affecting both communities: the Roman Empire. Roman history and Roman archaeology should provide the basis on which to study and write the shared history of Jews and Christians and the process of their separation. A basic intuition is that the series of wars between Jews and Romans between 66 and 135 CE – a phenomenon unrivalled in antiquity – must have played a major role in this process. Thus the papers are arranged around three focal points: (1) the varieties of Jewish and Christian expression in late Second Temple times, (2) the socio-economic, military, and ideological processes during the period of the revolts, and (3) the post-revolt Jewish and Christian identities that emerged. As such, the volume is part of a larger project that is to result in a source book and a history of Jews and Christians in the first and second centuries.
Author: Dorothy T. Potter
Publisher: Lehigh University Press
ISBN: 1611460034
Category : History
Languages : en
Pages : 236
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'Food for Apollo:' Cultivated Music in Antebellum Philadelphia by Dorothy Potter, describes and evaluates the growth and scope of cultivated music in that city, from the early eighteenth-century to the advent of the Civil War. In many works dealing with American culture, discussion of music's influence is limited to a few significant performances or persons, or ignored altogether. The study of music's role in cultural history is fairly recent, compared to literature, art, and architecture. Whether vernacular or based on European models, a more thorough understanding of music should include attention to related subjects. This book examines concert and theatre performances, music publishing, pre-1861 manufacture of pianos, and British and American literature which promoted music, informing readers about individuals such as Wolfgang Amadeus Mozart, whose works and fame generated interest on both sides of the Atlantic. Though initially hindered by the Society of Friends' opposition to entertainments of all sorts, numbers of non-Quakers supported dancing, concerts, and drama by the 1740s; this interest accelerated after the Revolution, with the building of some of America's earliest theatres, and over time, Musical Fund Hall, the Academy of Music, and other venues. Emigrant musicians, notably Alexander Reinagle, introduced new works by contemporary Europeans such as Franz Joseph Haydn, Mozart, C.P. E. Bach, and many others, in concerts blended with favorite tunes, like the 'President's March.'. Later in the nineteenth century, Philadelphia's noted African-American composer and band leader Francis Johnson, continued the tradition of mixing classical and vernacular works in his popular promenade concerts. As they advertised and shipped their music to an ever-growing market, post-Revolutionary emigrant music publishers, including Benjamin Carr and his family, George Willig, and George Blake, created successful businesses that influenced American taste far beyond Philadelphia. While many of their imprints were vernacular pieces of all sorts, pirated European music adapted for amateur pianists, many of whom were women, formed a substantial part of their stock. Mozart's music was frequently republished or adapted for domestic entertainments, particularly as waltzes and songs from his operas.
Author: American Numismatics and Archaeological Society
Publisher:
ISBN:
Category : Numismatics
Languages : en
Pages : 46
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