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Author: Matthew Craske
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107123
Category : Art
Languages : en
Pages : 0
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Book Description
A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art
Author: Matthew Craske
Publisher: Paul Mellon Centre for Studies
ISBN: 9781913107123
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art
Author: Elizabeth E. Barker
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 236
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Book Description
"This illustrated book examines Wright's decisive impact on the artistic climate of the expanding port town of Liverpool and on the other artists working there. The Merseyside network of merchants, bankers, and amateur and professional artists that Wright encountered in the years around 1770 is identified as his true historical milieu. The book serves as the catalogue of the exhibition of the same name shown at the Walker Art Gallery, Liverpool, and the Yale Center for British Art, New Haven in 2007-8."--BOOK JACKET.
Author: Amina Wright
Publisher: Philip Wilson Publishers
ISBN: 9781781300213
Category : Art
Languages : en
Pages : 112
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Book Description
This title examines Joseph Wright's little-known Bath period, places the artist in the context of a city then at the height of its unique cultural significance. Using rarely-seen illustrations of his work, it considers his attempts to conquer a saturated portrait market with images of local celebrities, and his use of domestic spaces for public exhibition.
Author: Susan Holloway Scott
Publisher: Kensington
ISBN: 1496712528
Category : Fiction
Languages : en
Pages : 449
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Book Description
In this beautifully written novel of historical fiction, bestselling author Susan Holloway Scott tells the story of Alexander Hamilton’s wife, Eliza—a fascinating, strong-willed heroine in her own right and a key figure in one of the most gripping periods in American history. “Love is not easy with a man chosen by Fate for greatness . . .” As the daughter of a respected general, Elizabeth Schuyler is accustomed to socializing with dignitaries and soldiers. But no visitor to her parents’ home has affected her so strongly as Alexander Hamilton, a charismatic, ambitious aide to George Washington. They marry quickly, and despite the tumult of the American Revolution, Eliza is confident in her brilliant husband and in her role as his helpmate. But it is in the aftermath of war, as Hamilton becomes one of the country’s most important figures, that she truly comes into her own. In the new capital, Eliza becomes an adored member of society, respected for her fierce devotion to Hamilton as well as her grace. Behind closed doors, she astutely manages their expanding household, and assists her husband with his political writings. Yet some challenges are impossible to prepare for. Through public scandal, betrayal, personal heartbreak, and tragedy, she is tested again and again. In the end, it will be Eliza’s indomitable strength that makes her not only Hamilton’s most crucial ally in life, but also his most loyal advocate after his death, determined to preserve his legacy while pursuing her own extraordinary path through the nation they helped shape together.
Author: Stephen Daniels
Publisher:
ISBN: 9780691029436
Category : Art
Languages : en
Pages : 80
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Book Description
Joseph Wright (1734-1797), commonly known as "Wright of Derby," painted some of the most powerful works of eighteenth-century British art: blacksmiths hammering a glowing bar of iron, dramatic demonstrations on scientific apparatus, erupting volcanoes, gloomy prisons, a fashionably dressed gentleman reclining full-length in a forest. Stephen Daniels addresses this unusual diversity by looking closely at the inextricable links between Wright's art and the different worlds of the Enlightenment movement that so fascinated and inspired him. Wright's unique connection with the innovations of his age and his use of a wide range of pictorial and written sources, together with his interest in new techniques, single him out as one of the most original and enterprising artists of his time.
Author: Jennifer S. Uglow
Publisher: Macmillan
ISBN: 0374528888
Category : Biography & Autobiography
Languages : en
Pages : 625
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Book Description
In the 1760s a group of amateur experimenters met in the English Midlands. Blending science, art, and commerce, the Lunar Men changed the face of England. Uglow's vivid, exhilarating account uncovers the friendships, political passions, love affairs, and love of knowledge that drove these extraordinary men.
Author: John Ingamells
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 624
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Book Description
This catalogue includes such famous figures as David Garrick and Dr Samuel Johnson, Sarah Siddons and Emma Hamilton, and the work of such artists as Gainsborough, Reynolds and Romney. It has been compiled by one of the leading authorities on 18th-century English portraiture, John Ingamells.
Author: Michelle Facos
Publisher:
ISBN: 9780415780704
Category : Art
Languages : en
Pages : 435
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Book Description
Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art. Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe. The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity. Key pedagogical features include: Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks. Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working. Beautifully illustrated with over 250 color images. Margin notes and glossary definitions. Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration. Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study. Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).
Author: Amina Wright
Publisher: Philip Wilson Publishers
ISBN: 1781300941
Category : Art
Languages : en
Pages : 112
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Book Description
A fascinating record of the early years of Thomas Lawrence: the story of an exceptional young portraitist and future president of the Royal Academy. Like his Renaissance predecessors Raphael, Michelangelo and Dürer, the young Thomas Lawrence (1769-1830) was considered to be a boy genius. This survey of Lawrence's first twenty-five years tells the story of an exceptional artist growing up at the end of the century when Britain created its own unique artistic voice. It accompanies a major exhibition at the Holburne Museum in Bath and includes previously unpublished works as well as some of Lawrence's most brilliant masterpieces. Lawrence first came to public attention when he was cited in a scientific paper on 'early genius in children'; shortly afterwards his family moved to Bath where the eleven-year-old was kept busy making likenesses of the spa town's fashionable visitors. By 1790, his spectacular portraits were the most applauded works in the Royal Academy's annual exhibition, which opened days before his twenty-first birthday. This book considers the young artist's self-image as a prodigy, the impact of Bath's rich cultural life on his formation, the rapid development of his painting technique following his move to London, and his use of celebrity, print media and the Royal Academy to grow his reputation. Particular attention is given to Lawrence's perceptive depictions of old age and bold celebrations of youthful energy. His portraits from this time present a fascinating glimpse of British high society at the turn of a memorable century: they include celebrities such as the Duchess of Devonshire, Emma Hamilton and actresses Sarah Siddons and Elizabeth Farren, as well as political leaders, members of the Bluestocking circle and the Royal Family.
Author: Francis Donald Klingender
Publisher: London : Evelyn, Adams & Mackay
ISBN:
Category : Art and industry
Languages : en
Pages : 340
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Book Description
About British art during the Industrial Revolution.
