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Author: Jeffrey Saletnik
Publisher: University of Chicago Press
ISBN: 022669917X
Category : Art
Languages : en
Pages : 225
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Book Description
"In this book, Jeffrey Saletnik explores influential artist and pedagogue Josef Albers's teaching practices. The pedagogy Albers developed at the Bauhaus, Black Mountain College, and Yale consisted in a dynamic approach to teaching that transcended modernist agendas: it involved a set of ideas and practices that cultivated a material way of thinking among his students, which included notable future artists such as Eva Hesse and Richard Serra. By using exercises including paper folding, cutting, and collage, Albers tried to generate a form of "productive disorientation" in his students, teaching them problem-solving strategies to explore new conceptions of composition and color. Saletnik begins by examining Albers's pedagogy in relation to modern aesthetic, scientific, and educational thought. He then examines his design, drawing, and color instruction, focusing on his relationship with Hesse and Serra, showing how their approach to material and scale were shaped by Albers's teaching. Featuring many novel images--including nineteenth-century children's teaching toys as well as rarely seen works by Albers, Serra, and Hesse--this book challenges art historians to consider how artists are introduced to problems of form and how pedagogy shapes their work"--
Author: Jeffrey Saletnik
Publisher: University of Chicago Press
ISBN: 022669917X
Category : Art
Languages : en
Pages : 225
Get Book Here
Book Description
"In this book, Jeffrey Saletnik explores influential artist and pedagogue Josef Albers's teaching practices. The pedagogy Albers developed at the Bauhaus, Black Mountain College, and Yale consisted in a dynamic approach to teaching that transcended modernist agendas: it involved a set of ideas and practices that cultivated a material way of thinking among his students, which included notable future artists such as Eva Hesse and Richard Serra. By using exercises including paper folding, cutting, and collage, Albers tried to generate a form of "productive disorientation" in his students, teaching them problem-solving strategies to explore new conceptions of composition and color. Saletnik begins by examining Albers's pedagogy in relation to modern aesthetic, scientific, and educational thought. He then examines his design, drawing, and color instruction, focusing on his relationship with Hesse and Serra, showing how their approach to material and scale were shaped by Albers's teaching. Featuring many novel images--including nineteenth-century children's teaching toys as well as rarely seen works by Albers, Serra, and Hesse--this book challenges art historians to consider how artists are introduced to problems of form and how pedagogy shapes their work"--
Author: Robin Schuldenfrei
Publisher: Princeton University Press
ISBN: 0691232660
Category : Architecture
Languages : en
Pages : 352
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Book Description
"An innovative new history of how the migration of designers in the 20th century shaped modernist art and architecture"--
Author: Jeffrey Saletnik
Publisher: Routledge
ISBN: 1135252572
Category : Architecture
Languages : en
Pages : 599
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Book Description
Reconsidering the status and meaning of Bauhaus objects in relation to the multiple re-tellings of the school’s history, this volume positions art objects of the Bauhaus within the theoretical, artistic, historical, and cultural concerns in which they were produced and received. Contributions from leading scholars writing in the field today – including Frederic J. Schwartz, Magdalena Droste, and Alina Payne – offer an entirely new treatment of the Bauhaus. Issues such as art and design pedagogy, the practice of photography, copyright law, and critical theory are discussed. Through a strong thematic structure, new archival research and innovative methodologies, the questions and subsequent conclusions presented here re-examine the history of the Bauhaus and its continuing legacy. Essential reading for anyone studying the Bauhaus, modern art and design.
Author: Shira Brisman
Publisher: University of Chicago Press
ISBN: 022635489X
Category : Art
Languages : en
Pages : 232
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Book Description
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Author: Irene V. Small
Publisher: University of Chicago Press
ISBN: 022626033X
Category : Art
Languages : en
Pages : 305
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Book Description
Hélio Oiticica (1937–80) was one of the most brilliant Brazilian artists of the 1960s and 1970s. He was a forerunner of participatory art, and his melding of geometric abstraction and bodily engagement has influenced contemporary artists from Cildo Meireles and Ricardo Basbaum to Gabriel Orozco, Dominique Gonzalez-Foerster, and Olafur Eliasson. This book examines Oiticica’s impressive works against the backdrop of Brazil’s dramatic postwar push for modernization. From Oiticica’s late 1950s experiments with painting and color to his mid-1960s wearable Parangolés, Small traces a series of artistic procedures that foreground the activation of the spectator. Analyzing works, propositions, and a wealth of archival material, she shows how Oiticica’s practice recast—in a sense “folded”—Brazil’s utopian vision of progress as well as the legacy of European constructive art. Ultimately, the book argues that the effectiveness of Oiticica’s participatory works stems not from a renunciation of art, but rather from their ability to produce epistemological models that reimagine the traditional boundaries between art and life.
Author: Vanja Malloy
Publisher: Amherst College Press
ISBN: 194320800X
Category : Art
Languages : en
Pages : 108
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Book Description
Published to accompany an exhibit on Albers' work as both artist and teacher, this volume assesses Albers' understanding and teaching of color as "the most relative medium in art."
Author: Annie Bourneuf
Publisher: University of Chicago Press
ISBN: 0226816702
Category : Art
Languages : en
Pages : 160
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Book Description
"This short book offers a dazzling new interpretation of Paul Klee's most famous work: his Angelus Novus (1920), which was purchased by Walter Benjamin and became the model for his Angel of History, a figure saturated with Jewish mysticism that he introduces in his "Theses on the Philosophy of History." In 2014 the celebrated American artist R. H. Quaytman made a surprising discovery about Klee's work when she examined it at the Jewish Museum in Israel. She realized that Klee had carefully pasted the Angelus down over another image, a face, leaving just a finger's breadth of it showing. Through forensic science and lots of sleuthing it was determined that face belonged to Martin Luther. Behind the Angel of History tells the story of how Quaytman solved the mystery of who lurks behind Klee's angel. It then plunges into questions about why a face long hidden beneath another picture might matter. The book travels through a tangle of loaded conversations among images-from Klee's Angelus to Benjamin's own drawing of a crucified angel, from Klee's Angelus to Quaytman's own layered panels meditating on its secret"--
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 022659002X
Category : Philosophy
Languages : en
Pages : 337
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Book Description
Jacques Derrida remains a leading voice of philosophy, his works still resonating today—and for more than three decades, one of the main sites of Derridean deconstruction has been the arts. Collecting nineteen texts spanning from 1979 to 2004, Thinking out of Sight brings to light Derrida’s most inventive ideas about the making of visual artworks. The book is divided into three sections. The first demonstrates Derrida’s preoccupation with visibility, image, and space. The second contains interviews and collaborations with artists on topics ranging from the politics of color to the components of painting. Finally, the book delves into Derrida’s writings on photography, video, cinema, and theater, ending with a text published just before his death about his complex relationship to his own image. With many texts appearing for the first time in English, Thinking out of Sight helps us better understand the critique of representation and visibility throughout Derrida’s work, and, most importantly, to assess the significance of his insights about art and its commentary.
Author: Moritz Rumpf
Publisher: BoD – Books on Demand
ISBN: 3737608989
Category : Architecture
Languages : en
Pages : 294
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Book Description
Over the past decades we witnessed a tremendous shift in the principles of architectural design based on the advancement of computer aided design and manufacturing. Computation in architecture came with a whole new set of techniques as well as theories that did change the way we build and design today. This research investigates ways to embed computational simulation and optimisation into architectural design processes at an early, conceptual stage. Simulation and optimization are not seen as a post-design strategy to improve performance aspects of a well-developed design, but rather as design strategies in their own rights. Therefore, design approaches employing simulation and optimization were developed, tested and discussed. Conditions and prerequisites for successfully embedding simulation and optimization into architectural design processes were formulated and benefits were derived. Design approaches that use digital simulation and optimization are characterised by not favouring rational form finding above intuitive form making, or vice versa – they rather support informed design decisions. Therefore, Informed Form Generation is established as a design approach within this thesis. It is not one specific, universally applicable process, but rather comprises a category of approaches and constitutes an attitude.
Author: Gregory H. Williams
Publisher: University of Chicago Press
ISBN: 0226898954
Category : Art
Languages : en
Pages : 256
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Book Description
Permission to Laugh explores the work of three generations of German artists who, beginning in the 1960s, turned to jokes and wit in an effort to confront complex questions regarding German politics and history. Gregory H. Williams highlights six of them—Martin Kippenberger, Isa Genzken, Rosemarie Trockel, Albert Oehlen, Georg Herold, and Werner Büttner—who came of age in the mid-1970s in the art scenes of West Berlin, Cologne, and Hamburg. Williams argues that each employed a distinctive brand of humor that responded to the period of political apathy that followed a decade of intense political ferment in West Germany. Situating these artists between the politically motivated art of 1960s West Germany and the trends that followed German unification in 1990, Williams describes how they no longer heeded calls for a brighter future, turning to jokes, anecdotes, and linguistic play in their work instead of overt political messages. He reveals that behind these practices is a profound loss of faith in the belief that art has the force to promulgate political change, and humor enabled artists to register this changed perspective while still supporting isolated instances of critical social commentary. Providing a much-needed examination of the development of postmodernism in Germany, Permission to Laugh will appeal to scholars, curators, and critics invested in modern and contemporary German art, as well as fans of these internationally renowned artists.
