José Clemente Orozco in the United States, 1927-1934 PDF Download
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Author: Dawn Ades
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041767
Category : Art
Languages : en
Pages : 383
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Book Description
The lifework of one of the finest Mexican muralists is fully illuminated here, capturing a full range of the politically charged images he created while living in the United States during the 1920s and 1930s.
Author: Dawn Ades
Publisher: W W Norton & Company Incorporated
ISBN: 9780393041767
Category : Art
Languages : en
Pages : 383
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Book Description
The lifework of one of the finest Mexican muralists is fully illuminated here, capturing a full range of the politically charged images he created while living in the United States during the 1920s and 1930s.
Author: Mary K. Coffey
Publisher: Hood Museum of Art Darmouth College
ISBN: 9780944722428
Category :
Languages : en
Pages : 0
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Book Description
Exhibition schedule: Hood Museum of Art, Dartmouth College: April 7-June 17, 2012; Pollock-Krasner House and Study Center [East Hampton, NY]: August 2-October 27, 2012.
Author: Philip Stein
Publisher: INTERNATIONAL PUBLISHERS CO
ISBN: 9780717807062
Category : Art
Languages : en
Pages : 492
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Book Description
An insightful biography of the committed and exciting life of the famed Mexican muralist, by an American artist who spent 10 years as his assistant.
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 1478003308
Category : Art
Languages : en
Pages : 360
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Book Description
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708171
Category : Architecture
Languages : en
Pages : 153
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Book Description
In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set attendance records in its five-week run. The Museum brought Rivera to NewYork six weeks before the opening and provided him a studio space in the building. There he produced five 'portable murals' - large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, taking on NewYork subjects through monumental images of the urban working class. Published in conjunction with an exhibition that brings together key works from Rivera's 1931 show and related material, this vividly illustrated catalogue casts the artist as a highly cosmopolitan figure who moved between Russia, Mexico and the United States and examines the intersection of art-making and radical politics in the 1930s.
Author: Gonzalez Renato Mello
Publisher: WW Norton
ISBN: 9780393041767
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
The complete North American work of one of Mexico's greatest muralists. Among the Mexican muralists working in this country during the 1920s and 1930s, including the giants Diego Rivera and David Alfaro Siqueiros, the paintings of José Clemente Orozco are arguably the strongest and most politically charged. This important and profusely illustrated volume is proof. From his first commission, Prometheus, at Pamona College and his highly political work at the New School for Social Research in New York to what some feel is his masterpiece, The Epic of American Civilization, at Dartmouth College, Orozco's stinging characterizations of hypocrisy, greed, and oppression challenged conventional conservative views, to such an extent that in certain instances demands were made for the destruction of his works. All of Orozco's North American work is presented here, with discussions on his life and influences as well as his place among the other Mexican artists and his impact on the exuberant art of the 1960s and 1970s.
Author: Brian P. Kennedy
Publisher: Hood Museum of Art
ISBN: 1611689147
Category : Art
Languages : en
Pages : 161
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Book Description
Dartmouth College is in the unique position of having a magnificent large fresco by the Mexican muralist Jos Clemente Orozco (1883-1949) adorning the campus library. Completed by the artist in 1934 and titled The Epic of American Civilization, this work was promptly condemned by many alumni as being too critical of the college and academia. In response to Orozco's work, the illustrator and Dartmouth alumnus Walter Beach Humphrey (1892-1966) persuaded President Ernest Martin Hopkins to allow him to create another mural that would be more "Dartmouth" in character. Humphrey painted his mural four years after the completion of Orozco's frescoes on the walls of a faculty dining hall or "grill" at the college. Based on a drinking song by Richard Hovey, Dartmouth Class of 1885, it depicts a mythical founding of the college by Eleazar Wheelock. In the first panel, Wheelock, pulling along a five-hundred-gallon barrel of rum, is happily greeted by young American Indian men, whom he introduces to drunken revelry. The encounter, which takes place as the mural circles the grill room, also features many half-naked Indian women, one of whom reads Eleazer's copy of Gradus ad Parnassum upside down. Fast-forward to the early 1970s and the introduction of the Native American Program and co-education at Dartmouth College: the "Hovey Murals," as the work was known, became so controversial that they were covered over, and the room itself closed. This book aims to provide not only the history (and art history) of this mural but also its wider cultural and historical contexts. The existence of both Orozco's fresco and Humphrey's mural on a college campus provides a unique juxtaposition of certain extremes of 1930s mural art. As such, their creation represents an important and fascinating historical moment while bringing into sharper focus some of the issues surrounding the politics of art and images. This book is intended as a textbook for those studying these murals and also as a guide to understanding how they fit into a troubling and difficult history of envisioning Native Americans by non-natives in American literature and popular art.
Author: Agustín Arteaga
Publisher:
ISBN: 9780300229950
Category : ART
Languages : en
Pages : 0
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Book Description
"The catalogue has been published in conjunction with the exhibition Maexico 1900-1950: Diego Rivera, Frida Kahlo, Josae Clemente Orozco and the Avant-Garde, on view in Dallas from March 12 to July 16, 2017"--Title page verso.
Author: Laurance P. Hurlburt
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 352
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Book Description
A study of the work of the great Mexican muralists, Orozco, Rivera, and Siqueiros in the 1930s, their influence upon US artists, the decline in interest in their work after WWII, and the resurrection of the 60s and 70s. Some 240 plates of fair to good quality (only 16 in color). Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jackson Pollock
Publisher: Polity
ISBN: 0745651550
Category : Art
Languages : en
Pages : 256
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Book Description
Presents letters written by the American painter and his brothers and parents from the late 1920s to the late 1940s.
