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Author: Jeffery Beam
Publisher: Easton Studio Press LLC
ISBN: 1632260883
Category : Poetry
Languages : en
Pages : 666
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Book Description
Jonathan Williams’ work of more than half a century is such that no one activity or identity takes primacy over any other—he was the seminal small press publisher of The Jargon Society; a poet of considerable stature; book designer; editor; photographer; legendary correspondent; literary, art, and photography critic and collector; early collector and proselytizer of visionary folk art; cultural anthropologist and Juvenalian critic; curmudgeon; happy gardener; resolute walker; and keen and adroit raconteur and gourmand. Williams’ refined decorum and speech, and his sartorial style, contrasted sharply, yet pleasingly, with his delight in the bawdy, with his incisive humor and social criticism, and his confidently experimental, masterful poems and prose. His interests raised “the common to grace,” while paying “close attention to the earthy.” At the forefront of the Modernist avant-garde—yet possessing a deep appreciation of the traditional—Williams celebrated, rescued, and preserved those things he described as, “more and more away from the High Art of the city,” settling “for what I could unearth and respect in the tall grass.” Subject to much indifference—despite being celebrated as publisher and poet—he nurtured the nascent careers of hundreds of emerging or neglected poets, writers, artists, and photographers. Recognizing this, Buckminster Fuller once called him “our Johnny Appleseed”, Guy Davenport described him as a “kind of polytechnic institute,” while Hugh Kenner hailed Jargon as “the Custodian of Snowflakes” and Williams as “the truffle-hound of American poetry.” Lesser known for his extraordinary letters and essays, and his photography and art collecting, he is never only a poet or photographer, an essayist or publisher. This book of essays, images, and shouts aims to bring new eyes and contexts to his influence and talent as poet and publisher, but also heighten appreciation for the other facets of his life and art. One might call Williams’ life a poetics of gathering, and this book a first harvest.
Author: Jeffery Beam
Publisher: Easton Studio Press LLC
ISBN: 1632260883
Category : Poetry
Languages : en
Pages : 666
Get Book Here
Book Description
Jonathan Williams’ work of more than half a century is such that no one activity or identity takes primacy over any other—he was the seminal small press publisher of The Jargon Society; a poet of considerable stature; book designer; editor; photographer; legendary correspondent; literary, art, and photography critic and collector; early collector and proselytizer of visionary folk art; cultural anthropologist and Juvenalian critic; curmudgeon; happy gardener; resolute walker; and keen and adroit raconteur and gourmand. Williams’ refined decorum and speech, and his sartorial style, contrasted sharply, yet pleasingly, with his delight in the bawdy, with his incisive humor and social criticism, and his confidently experimental, masterful poems and prose. His interests raised “the common to grace,” while paying “close attention to the earthy.” At the forefront of the Modernist avant-garde—yet possessing a deep appreciation of the traditional—Williams celebrated, rescued, and preserved those things he described as, “more and more away from the High Art of the city,” settling “for what I could unearth and respect in the tall grass.” Subject to much indifference—despite being celebrated as publisher and poet—he nurtured the nascent careers of hundreds of emerging or neglected poets, writers, artists, and photographers. Recognizing this, Buckminster Fuller once called him “our Johnny Appleseed”, Guy Davenport described him as a “kind of polytechnic institute,” while Hugh Kenner hailed Jargon as “the Custodian of Snowflakes” and Williams as “the truffle-hound of American poetry.” Lesser known for his extraordinary letters and essays, and his photography and art collecting, he is never only a poet or photographer, an essayist or publisher. This book of essays, images, and shouts aims to bring new eyes and contexts to his influence and talent as poet and publisher, but also heighten appreciation for the other facets of his life and art. One might call Williams’ life a poetics of gathering, and this book a first harvest.
Author: Andy Martrich
Publisher: UNC Press Books
ISBN: 1469682532
Category : Biography & Autobiography
Languages : en
Pages : 197
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Book Description
The Jargon Society, a boundary-pushing publisher of poetry and experimental writing, was founded by Jonathan Williams (1929–2008) in 1951. Jargon quickly gained a reputation as the home of the poetic and literary avant-garde, including noted midcentury poets like Charles Olson and Lorine Niedecker. Williams himself looms large in this story as the publisher at Jargon until his death, making this book as much about his life and work as the press he founded, which today operates through the Black Mountain College Museum in Asheville, North Carolina. Andy Martrich authors this story in a manner befitting Jargon's ethos of literary experimentation by focusing on the books the Society cataloged but never published. While it's not uncommon for a small press to plan for books that don't make it to publication, Martrich argues that Jargon's incessant financial difficulties, coupled with Williams's impressive network, makes its trail of unfinished projects unique and an ideal way to chronicle the press itself. Using archival research, interviews with volunteers at Jargon, and more, Martrich gives readers not only an intimate look into a Southern press and publisher but also an important history of modern and experimental literature in twentieth-century America. Shy of the Squirrel's Foot includes an epilogue by Anne Midgette, an afterword by Nicole Raziya Fong, and Jargon's complete annotated bibliography, which details every book the press published, compiled in one place for the first time.
Author: Sheila Coghill
Publisher: University of Iowa Press
ISBN: 1587299860
Category : Poetry
Languages : en
Pages : 253
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Book Description
Loved for his decidedly American voice, for his painterly rendering of modern urban settings, and for his ability to re-imagine a living language shaped by the philosophy of “no ideas but in things,” William Carlos Williams (1883-1963) left an indelible mark on modern poetry. As each successive generation of poets discovers the “new” that lives within his work, his durability and expansiveness make him an influential poet for the twenty-first century as well. The one hundred and two poems by one hundred and two poets collected in Visiting Dr. Williams demonstrate the range of his influence in ways that permanently echo and amplify the transcendent music of his language. Contributors include: Robert Creeley, David Wojahn, Maxine Kumin, James Laughlin, A. R. Ammons, Wendell Berry, Heid Erdrich, Frank O’Hara, Lyn Lifshin, Denise Levertov, Wallace Stevens, John Ashbery, Allen Ginsberg, and a host of others.
Author: Ross Hair
Publisher: Liverpool University Press
ISBN: 1781383731
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
A critical study of the intersection of folk and avant-garde poetics in transatlantic small press poetry networks from the 1950s up to the present.
Author: Lex Tate
Publisher: University of Illinois Press
ISBN: 0252099818
Category : Education
Languages : en
Pages : 725
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Book Description
Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
Author:
Publisher:
ISBN:
Category : North Carolina
Languages : en
Pages : 528
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Book Description
Author: Jonathan Williams
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 330
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Book Description
Jonathan Williams founded The Jargon Society--a publisher dedicated to poetry, experimental fiction, photography and visionary folk art--and has championed the underdog, maverick and outsider in the arts for 50 years. He has also published over 100 of his own books, pamphlets and broadsides of poetry, essays and photography. Jubilant Thicket collects the best of his poetry and teems with the eccentric, strange and boundlessly authentic--neoclassical poems, social satire, musical suites and lyrics. There is spleen, salt and a delicious -sarcasm, as Williams finds inspiration in Mahler and Mojo Nixon, Blake and whimmydiddles. There is nobody quite like Jonathan Williams: "He is one of the few poets about whom it could be said, he has never bored a reader."--Contemporary Poets "Of all the Black Mountain poets (teachers and disciples alike), Jonathan Williams is the wittiest, the least constrained, the most joyous."--The New York Times "Jonathan Williams is himself a kind of polytechnic -institute, trained to write poems as spare, functional and alive as a blade of grass."--Guy Davenport, from The Geography of the Imagination "Indispensable! . . . We need him more than we know."--R. Buckminster Fuller Of the thousands of essays and reviews published about his work, Williams writes, "The best thing yet said about me came from an undergraduate at the University of Chicago. His letter ended: 'Thanks for writing all those kick-ass books.'" Jonathan Williams's most recent book is A Palpable Elysium: Portraits of Genius and Solitude (Godine). He founded The Jargon Society in 1951, a publisher that, according to The New York Times, "has come to occupy a special place in the cultural life as patron of the American imagination." He lives on Skywinding Farm in rural North Carolina.
Author: Radclyffe Hall
Publisher: Read Books Ltd
ISBN: 1473374081
Category : Fiction
Languages : en
Pages : 464
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Book Description
This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.
Author: Jonathan Williams
Publisher: David R. Godine Publisher
ISBN: 9781567921496
Category : Art
Languages : en
Pages : 184
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Book Description
"This is a collection of extraordinary personalities captured on film in Williams's revealing, unpretentious casually evocative photographs, and decoded through Williams's intimate, often hilarious, extended captions and essays."--BOOK JACKET.
Author: Rod Mengham
Publisher: ARC Publications
ISBN:
Category : Poetry
Languages : pl
Pages : 252
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Book Description
This anthology breaks new ground in the English speaking world by publishing translations of poems by Polish writers all under the age of forty five. It reflects the range of different writing practices that have flourished in various parts of Poland over the last fifteen years, and tries to acheive a balance between them. Practically all the work in this selection was written in the post-Communist period but in cultural historical terms it reflects the evolution of a sensibility that began to emerge in the mid 1980's when Polish poetry was being realigned contentiously with newly visible traditions of European and American writing.
