Mr Felton's Bequests by John Poynter [book Review] PDF Download
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![Mr Felton's Bequests by John Poynter [book Review] PDF](https://books.google.com/books/content/images/frontcover/T0QPogEACAAJ?fife=w150-h200)
Author: Gillian Dooley
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 2
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![Mr Felton's Bequests by John Poynter [book Review] PDF](https://books.google.com/books/content/images/frontcover/T0QPogEACAAJ?fife=w80-h100)
Author: Gillian Dooley
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 2
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![John Poynter, Mr Felton's Bequests [Book Review] PDF](https://books.google.com/books/content/images/frontcover/fkgBogEACAAJ?fife=w80-h100)
Author: Gillian Dooley
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
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Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 692
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Author: John Poynter
Publisher: The Miegunyah Press
ISBN: 0522855520
Category : Antiques & Collectibles
Languages : en
Pages : 123
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Book Description
Alfred Felton, a bachelor of definite opinions and benignly eccentric habits, was one of the remarkable group of Melbourne merchants who dominated the economy of the Australian colonies in the decades after the gold rush. In 1904 he left his substantial fortune in trust, the income to be spent by a committee of his friends, half on charities (especially for women and children), and half on works of art for the National Gallery of Victoria, works calculated to 'raise and improve public taste'. The Gallery suddenly gained acquisition funds greater than those of London's National and Tate galleries combined, and between 1904 and 2004 more than 15 000 items were purchased for it by the Felton Bequest. 'Although the last quarter of the twentieth century saw a dramatic and exciting expansion of Australian art museums', Patrick McCaughey writes in the foreword of this book, 'no institution could hope to replicate the collection of the National Gallery of Victoria assembled under the aegis of the Felton Bequest.' How the Felton Bequests' Committee carried out its tasks, in cooperation and sometimes in conflict with the Trustees of the Gallery, is a human story of many triumphs and occasional follies, of decisions made and unmade amid changing notions of art, philanthropy and public taste. John Poynter's account of Felton's life and the story of his Bequests covers most of Melbourne's history, from the unusual view point of three themes, business, art and charity.
Author: Susanna Avery-Quash
Publisher: Bloomsbury Publishing USA
ISBN: 1501348167
Category : Art
Languages : en
Pages : 320
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As a result of the Napoleonic wars, vast numbers of Old Master paintings were released on to the market from public and private collections across continental Europe. The knock-on effect was the growth of the market for Old Masters from the 1790s up to the early 1930s, when the Great Depression put an end to its expansion. This book explores the global movement of Old Master paintings and investigates some of the changes in the art market that took place as a result of this new interest. Arguably, the most important phenomenon was the diminishing of the traditional figure of the art agent and the rise of more visible, increasingly professional, dealerships; firms such as Colnaghi and Agnew's in Britain, Goupil in France and Knoedler in the USA, came into existence. Old Masters Worldwide explores the ways in which the pioneering practices of such businesses contributed to shape a changing market.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 1426
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Every 3rd issue is a quarterly cumulation.
Author: National Gallery of Victoria. Council of Trustees
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Author:
Publisher:
ISBN:
Category : Sydney (N.S.W.)
Languages : en
Pages : 776
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Author: John Poynter
Publisher:
ISBN:
Category :
Languages : en
Pages : 471
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Author: Matthew C. Potter
Publisher: Routledge
ISBN: 0429752679
Category : Art
Languages : en
Pages : 262
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Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
