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Author:
Publisher: BRILL
ISBN: 900444260X
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
Author:
Publisher: BRILL
ISBN: 900444260X
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
This book combines a scholarly edition of Lydgate’s Dance of Death and the French Danse Macabre poem, and discusses their wider context and historical circumstances of their creation, authorship and visualisation.
Author: Megan L Cook
Publisher: Medieval Institute Publications
ISBN: 1580444083
Category : Literary Collections
Languages : en
Pages : 210
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Book Description
This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.
Author: Stefanie Knöll
Publisher: Cambridge Scholars Publishing
ISBN: 1443879223
Category : Art
Languages : en
Pages : 450
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Book Description
This groundbreaking collection of essays by a host of international authorities addresses the many aspects of the Danse Macabre, a subject that has been too often overlooked in Anglo-American scholarship. The Danse was once a major motif that occurred in many different media and spread across Europe in the course of the fifteenth century, from France to England, Germany, Scandinavia, Poland, Spain, Italy and Istria. Yet the Danse is hard to define because it mixes metaphors, such as dance, di ...
Author: Florence Warren
Publisher:
ISBN:
Category : Dance of death
Languages : en
Pages : 162
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Book Description
Author: John Lydgate
Publisher: Medieval Institute Publications
ISBN: 9781580441483
Category : Mumming
Languages : en
Pages : 0
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Book Description
The project is sponsored by the Consortium for the Teaching of the Middle Ages (TEAMS) and is affiliated with the Medieval Institute of Western Michigan University at Kalamazoo. --Book Jacket.
Author: Hans Holbein
Publisher: Createspace Independent Publishing Platform
ISBN: 9781539303305
Category :
Languages : en
Pages : 62
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Book Description
The Dance of Death By Hans Holbein With an introductory note by Austin Dobson Dance of Death, also called Danse Macabre (from the French language), is an artistic genre of late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. The earliest recorded visual example is from the cemetery of the Church of the Holy Innocents in Paris (1424-25). There were also painted schemes in Basel (the earliest dating from c.1440); a series of paintings on canvas by Bernt Notke, in Lubeck (1463); the initial fragment of the original Bernt Notke painting (accomplished at the end of the 15th century) in the St Nicholas' Church, Tallinn, Estonia; the painting at the back wall of the chapel of Sv. Marija na Skrilinama in the Istrian town of Beram (1471), painted by Vincent of Kastav; the painting in the Holy Trinity Church in Hrastovlje in Istria by John of Kastav (1490). There was also a Dance of Death painted in the 1540s on the walls of the cloister of St Paul's Cathedral, London with texts by John Lydgate, which was destroyed in 1549. The deathly horrors of the 14th century-such as recurring famines; the Hundred Years' War in France; and, most of all, the Black Death-were culturally assimilated throughout Europe. The omnipresent possibility of sudden and painful death increased the religious desire for penitence, but it also evoked a hysterical desire for amusement while still possible; a last dance as cold comfort. The danse macabre combines both desires: in many ways similar to the mediaeval mystery plays, the dance-with-death allegory was originally a didactic dialogue poem to remind people of the inevitability of death and to advise them strongly to be prepared at all times for death (see memento mori and Ars moriendi).
Author: Eve Salisbury
Publisher: Bloomsbury Publishing
ISBN: 1350249807
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Exploring medical writing in England in the 100+ years after the advent of the “Great Mortality”, this book examines the storytelling practices of poets, patients, and physicians in the midst of a medieval public health crisis and demonstrates how literary narratives enable us to see a kinship between poetry and the healing arts. Looking at how we can learn to diagnose a text as if we were diagnosing a body, Salisbury provides new insights into how we can recuperate the voices of those afflicted by illness in medieval texts when we have no direct testimony. She considers how we interpret stories told by patients in narratives mediated by others, ways that women factor into the shaping of a medical canon, how medical writing intersects with religious belief and memorial practices governed by the Church, and ways that regimens of health benefit a population in the throes of an epidemic.
Author: Ernst and Johanna Lehner
Publisher: Courier Corporation
ISBN: 048613251X
Category : Art
Languages : en
Pages : 194
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Book Description
244 representations, symbols, and manuscript pages of devils and death from Ancient Egypt to 1913. Fascinating graphics depict demons, witches, and warlocks, more. Works by Dürer, Cranach, Holbein, Rembrandt, others.
Author: William E. Engel
Publisher: Cambridge University Press
ISBN: 1108843395
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
This collection reexamines commemoration and memorialization as generative practices illuminating the hidden life of Renaissance death arts.
Author: William E. Engel
Publisher: Routledge
ISBN: 042962820X
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
This is the first book to demonstrate how mnemotechnic cultural commonplaces can be used to account for the look, style, and authorized content of some of the most influential books produced in early modern Britain. In his hybrid role as stationer, publisher, entrepreneur, and author, John Day, master printer of England’s Reformation, produced the premier navigation handbook, state-approved catechism and metrical psalms, Book of Martyrs, England’s first printed emblem book, and Queen Elizabeth’s Prayer Book. By virtue of finely honed book trade skills, dogged commitment to evangelical nation-building, and astute business acumen (including going after those who infringed his privileges), Day mobilized the typographical imaginary to establish what amounts to—and still remains—a potent and viable Protestant Memory Art.
