John Clare Society Journal, 5 (1986) PDF Download
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Author: June Counsel
Publisher: John Clare Society
ISBN: 9780950921822
Category :
Languages : en
Pages : 60
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: June Counsel
Publisher: John Clare Society
ISBN: 9780950921822
Category :
Languages : en
Pages : 60
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: Tim Chilcott
Publisher: John Clare Society
ISBN: 9780950921846
Category :
Languages : en
Pages : 60
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: Edmund Blunden
Publisher: John Clare Society
ISBN: 9780952254133
Category :
Languages : en
Pages : 100
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: Robert Heyes
Publisher: John Clare Society
ISBN: 9780952254140
Category :
Languages : en
Pages : 100
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: Arthur Bradley
Publisher: Routledge
ISBN: 1351902504
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
Romantic biography lives. Despite the so-called 'death of the author', popular interest in the lives of the major Romantic writers has reached a new peak. Romantic Biography brings together Romantic biographers and critics to consider some of the key questions surrounding this publishing phenomenon. What precisely is Romantic biography? What is the relationship between it and Romantic writings more generally? And to what extent is Romantic biography itself the product of Romantic ideas about the self, time and creativity? Romantic Biography examines a range of canonical and non-canonical biographical subjects from a variety of practical and theoretical standpoints. Michael O'Neill opens the collection with an analysis of the relationship between Romantic biography and Romantic poetry. Jonathan Bate, Mark Storey and Kenneth R. Johnston reassess Clare, Southey and Wordsworth from their position as authors of recent/forthcoming biographies of the poets. Joe Bray and Alan Rawes explore the Romantic assumptions at work within contemporary biographies of Austen and Byron. Gerard Carruthers, Julian North, Jennifer Wallace and Arthur Bradley put biographies of Burns, Scott, Coleridge, Byron, Keats and Shelley into the context of contemporary historicist and theoretical ideas about national and gender identity, the body and difference. Ralph Pite brings the collection to a close with a further examination of the vexed question of Romantic biography's relation to Romanticism itself. Romantic Biography is a major new survey of Romantic life-writing and an important contribution to biographical studies more generally.
Author: Mark Sandy
Publisher: Routledge
ISBN: 1317061322
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
The subject of Romanticism, Memory, and Mourning could not be timelier with Zizek’s recent proclamation that we are ’living in the end times’ and in an era which is preoccupied with the process and consequences of ageing. We mourn both for our pasts and futures as we now recognise that history is a continuation and record of loss. Mark Sandy explores the treatment of grief, loss, and death across a variety of Romantic poetic forms, including the ballad, sonnet, epic, elegy, fragment, romance, and ode in the works of poets as diverse as Smith, Hemans, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, and Clare. Romantic meditations on grief, however varied in form and content, are self-consciously aware of the complexity and strength of feelings surrounding the consolation or disconsolation that their structures of poetic memory afford those who survive the imaginary and actual dead. Romantic mourning, Sandy shows, finds expression in disparate poetic forms, and how it manifests itself both as the spirit of its age, rooted in precise historical conditions, and as a proleptic power, of lasting transhistorical significance. Romantic meditations on grief and loss speak to our contemporary anxieties about the inevitable, but unthinkable, event of death itself.
Author: James Whitehead
Publisher: Oxford University Press
ISBN: 0191081892
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Author: Simon Kovesi
Publisher: John Clare Society
ISBN: 0956411371
Category : Literary Criticism
Languages : en
Pages : 108
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: J.B. Smith
Publisher: John Clare Society
ISBN: 9780950921860
Category : English poetry
Languages : en
Pages : 60
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Book Description
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Author: Sarah Houghton-Walker
Publisher: Routledge
ISBN: 1317110730
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Addressing a neglected aspect of John Clare's history, Sarah Houghton-Walker explores Clare's poetry within the framework of his faith and the religious context in which he lived. While Clare expressed affection for the Established Church and other denominations on various occasions, Houghton-Walker brings together a vast array of evidence to show that any exploration of Clare's religious faith must go beyond pulpit and chapel. Phenomena that Clare himself defines as elements of faith include ghosts, witches, and literature, as well as concepts such as selfhood, Eden, eternity, childhood, and evil. Together with more traditional religious expressions, these apparently disparate features of Clare's spirituality are revealed to be of fundamental significance to his poetry, and it becomes evident that Clare's experiences can tell us much about the experience of 'religion', 'faith', and 'belief' in the period more generally. A distinguishing characteristic of Houghton-Walker's approach is her conviction that one must take into account all aspects of Clare's faith or else risk misrepresenting it. Her book thus engages not only with the facts of Clare's religious habits but also with the ways in which he was literally inspired, and with how that inspiration is connected to his intimations of divinity, to his vision of nature, and thus to his poetry. Belief, mediated through the idea of vision, is found to be implicated in Clare's experiences and interpretations of the natural world and is thus shown to be critical to the content of his verse.
