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Author: Patricia Tobin
Publisher: University of Pennsylvania Press
ISBN: 1512808032
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
During the sixties and seventies, the fictional "reinventions" of john Barth, along with his misread and influential essay 'The Literature of Exhaustion," established the comic novelist as a leading practitioner and theorist of what was then coming to be called postmodern literature. In more recent years, however, Barth's reputation has been called into question within the ongoing critical debate over the criterion of "originality" and the status of literary repetition, imitation, and parody. In her spirited defense of Barth, Patricia Tobin employs Harold Bloom's theory of belatedness to confront and explode this issue. For Bloom, the later the artist the greater the burden of the past against which he must rebel and the more hopeless his task. However, Tobin argues Barth revels in his belatedness and celebrates the opportunity to survey a rich literary past and to bring back to life its dead forms, genres, and styles by completing, fulfilling, and "exhausting" them. Not a retrospective and negative anxiety of influence, then, but a wholly prospective and positive anxiety of continuance has propelled Barth through a distinguished career. Throughout, Tobin elaborates the conjunctions and disjunctions between Bloom and Barth with surprising results. Most notable, perhaps, is her examination of how Bloom's model of a "map of misreading" helps to elucidate, and even predict, the ways in which Barth sets each new novel in antithetical relation to the one before. Along the way, much is said about modernism and postmodernism, repetition and difference, and what it means poetically and willfully to intend a career. John Barth and the Anxiety of Continuance will be of interest to scholars of American fiction and critical theory.
Author: Patricia Tobin
Publisher: University of Pennsylvania Press
ISBN: 1512808032
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
During the sixties and seventies, the fictional "reinventions" of john Barth, along with his misread and influential essay 'The Literature of Exhaustion," established the comic novelist as a leading practitioner and theorist of what was then coming to be called postmodern literature. In more recent years, however, Barth's reputation has been called into question within the ongoing critical debate over the criterion of "originality" and the status of literary repetition, imitation, and parody. In her spirited defense of Barth, Patricia Tobin employs Harold Bloom's theory of belatedness to confront and explode this issue. For Bloom, the later the artist the greater the burden of the past against which he must rebel and the more hopeless his task. However, Tobin argues Barth revels in his belatedness and celebrates the opportunity to survey a rich literary past and to bring back to life its dead forms, genres, and styles by completing, fulfilling, and "exhausting" them. Not a retrospective and negative anxiety of influence, then, but a wholly prospective and positive anxiety of continuance has propelled Barth through a distinguished career. Throughout, Tobin elaborates the conjunctions and disjunctions between Bloom and Barth with surprising results. Most notable, perhaps, is her examination of how Bloom's model of a "map of misreading" helps to elucidate, and even predict, the ways in which Barth sets each new novel in antithetical relation to the one before. Along the way, much is said about modernism and postmodernism, repetition and difference, and what it means poetically and willfully to intend a career. John Barth and the Anxiety of Continuance will be of interest to scholars of American fiction and critical theory.
Author: Erin Fallon
Publisher: Routledge
ISBN: 1135976295
Category : Literary Criticism
Languages : en
Pages : 513
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Book Description
Although the short story has existed in various forms for centuries, it has particularly flourished during the last hundred years. Reader's Companion to the Short Story in English includes alphabetically-arranged entries for 50 English-language short story writers from around the world. Most of these writers have been active since 1960, and they reflect a wide range of experiences and perspectives in their works. Each entry is written by an expert contributor and includes biography, a review of existing criticism, a lengthier analysis of specific works, and a selected bibliography of primary and secondary sources. The volume begins with a detailed introduction to the short story genre and concludes with an annotated bibliography of major works on short story theory.
Author: Saroja Ganapathy
Publisher: Cambridge Scholars Publishing
ISBN: 1527522504
Category :
Languages : en
Pages : 290
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Book Description
This volume of critical essays explores various facets of the social sciences and humanities from an interdisciplinary perspective. The essays gathered here have been culled from different aspects of humanities research in order to widen the scope of research possibilities. The dialogic mode in which the essays are arranged lends a unique texture to the book. This volume will be of interest to researchers, academics and even the casual reader with an interest in the humanities. The rich array of topics covered here gives an inkling of the range of Professor Milind Malshe’s research interests and his academic associations in his career as a scholar and mentor. The different sections in this volume engage in a performance of sorts, allowing a free play of many voices—identified as the core to teaching and research in the humanities.
Author: Wen-chin Ouyang
Publisher: Routledge
ISBN: 1317983939
Category : Literary Criticism
Languages : en
Pages : 160
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Book Description
Adopting a multi-disciplinary approach, this comparative study of a selection of The Arabian Nights stories in a cross-cultural context, brings together a number of disciplines and subject areas to examine the workings of narrative. It predominantly focuses on the ways in which the Arabian Nights have transformed as its stories have travelled across historical eras, cultures, genres and media. Departing from the familiar approaches of influence and textual studies, this book locates its central inquiry in the theoretical questions surrounding the workings of ideology, genre and genre ideology in shaping and transforming stories. The ten essays included in this volume respond to a general question, ‘what can the transformation of Nights stories in their travels tell us about narrative and storytelling, and their function in a particular culture?’ Following a Nights story in its travels from past to present, from Middle East to Europe and from literature to film, the book engages in close comparative analyses of ideological variations found in a variety of texts. These analyses allow new modes of reading texts and make it possible to breach new horizons for thinking about narrative. This Book was previously published as a special issue of Middle Eastern Literatures entitled Ideological Variations and Narrative Horizons: New Perspectives on Arabian Nights.
Author: Christopher MacGowan
Publisher: John Wiley & Sons
ISBN: 1405160233
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
Author: Justin Wintle
Publisher: Routledge
ISBN: 1136768815
Category : History
Languages : en
Pages : 2569
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Book Description
New Makers of Modern Culture is the successor to the classic reference works Makers of Modern Culture and Makers of Nineteenth-Century Culture, published by Routledge in the early 1980s. The set was extremely successful and continues to be used to this day, due to the high quality of the writing, the distinguished contributors, and the cultural sensitivity shown in the selection of those individuals included. New Makers of Modern Culture takes into full account the rise and fall of reputation and influence over the last twenty-five years and the epochal changes that have occurred: the demise of Marxism and the collapse of the Soviet Union; the rise and fall of postmodernism; the eruption of Islamic fundamentalism; the triumph of the Internet. Containing over eight hundred essay-style entries, and covering the period from 1850 to the present, New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, next to John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping runs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. Once again, Wintle has enlisted the services of many distinguished writers and leading academics, such as Sam Beer, Bernard Crick, Edward Seidensticker and Paul Preston. In a few cases, for example Michael Holroyd and Philip Larkin, contributors are themselves the subject of entries. With its global reach, New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing. There is an index of names and key terms.
Author: Justin Wintle
Publisher: Routledge
ISBN: 1134021380
Category : Social Science
Languages : en
Pages : 1362
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Book Description
A Who's Who of Western culture, from Woody Allen to Emile Zola... Containing four hundred essay-style entries, and covering the period from 1850 to the present, The Concise New Makers of Modern Culture includes artists, writers, dramatists, architects, philosophers, anthropologists, scientists, sociologists, major political figures, composers, film-makers and many other culturally significant individuals and is thoroughly international in its purview. Next to Karl Marx is Bob Marley, with John Ruskin is Salman Rushdie, alongside Darwin is Luigi Dallapiccola, Deng Xiaoping rubs shoulders with Jacques Derrida as do Julia Kristeva and Kropotkin. With its global reach, The Concise New Makers of Modern Culture provides a multi-voiced witness of the contemporary thinking world. The entries carry short bibliographies and there is thorough cross-referencing as well as an index of names and key terms.
Author: Brian W. Shaffer
Publisher: John Wiley & Sons
ISBN: 1405192445
Category : Literary Criticism
Languages : en
Pages : 1581
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Book Description
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Author: Jaroslav Kušnír
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838255135
Category : Language Arts & Disciplines
Languages : en
Pages : 206
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Book Description
This book includes contributions by African, East and West European, Asian and North American scholars which deal with and compare ideological and non-ideological approaches to the analysis of literary, artistic as well as popular works (popular music) mostly by American authors. Most of the essays deal with a way various aspects of American identity are depicted, represented, treated, ideologized and aestheticized in different literary genres, forms of art and media. The contributions offer multidisciplinary, cross-cultural and comparative perspectives and represent a diversity of scholarly voices ranging from the general discussion on the relationship between ideology and art (Anton Pokrivčák), ideology and multiculturalism (Cristina Garrigós). They also give the analysis of poetry (Pokrivčák, Obododima Oha), postmodern fiction (Pi-Hua Ni, Cristina Garrigós), drama (Zoe Detsi-Diamanti, Csaba Csapó) as well as the comparative analysis of the depiction of the identity of North American Indians in such different media as literature and film (Michal Peprník). In addition to this, the book includes the analysis of Black rap music (Wojciech Kallas).
Author: Debra Taylor Bourdeau
Publisher: University of Delaware Press
ISBN: 9780874139754
Category : Language Arts & Disciplines
Languages : en
Pages : 310
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Book Description
Every ending marks a potential beginning; every act of reading is, in a very real sense an act of re-writing; and to revise is, literally, to re-see. These bits of conventional wisdom underlie the topic explored in this volume's collection of essays by literary critics who want to know more about the instinct to continue and the impulse to revise an existing text.
