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Author: Yasmine Shamma
Publisher:
ISBN: 9781474436670
Category : Art
Languages : en
Pages : 280
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Book Description
This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.
Author: Yasmine Shamma
Publisher:
ISBN: 9781474436670
Category : Art
Languages : en
Pages : 280
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Book Description
This collection offers the first place for the importance of Brainard's poetry, collaborations and art to be recognised for their contribution and influence, all in one place.
Author: Joe Brainard
Publisher:
ISBN: 9781637957844
Category :
Languages : en
Pages :
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Book Description
A survey of Joe Brainard's paintings.
Author: Constance Lewallen
Publisher: Granary Books
ISBN:
Category : Art
Languages : en
Pages : 178
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Book Description
Essays by John Ashbery, Constance Lewallen, Carter Ratcliff. Foreword by Kevin E. Consey.
Author: Joe Brainard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
From 1963 to 1978 Joe Brainard (author of I REMEMBER) created more than 100 works of art that appropriated the classic comic strip character Nancy and sent her into an astonishing variety of spaces, all electrified by the incongruity of her presence. Whether inserted into hypothetical situations, dispatched on erotic adventures, or seemingly rendered by the hands of artists as varied as Leonardo da Vinci, R. Crumb, Larry Rivers, and Willem de Kooning, Brainard's Nancy revels in as well as transcends her two-dimensionality. Together these works accumulate into a sophisticated, complex work of great wit, equal parts surprise and subtlety.The Nancy Book is the first published collection of Brainard's Nancy texts, drawings, collages and paintings (with nearly eighty full page reproductions), including collaborations with luminary New York School poets such as Frank O?Hara and Ted Berrigan, an essay by Ann Lauterbach that illuminates, with critical and poetic acumen, the complexity of Brainard's transformation of Nancy.OEvery page of this book will make you smile or laugh'not with recognition but with startled joy. Joe Brainard took an unchanging icon of the American norm and inserted her into countless fashionable or scandalous contexts, subtly metamorphosing something that seemed eternal into absurdly contemporary forms. He is as funny as only a philosopher can be.O Edmund White.OJoe Brainard's pursuit of the once ubiquitous fuzzy-haired pest Nancy chronicled one of the great love-hate relationships in American popular culture. It's wonderful to have it all between the covers of a book.O John Ashbery
Author: Joe Brainard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 194
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Book Description
Artwork by Joe Brainard. Edited by Ron Padgett.
Author: Joe Brainard
Publisher: National Geographic Books
ISBN: 1598531492
Category : Art
Languages : en
Pages : 0
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Book Description
Discover the works of Joe Brainard, whose quirky style earned him a reputation as a “recognizable American phenomenon” and “oddball classicist”—with a foreword by 4321 author Paul Auster (John Ashbery) An artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. “Brainard disarms us with the seemingly tossed-off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance,” writes Paul Auster in the introduction to this collection. “These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits.” Assembled by the author’s longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.
Author: Ron Padgett
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 402
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Book Description
"This is Ron Padgett's memoir - the unlikely and true story of two childhood friends, one straight and one gay, who grew up in 1950s Oklahoma, surprised their families by moving to New York City in search of art and poetry, and became part of a dynamic community of artists and writers whose work continues to shape American culture." "Much of this intimate memoir is told in Joe Brainard's own direct and unforgettable voice. Dozens of letters, journal entries, poems, photographs, and artworks create a stirring portrait of the times - one that illuminates not only Brainard's life and art, but also the lives and work of his many friends, including Frank O'Hara, Alex Katz, Anne Waldman, Ted Berrigan, Fairfield Porter, Edwin Denby, Rudy Burckhardt, and Kenward Elmslie." --Book Jacket.
Author: Jenni Quilter
Publisher: Rizzoli Publications
ISBN: 0847837866
Category : Art
Languages : en
Pages : 321
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Book Description
New York School Painters & Poets charts the collaborative milieu of New York City poets and artists in the mid-twentieth century. This unprecedented volume comprehensively reproduces rare ephemera, collecting and reprinting collaborations, paintings, drawings, poetry, letters, art reviews, photographs, dialogues, manifestos, and memories. Jenni Quilter offers a chronological survey of this milieu, which includes artists such as Willem de Kooning, Robert Motherwell, Alex Katz, Jasper Johns, Fairfield Porter, Larry Rivers, George Schneeman, and Rudy Burckhardt, plus writers John Ashbery, Bill Berkson, Ted Berrigan, Joe Brainard, Edwin Denby, Larry Fagin, Frank O’Hara, Charles North, Ron Padgett, James Schuyler, Anne Waldman, and more. “Giving us for the first time a full picture of the scene these artists and writers shared,” writes Carter Ratcliff in his foreword, “this book illuminates the unities and tensions, the playfulness and glamour and startling authenticity of their collaborations. Here we not only see evidence of a modus operandi. We also feel the exuberance of a certain modus vivendi, a way of life.” By Jenni Quilter, Edited by Allison Power, with Advisory Editors: Bill Berkson and Larry Fagin, and Foreword by Carter Ratcliff.
Author: John Yau
Publisher: Rizzoli Publications
ISBN: 0847870669
Category : Art
Languages : en
Pages : 242
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Book Description
The extraordinary paintings and watercolors of this contemporary British abstract artist, deeply influenced by the romantic English landscape tradition of Constable and Turner. This is the first major look at the work of the renowned yet intensely private and reclusive artist William Tillyer (b. 1938), best known for his abstract oil paintings, watercolors, and prints. Tillyer’s skill and hugely varied body of work make him one of Britain’s most respected artists, in the same generation as Lucian Freud and David Hockney. Tillyer is finally getting the recognition he deserves. While Tillyer’s paintings are largely abstract, they are based on the landscape of North Yorkshire, where he has lived and worked for most of his life. The book covers Tillyer’s experiments with nontraditional materials and techniques—his 3D panels, cut canvases, constructed works with found objects, printmaking with a wide range of processes, and paintings on wire mesh.
Author:
Publisher: Rizzoli Publications
ISBN: 0847848388
Category : Art
Languages : en
Pages : 193
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Book Description
Published by Skira Rizzoli in association with Peter Freeman, Inc. Catherine Murphy has been celebrated as a representational painter of exceptional precision, and this, her first monograph, Catherine Murphy, surveys her complete work, which unites American Minimalism and American naturalist painting. Murphy has evolved a style that combines obsessive authenticity with Minimalist rigor. From the shaded lawns of the New Jersey suburbs to the Massachusetts woods, from childhood interiors to self-portraits and detailed images of buttons and dust, carpeted stairs, or a stuccoed ceiling, Murphy always paints and draws from life, often the domestic and quotidian. John Yau notes in his introduction that, “her attachment to the commonplace is not just amatter of convenience, of painting and drawing what she can see from her window or inside herapartment. In her choice of subjects—and I am speaking here of Murphy’s entire career, which stretches across five decades—the artist has made a conscious decision to stay true to both what she could observe and to her own working-class background, and the aesthetic choices that people of that milieuare constantly making, from illustrated calendars and inexpensive objets d’art to wallpaper andrefrigerator magnets.”
