Arcadian Modern PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Arcadian Modern PDF full book. Access full book title Arcadian Modern by Luis Pérez Oramas. Download full books in PDF and EPUB format.
Author: Luis Pérez Oramas
Publisher:
ISBN: 9780870709753
Category : Arte-
Languages : en
Pages : 0
Get Book Here
Book Description
Joaquín Torres-García (Uruguayan, 1874-1949) is one of the most complex and emblematic modern masters from the first half of the 20th century, whose work determined transformational paths for modern art on both sides of the Atlantic. Manifesting a profound impulse toward the avant-garde as much as the primitive, and stressing a schematic impulsion alongside a permanent fascination with the notion of utopia, he participated in some of the most crucial intellectual and artistic discussions of the past century. His personal involvement with a significant number of early Modern and avant-garde movements, from Catalan Noucentismo to Cubism, Ultraism- Vibrationism, and Neo-Plasticism, make him an unparalleled figure in the history of modernism in the Americas. Published in conjunction with the first major, all-inclusive retrospective of the artist's work in the US since the 1970s, this richly illustrated publication presents Torres-García's long and wide-ranging career, from the late 19th century to the 1940s, and includes drawings, paintings, objects and sculptures. Combining a chronological presentation with a thematic approach, the book is organized into five separate essays with interspersed plates, following an illustrated chronology and an extensive bibliography.
Author: Luis Pérez Oramas
Publisher:
ISBN: 9780870709753
Category : Arte-
Languages : en
Pages : 0
Get Book Here
Book Description
Joaquín Torres-García (Uruguayan, 1874-1949) is one of the most complex and emblematic modern masters from the first half of the 20th century, whose work determined transformational paths for modern art on both sides of the Atlantic. Manifesting a profound impulse toward the avant-garde as much as the primitive, and stressing a schematic impulsion alongside a permanent fascination with the notion of utopia, he participated in some of the most crucial intellectual and artistic discussions of the past century. His personal involvement with a significant number of early Modern and avant-garde movements, from Catalan Noucentismo to Cubism, Ultraism- Vibrationism, and Neo-Plasticism, make him an unparalleled figure in the history of modernism in the Americas. Published in conjunction with the first major, all-inclusive retrospective of the artist's work in the US since the 1970s, this richly illustrated publication presents Torres-García's long and wide-ranging career, from the late 19th century to the 1940s, and includes drawings, paintings, objects and sculptures. Combining a chronological presentation with a thematic approach, the book is organized into five separate essays with interspersed plates, following an illustrated chronology and an extensive bibliography.
Author: Aarnoud Rommens
Publisher: Routledge
ISBN: 1315527553
Category : Art
Languages : en
Pages : 352
Get Book Here
Book Description
Intertwining art history, aesthetic theory, and Latin American studies, Aarnoud Rommens challenges contemporary Eurocentric revisions of the history of abstraction through this study of the Uruguayan artist Joaquín Torres-García. After studying and painting (for decades) in Europe, Torres-García returned in 1934 to his native home, Montevideo, with the dream of reawakening and revitalizing what he considered the true indigenous essence of Latin American art: "Abstract Spirit." Rommens rigorously analyses the paradoxes of the painter's aesthetic-philosophical doctrine of Constructive Universalism as it sought to adapt European geometric abstraction to the Americas. Whereas previous scholarship has dismissed Torres-García's theories as self-contradictory, Rommens seeks to recover their creative potential as well as their role in tracing the transatlantic routes of the avant-garde. Through the highly original method of reading Torres-García's artworks as a critique on the artist's own writings, Rommens reveals how Torres-García appropriates the colonial language of primitivism to construct the artificial image of "pure" pre-Columbian abstraction. Torres-García thereby inverts the history of art: this book teases out the important lessons of this gesture and the implications for our understanding of abstraction today.
Author: Cristina Peri Rossi
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 66
Get Book Here
Book Description
Works by Joaquín Torres García, an avant garde Uruguayan/Catalan painter, sculptor, novelist, writer, teacher and theorist. He was a pioneer of the renaissance of Classicism, champion of Catalan art, and a muralist.
Author: Raquel Pereda
Publisher:
ISBN:
Category : Painters
Languages : es
Pages : 260
Get Book Here
Book Description
Author: Robert C. Morgan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Get Book Here
Book Description
The first comprehensive U.S. publication on a pioneer of Latin American art Establishing congruences between Modernist abstraction and the Pre-Columbian traditions of the ancient Americas, Uruguayan artist Francisco Matto (1911-1995) was a pioneer of Latin American art, and one of the most significant students of El Taller Torres-García, the workshop school established by Joaquín Torres-García. Matto remained in his native Montevideo, Uruguay for all of his life, and was financially secure enough to not need to sell or promote his work; consequently, it rarely circulates in international exhibitions, instead remaining in the estate of the artist and a few private collections in Montevideo, New York, Houston and Belgium. The Modern and the Mythic is the first comprehensive U.S. publication on Matto, and presents more than five decades of artistic production, from the artist's early work under Torres-García to his late works of the 1990s.
Author: Joaquín Torres-García
Publisher: Menil Foundation
ISBN: 9780300154016
Category : Art
Languages : en
Pages : 0
Get Book Here
Book Description
Joaqu�n Torres-Garc�a (1874-1949) is one of the most influential artists to have emerged from Latin America in the early 20th century. His unique innovations in the medium of wood--constructed three-dimensional grids and planes known as maderas--foreshadow later artistic developments in Europe and the Americas (such as the work of Louise Nevelson). Torres-Garc�a was also much celebrated for his work as a modernist painter, teacher, and author. This handsome catalogue focuses on Torres-Garc�a’s wood constructions and accompanies the first exhibition held in North America of these works and the first solo exhibition of the artist in the United States in over forty years. It includes essays by prominent scholars that discuss the creation of the maderas and their place in the debates surrounding abstract art in Paris in the late 1920s and early 1930s and in Montevideo, his hometown in Uruguay, in the late 1930s and 40s. It also includes newly translated writings by the artist.
Author: Joaquín Torres-García
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 134
Get Book Here
Book Description
Author: Jordana Dym
Publisher: University of Chicago Press
ISBN: 0226921816
Category : History
Languages : en
Pages : 359
Get Book Here
Book Description
For many, a map is nothing more than a tool used to determine the location or distribution of something—a country, a city, or a natural resource. But maps reveal much more: to really read a map means to examine what it shows and what it doesn’t, and to ask who made it, why, and for whom. The contributors to this new volume ask these sorts of questions about maps of Latin America, and in doing so illuminate the ways cartography has helped to shape this region from the Rio Grande to Patagonia. In Mapping Latin America,Jordana Dym and Karl Offen bring together scholars from a wide range of disciplines to examine and interpret more than five centuries of Latin American maps.Individual chapters take on maps of every size and scale and from a wide variety of mapmakers—from the hand-drawn maps of Native Americans, to those by famed explorers such as Alexander von Humboldt, to those produced in today’s newspapers and magazines for the general public. The maps collected here, and the interpretations that accompany them, provide an excellent source to help readers better understand how Latin American countries, regions, provinces, and municipalities came to be defined, measured, organized, occupied, settled, disputed, and understood—that is, how they came to have specific meanings to specific people at specific moments in time. The first book to deal with the broad sweep of mapping activities across Latin America, this lavishly illustrated volume will be required reading for students and scholars of geography and Latin American history, and anyone interested in understanding the significance of maps in human cultures and societies.
Author: Niko Vicario
Publisher: University of California Press
ISBN: 0520310020
Category : Art
Languages : en
Pages : 309
Get Book Here
Book Description
Exploring art made in Latin America during the 1930s and 1940s, Hemispheric Integration argues that Latin America’s position within a global economic order was crucial to how art from that region was produced, collected, and understood. Niko Vicario analyzes art’s relation to shifting trade patterns, geopolitical realignments, and industrialization to suggest that it was in this specific era that the category of Latin American art developed its current definition. Focusing on artworks by iconic Latin American modernists such as David Alfaro Siqueiros, Joaquín Torres-García, Cândido Portinari, and Mario Carreño, Vicario emphasizes the materiality and mobility of art and their connection to commerce, namely the exchange of raw materials for manufactured goods from Europe and the United States. An exceptional examination of transnational culture, this book provides a new model for the study of Latin American art.
