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Author: Abraham Zebi Idelsohn
Publisher: Courier Corporation
ISBN: 9780486271477
Category : Music
Languages : en
Pages : 580
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Book Description
In this landmark of musical scholarship, the leading 20th-century authority on Jewish music describes and analyzes its elements and characteristics, and chronicles its development from the earliest appearance of Semitic song 2000 years ago to the early 20th century. Liberally illustrating every type of music discussed, the book examines the music as a tonal expression of Judaism, Jewish life and the spiritual aspects of Jewish culture.
Author: Abraham Zebi Idelsohn
Publisher: Courier Corporation
ISBN: 9780486271477
Category : Music
Languages : en
Pages : 580
Get Book Here
Book Description
In this landmark of musical scholarship, the leading 20th-century authority on Jewish music describes and analyzes its elements and characteristics, and chronicles its development from the earliest appearance of Semitic song 2000 years ago to the early 20th century. Liberally illustrating every type of music discussed, the book examines the music as a tonal expression of Judaism, Jewish life and the spiritual aspects of Jewish culture.
Author: Emanuel Rubin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
The book surveys the broad sweep of music among Jews of widely diverse communities from Biblical times to the modern day. Each chapter focuses on a different Jewish cultural epoch and explores the music and the way it functioned in that society. The work is structured as both a college text and an informative guide for the lay reader.
Author: Marsha Bryan Edelman
Publisher: Jewish Publication Society
ISBN: 9780827610279
Category :
Languages : iw
Pages : 416
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Book Description
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311
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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
Author: Michael Haas
Publisher: Yale University Press
ISBN: 0300154313
Category : Music
Languages : en
Pages : 505
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Book Description
DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Author: Irene Heskes
Publisher: Bloomsbury Publishing USA
ISBN: 031338911X
Category : Music
Languages : en
Pages : 368
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Book Description
The purpose of this book is to present a survey of Jewish music to illuminate its special role as a mirror of history, tradition, and cultural heritage. The 27 topical chapters have been placed within a modified chronological perspective to present a historic picture of virtually every important development in Jewish music. The book represents a culmination of several decades of the author's dedicated labor and scholarly study in this field.
Author: Martin Goodman
Publisher: Oxford Handbooks Online
ISBN: 9780199280322
Category : History
Languages : en
Pages : 1060
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Book Description
The Oxford Handbook of Jewish Studies reflects the current state of scholarship in the field as analyzed by an international team of experts in the different and varied areas represented within contemporary Jewish Studies. Unlike recent attempts to encapsulate the current state of Jewish Studies, the Oxford Handbook is more than a mere compendium of agreed facts; rather, it is an exhaustive survey of current interests and directions in the field.
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253040248
Category : Music
Languages : en
Pages : 328
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Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
Author: Maureen Jackson
Publisher: Stanford University Press
ISBN: 080478566X
Category : Religion
Languages : en
Pages : 273
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Book Description
This book traces the mixing of musical forms and practices in Istanbul to illuminate multiethnic music-making and its transformations across the twentieth and twenty-first centuries. It focuses on the Jewish religious repertoire known as the Maftirim, which developed in parallel with "secular" Ottoman court music. Through memoirs, personal interviews, and new archival sources, the book explores areas often left out of those histories of the region that focus primarily on Jewish communities in isolation, political events and actors, or nationalizing narratives. Maureen Jackson foregrounds artistic interactivity, detailing the life-stories of musicians and their musical activities. Her book amply demonstrates the integration of Jewish musicians into a larger art world and traces continuities and ruptures in a nation-building era. Among its richly researched themes, the book explores the synagogue as a multifunctional venue within broader urban space; girls, women, and gender issues in an all-male performance practice; new technologies and oral transmission; and Ottoman musical reconstructions within Jewish life and cultural politics in Turkey today.
Author: Charles B Hersch
Publisher: Routledge
ISBN: 131727038X
Category : Music
Languages : en
Pages : 262
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Book Description
Jews and Jazz: Improvising Ethnicity explores the meaning of Jewish involvement in the world of American jazz. It focuses on the ways prominent jazz musicians like Stan Getz, Benny Goodman, Artie Shaw, Lee Konitz, Dave Liebman, Michael Brecker, and Red Rodney have engaged with jazz in order to explore and construct ethnic identities. The author looks at Jewish identity through jazz in the context of the surrounding American culture, believing that American Jews have used jazz to construct three kinds of identities: to become more American, to emphasize their minority outsider status, and to become more Jewish. From the beginning, Jewish musicians have used jazz for all three of these purposes, but the emphasis has shifted over time. In the 1920s and 1930s, when Jews were seen as foreign, Jews used jazz to make a more inclusive America, for themselves and for blacks, establishing their American identity. Beginning in the 1940s, as Jews became more accepted into the mainstream, they used jazz to "re-minoritize" and avoid over-assimilation through identification with African Americans. Finally, starting in the 1960s as ethnic assertion became more predominant in America, Jews have used jazz to explore and advance their identities as Jews in a multicultural society.
