Author: Adele Reinhartz
Publisher: Oxford University Press
ISBN: 0199724857
Category : Religion
Languages : en
Pages : 328
Book Description
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Jesus of Hollywood
Author: Adele Reinhartz
Publisher: Oxford University Press
ISBN: 0199724857
Category : Religion
Languages : en
Pages : 328
Book Description
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Publisher: Oxford University Press
ISBN: 0199724857
Category : Religion
Languages : en
Pages : 328
Book Description
Since the advent of the cinema, Jesus has frequently appeared in our movie houses and on our television screens. Indeed, it may well be that more people worldwide know about Jesus and his life story from the movies than from any other medium. Indeed, Jesus' story has been adapted dozens of times throughout the history of commercial cinema, from the 1912 silent From the Manger to the Cross to Mel Gibson's 2004 The Passion of the Christ. No doubt there are more to come. Drawing on a broad range of movies, biblical scholar Adele Reinhartz traces the way in which Jesus of Nazareth has become Jesus of Hollywood. She argues that Jesus films both reflect and influence cultural perceptions of Jesus and the other figures in his story. She focuses on the cinematic interpretation of Jesus' relationships with the key people in his life: his family, his friends, and his foes. She examines how these films address theological issues, such as Jesus' identity as both human and divine, political issues, such as the role of the individual in society and the possibility of freedom under political oppression, social issues, such as gender roles and hierarchies, and personal issues, such as the nature of friendship and human sexuality. Reinhartz's study of Jesus' celluloid incarnations shows how Jesus movies reshape the past in the image of the present. Despite society's profound interest in Jesus as a religious and historical figure, Jesus movies are fascinating not as history but as mirrors of the concerns, anxieties, and values of our own era. As the story of Jesus continues to capture the imagination of filmmakers and moviegoers, he remains as significant a cultural figure today as he was 2000 years ago.
Jesus Goes to Hollywood
Author: William Bramley
Publisher:
ISBN: 9780975563601
Category : Apocryphal books (New Testament)
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780975563601
Category : Apocryphal books (New Testament)
Languages : en
Pages : 0
Book Description
Jesus Goes To Hollywood
Author: Tom Matte
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
Book Description
Cancel your plans for the next 24 hours and buckle up; you're embarking on a breathtaking ride that will be hard to peel yourself away from, even for snacks. Jesus Goes to Hollywood is a fast-paced, headlong dive into one man's true story of addiction, madness, homelessness, alienation, and ultimately redemption. In a story that is by turns heartbreaking and hilarious - sometimes both simultaneously - Tom Matte offers a front-row seat on a harrowing journey.Once an owner of a successful Atlanta ad agency, devoted father and husband, Tom's life was upended by cocaine addiction that led to mental illness, sparking a cross-continent journey careening through rehab stints, 5-star hotels, Skid Row and jail. Most people who have lost their mind never find their way back to tell the tale; this story gives some insight into the experiences of people whose voices will never be heard.Jesus Goes to Hollywood is an unflinching look at the devastating effects of mental illness and addiction. It is an unforgettable story of one family's implosion, heartbreak, forgiveness, and reunification. And it's a fascinating look at how, after finding his way back to health and sobriety, the way Tom's brain works changed fundamentally and for the better, in ways that doctors, neuroscientists, and academic researchers are just beginning to understand.First-time author Tom Matte brings a fresh, honest and wickedly insightful voice to a difficult topic. If you read only one book this year, make it this one.
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
Book Description
Cancel your plans for the next 24 hours and buckle up; you're embarking on a breathtaking ride that will be hard to peel yourself away from, even for snacks. Jesus Goes to Hollywood is a fast-paced, headlong dive into one man's true story of addiction, madness, homelessness, alienation, and ultimately redemption. In a story that is by turns heartbreaking and hilarious - sometimes both simultaneously - Tom Matte offers a front-row seat on a harrowing journey.Once an owner of a successful Atlanta ad agency, devoted father and husband, Tom's life was upended by cocaine addiction that led to mental illness, sparking a cross-continent journey careening through rehab stints, 5-star hotels, Skid Row and jail. Most people who have lost their mind never find their way back to tell the tale; this story gives some insight into the experiences of people whose voices will never be heard.Jesus Goes to Hollywood is an unflinching look at the devastating effects of mental illness and addiction. It is an unforgettable story of one family's implosion, heartbreak, forgiveness, and reunification. And it's a fascinating look at how, after finding his way back to health and sobriety, the way Tom's brain works changed fundamentally and for the better, in ways that doctors, neuroscientists, and academic researchers are just beginning to understand.First-time author Tom Matte brings a fresh, honest and wickedly insightful voice to a difficult topic. If you read only one book this year, make it this one.
Jesus > Religion
Author: Jefferson Bethke
Publisher: HarperChristian + ORM
ISBN: 1400205409
Category : Religion
Languages : en
Pages : 240
Book Description
Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair, and hope. With refreshing candor, he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior. Along the way, Bethke gives you the tools you need to: Humbly and prayerfully open your mind Understand Jesus for all that he is View the church from a brand-new perspective Bethke is quick to acknowledge that he's not a pastor or theologian, but simply an ordinary, twenty-something who cried out for a life greater than the one for which he had settled. On this journey, Bethke discovered the real Jesus, who beckoned him with love beyond the props of false religion. Praise for Jesus > Religion: "Jeff's book will make you stop and listen to a voice in your heart that may have been drowned out by the noise of religion. Listen to that voice, then follow it--right to the feet of Jesus." --Bob Goff, author of New York Times bestsellers Love Does and Everybody, Always "The book you hold in your hands is Donald Miller's Blue Like Jazz meets C. S. Lewis's Mere Christianity meets Augustine's Confessions. This book is going to awaken an entire generation to Jesus and His grace." --Derwin L. Gray, lead pastor of Transformation Church, author of Limitless Life: Breaking Free from the Labels That Hold You Back
Publisher: HarperChristian + ORM
ISBN: 1400205409
Category : Religion
Languages : en
Pages : 240
Book Description
Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair, and hope. With refreshing candor, he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior. Along the way, Bethke gives you the tools you need to: Humbly and prayerfully open your mind Understand Jesus for all that he is View the church from a brand-new perspective Bethke is quick to acknowledge that he's not a pastor or theologian, but simply an ordinary, twenty-something who cried out for a life greater than the one for which he had settled. On this journey, Bethke discovered the real Jesus, who beckoned him with love beyond the props of false religion. Praise for Jesus > Religion: "Jeff's book will make you stop and listen to a voice in your heart that may have been drowned out by the noise of religion. Listen to that voice, then follow it--right to the feet of Jesus." --Bob Goff, author of New York Times bestsellers Love Does and Everybody, Always "The book you hold in your hands is Donald Miller's Blue Like Jazz meets C. S. Lewis's Mere Christianity meets Augustine's Confessions. This book is going to awaken an entire generation to Jesus and His grace." --Derwin L. Gray, lead pastor of Transformation Church, author of Limitless Life: Breaking Free from the Labels That Hold You Back
Hollywood Heroes
Author: Frank Turek
Publisher: NavPress
ISBN: 1641583533
Category : Religion
Languages : en
Pages : 253
Book Description
Captain America assembles the Avengers. Iron Man battles Thanos. Luke Skywalker duels Darth Vader. Aragorn charges Mordor. Batman confronts the Joker. Superman destroys Doomsday. Wonder Woman defeats Ares. We are captivated. Why? We are entranced by stories that take us to a world where heroes fight evil and sacrifice themselves for a greater good because we long for our world to be free from pain, suffering, and struggle. That’s the real hope and promise of Jesus—when He returns to set things right. In Hollywood Heroes, you’ll see how: Your favorite movie heroes are patterned after the Ultimate Hero—Jesus of Nazareth Big screen stories parallel the real-world fight between good and evil Movies and characters can impart inspiring biblical life lessons on justice, purpose, courage, strength, sacrifice, faith, and love Hollywood Heroes begins with the true story of a US Navy SEAL who faced evil and sacrificed himself to save his teammates. Authors Frank and Zach Turek then use Spider-Man’s origin story to address the question: “Why would a good God allow evil?” You’ll then read how seven movie franchises—Captain America, Iron Man, Harry Potter, Star Wars, The Lord of the Rings, Batman, and Wonder Woman—portray the battle against evil, providing a set of modern-day parables that reveal truths about God and His mission for us.
Publisher: NavPress
ISBN: 1641583533
Category : Religion
Languages : en
Pages : 253
Book Description
Captain America assembles the Avengers. Iron Man battles Thanos. Luke Skywalker duels Darth Vader. Aragorn charges Mordor. Batman confronts the Joker. Superman destroys Doomsday. Wonder Woman defeats Ares. We are captivated. Why? We are entranced by stories that take us to a world where heroes fight evil and sacrifice themselves for a greater good because we long for our world to be free from pain, suffering, and struggle. That’s the real hope and promise of Jesus—when He returns to set things right. In Hollywood Heroes, you’ll see how: Your favorite movie heroes are patterned after the Ultimate Hero—Jesus of Nazareth Big screen stories parallel the real-world fight between good and evil Movies and characters can impart inspiring biblical life lessons on justice, purpose, courage, strength, sacrifice, faith, and love Hollywood Heroes begins with the true story of a US Navy SEAL who faced evil and sacrificed himself to save his teammates. Authors Frank and Zach Turek then use Spider-Man’s origin story to address the question: “Why would a good God allow evil?” You’ll then read how seven movie franchises—Captain America, Iron Man, Harry Potter, Star Wars, The Lord of the Rings, Batman, and Wonder Woman—portray the battle against evil, providing a set of modern-day parables that reveal truths about God and His mission for us.
Hollywood
Author: Jill Tietjen
Publisher: Rowman & Littlefield
ISBN: 1493037064
Category : History
Languages : en
Pages : 401
Book Description
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Publisher: Rowman & Littlefield
ISBN: 1493037064
Category : History
Languages : en
Pages : 401
Book Description
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Savior on the Silver Screen
Author: Richard C. Stern
Publisher: Paulist Press
ISBN: 9780809138555
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.
Publisher: Paulist Press
ISBN: 9780809138555
Category : Performing Arts
Languages : en
Pages : 376
Book Description
Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.
Bible and Cinema
Author: Adele Reinhartz
Publisher: Routledge
ISBN: 1134627017
Category : Religion
Languages : en
Pages : 305
Book Description
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Publisher: Routledge
ISBN: 1134627017
Category : Religion
Languages : en
Pages : 305
Book Description
This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible’s reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include: how filmmakers make use of scripture to address and reflect their own time and place. the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption. the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience. Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field.
Hollywood Under Siege
Author: Thomas R Lindlof
Publisher: University Press of Kentucky
ISBN: 0813173167
Category : Performing Arts
Languages : en
Pages : 407
Book Description
In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.
Publisher: University Press of Kentucky
ISBN: 0813173167
Category : Performing Arts
Languages : en
Pages : 407
Book Description
In 1988, director Martin Scorsese fulfilled his lifelong dream of making a film about Jesus Christ. Rather than celebrating the film as a statement of faith, churches and religious leaders immediately went on the attack, alleging blasphemy. At the height of the controversy, thousands of phone calls a day flooded the Universal switchboard, and before the year was out, more than three million mailings protesting the film fanned out across the country. For the first time in history, a studio took responsibility for protecting theaters and scrambled to recruit a "field crisis team" to guide The Last Temptation of Christ through its contentious American openings. Overseas, the film faced widespread censorship actions, with thirteen countries eventually banning the film. The response in Europe turned violent when opposition groups sacked theaters in France and Greece and caused injuries to dozens of moviegoers. Twenty years later, author Thomas R. Lindlof offers a comprehensive account of how this provocative film came to be made and how Universal Pictures and its parent company MCA became targets of the most intense, unremitting attacks ever mounted against a media company. The film faced early and determined opposition from elements of the religious Right when it was being developed at Paramount during the last year the studio was run by the celebrated troika of Barry Diller, Michael Eisner, and Jeffrey Katzenberg. By the mid-1980s, Scorsese's film was widely regarded as unmakeable—a political stick of dynamite that no one dared touch. Through the joint efforts of two of the era's most influential executives, CAA president Michael Ovitz and Universal Pictures chairman Thomas P. Pollock, this improbable project found its way into production. The making of The Last Temptation of Christ caught evangelical Christians at a moment when they were suffering a crisis of confidence in their leadership. The religious right seized on the film as a way to rehabilitate its image and to mobilize ordinary citizens to attack liberalism in art and culture. The ensuing controversy over the film's alleged blasphemy escalated into a full-scale war fought out very openly in the media. Universal/MCA faced unprecedented calls for boycotts of its business interests, anti-Semitic rhetoric and death threats were directed at MCA chairman Lew Wasserman and other MCA executives, and the industry faced the specter of violence at theaters. Hollywood Under Siege draws upon interviews with many of the key figures—Martin Scorsese, Paul Schrader, Michael Ovitz, Jeffrey Katzenberg, Jack Valenti, Thomas P. Pollock, and Willem Dafoe—to explore the trajectory of the film from its conception to the subsequent epic controversy and beyond. Lindlof offers a fascinating dissection of a critical episode in the embryonic culture wars, illuminating the explosive effects of the clash between the interests of the media industry and the forces of social conservatism.
The Color of Christ
Author: Edward J. Blum
Publisher: UNC Press Books
ISBN: 0807837377
Category : Religion
Languages : en
Pages : 353
Book Description
How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.
Publisher: UNC Press Books
ISBN: 0807837377
Category : Religion
Languages : en
Pages : 353
Book Description
How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.