Author: Faye Yuan Kleeman
Publisher: University of Hawaii Press
ISBN: 0824865375
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Under an Imperial Sun examines literary, linguistic, and cultural representations of Japan's colonial South (nanpô). Building on the most recent scholarship from Japan, Taiwan, and the West, it takes a cross-cultural, multidisciplinary, comparative approach that considers the views of both colonizer and colonized as expressed in travel accounts and popular writing as well as scholarly treatments of the area's cultures and customs. Readers are introduced to the work of Japanese writers Hayashi Fumiko and Nakajima Atsushi, who spent time in the colonial South, and expatriate Nishikawa Mitsuru, who was raised and educated in Taiwan and tried to capture the essence of Taiwanese culture in his fictional and ethnographic writing. The effects of colonial language policy on the multilingual environment of Taiwan are discussed, as well as the role of language as a tool of imperialism and as a vehicle through which Japan's southern subjects expressed their identity--one that bridged Taiwanese and Japanese views of self. Struggling with these often conflicting views, Taiwanese authors, including the Nativists Yang Kui and Lü Heruo and Imperial Subject writers Zhou Jinpo and Chen Huoquan, expressed personal and societal differences in their writing. This volume looks closely at their lives and works and considers the reception of this literature--the Japanese language literature of Japan's colonies--both in Japan and in the former colonies. Finally, it asks: What do these works tell us about the specific example of cultural hybridity that arose in Japanese-occupied Taiwan and what relevance does this have to the global phenomenon of cultural hybridity viewed through a postcolonial lens?
Under an Imperial Sun
Author: Faye Yuan Kleeman
Publisher: University of Hawaii Press
ISBN: 0824865375
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Under an Imperial Sun examines literary, linguistic, and cultural representations of Japan's colonial South (nanpô). Building on the most recent scholarship from Japan, Taiwan, and the West, it takes a cross-cultural, multidisciplinary, comparative approach that considers the views of both colonizer and colonized as expressed in travel accounts and popular writing as well as scholarly treatments of the area's cultures and customs. Readers are introduced to the work of Japanese writers Hayashi Fumiko and Nakajima Atsushi, who spent time in the colonial South, and expatriate Nishikawa Mitsuru, who was raised and educated in Taiwan and tried to capture the essence of Taiwanese culture in his fictional and ethnographic writing. The effects of colonial language policy on the multilingual environment of Taiwan are discussed, as well as the role of language as a tool of imperialism and as a vehicle through which Japan's southern subjects expressed their identity--one that bridged Taiwanese and Japanese views of self. Struggling with these often conflicting views, Taiwanese authors, including the Nativists Yang Kui and Lü Heruo and Imperial Subject writers Zhou Jinpo and Chen Huoquan, expressed personal and societal differences in their writing. This volume looks closely at their lives and works and considers the reception of this literature--the Japanese language literature of Japan's colonies--both in Japan and in the former colonies. Finally, it asks: What do these works tell us about the specific example of cultural hybridity that arose in Japanese-occupied Taiwan and what relevance does this have to the global phenomenon of cultural hybridity viewed through a postcolonial lens?
Publisher: University of Hawaii Press
ISBN: 0824865375
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
Under an Imperial Sun examines literary, linguistic, and cultural representations of Japan's colonial South (nanpô). Building on the most recent scholarship from Japan, Taiwan, and the West, it takes a cross-cultural, multidisciplinary, comparative approach that considers the views of both colonizer and colonized as expressed in travel accounts and popular writing as well as scholarly treatments of the area's cultures and customs. Readers are introduced to the work of Japanese writers Hayashi Fumiko and Nakajima Atsushi, who spent time in the colonial South, and expatriate Nishikawa Mitsuru, who was raised and educated in Taiwan and tried to capture the essence of Taiwanese culture in his fictional and ethnographic writing. The effects of colonial language policy on the multilingual environment of Taiwan are discussed, as well as the role of language as a tool of imperialism and as a vehicle through which Japan's southern subjects expressed their identity--one that bridged Taiwanese and Japanese views of self. Struggling with these often conflicting views, Taiwanese authors, including the Nativists Yang Kui and Lü Heruo and Imperial Subject writers Zhou Jinpo and Chen Huoquan, expressed personal and societal differences in their writing. This volume looks closely at their lives and works and considers the reception of this literature--the Japanese language literature of Japan's colonies--both in Japan and in the former colonies. Finally, it asks: What do these works tell us about the specific example of cultural hybridity that arose in Japanese-occupied Taiwan and what relevance does this have to the global phenomenon of cultural hybridity viewed through a postcolonial lens?
Japanese Language
Author: Haruhiko Kindaichi
Publisher: Tuttle Publishing
ISBN: 1462902669
Category : Foreign Language Study
Languages : en
Pages : 153
Book Description
This is a book about the structure, history and evolution of the Japanese language. The Japanese Language is a classic study of one of the world's most widely used but least understood languages. Emphasizing the richness and complexity of Japanese as well as its limitations, this fine book provides a lively discussion about the uniqueness of the Japanese language. The relationship of Japanese to other languages is not well understood even by native speakers, and Professor Kindaichi sets out to define it. He concludes that Japanese is indeed only remotely related to other world languages although it shares many features in common with the languages of mainland Asia. Japanese shares with those languages a rich and detailed vocabulary for natural phenomena and an unusually complex and accurate way of expressing social relationships. Moreover, its capability to absorb innovations from abroad easily matches or exceeds that of English or German. The author, after briefly discussing the unique isolation of the Japanese language, moves on to consider the varieties of ordinary speech--dialects, jargon, sex--and role-based distinctions, and the difference between informal, formal, and literary language. He then examines the structure of Japanese pronunciations, its rhythm, and accent. The longest section of the book is devoted to the variety of the vocabulary, what can and cannot be said in Japanese. Readers who are just beginning their own study of Japanese will find this section especially fascinating, for each point is backed by examples from literature and everyday speech. Kindaichi also investigates the so-called vagueness of Japanese and traces it to its source-the unusual sentence order. This book includes: The highly debated origins of the Japanese language. Dialects, jargon, sex and role-based distinctions. Differences between informal, formal, and literary language. Structure, rhythm, and accent of pronunciation. What can and cannot be said in Japanese.
Publisher: Tuttle Publishing
ISBN: 1462902669
Category : Foreign Language Study
Languages : en
Pages : 153
Book Description
This is a book about the structure, history and evolution of the Japanese language. The Japanese Language is a classic study of one of the world's most widely used but least understood languages. Emphasizing the richness and complexity of Japanese as well as its limitations, this fine book provides a lively discussion about the uniqueness of the Japanese language. The relationship of Japanese to other languages is not well understood even by native speakers, and Professor Kindaichi sets out to define it. He concludes that Japanese is indeed only remotely related to other world languages although it shares many features in common with the languages of mainland Asia. Japanese shares with those languages a rich and detailed vocabulary for natural phenomena and an unusually complex and accurate way of expressing social relationships. Moreover, its capability to absorb innovations from abroad easily matches or exceeds that of English or German. The author, after briefly discussing the unique isolation of the Japanese language, moves on to consider the varieties of ordinary speech--dialects, jargon, sex--and role-based distinctions, and the difference between informal, formal, and literary language. He then examines the structure of Japanese pronunciations, its rhythm, and accent. The longest section of the book is devoted to the variety of the vocabulary, what can and cannot be said in Japanese. Readers who are just beginning their own study of Japanese will find this section especially fascinating, for each point is backed by examples from literature and everyday speech. Kindaichi also investigates the so-called vagueness of Japanese and traces it to its source-the unusual sentence order. This book includes: The highly debated origins of the Japanese language. Dialects, jargon, sex and role-based distinctions. Differences between informal, formal, and literary language. Structure, rhythm, and accent of pronunciation. What can and cannot be said in Japanese.
Breaking into Japanese Literature
Author: Giles Murray
Publisher: National Geographic Books
ISBN: 1568365896
Category : Foreign Language Study
Languages : en
Pages : 0
Book Description
A collection of seven great works of Japanese literature in the original language, along with the English translation and a newly-revised custom dictionary - plus downloadable audio. Breaking into Japanese Literature lets readers enjoy seven classic stories in the original Japanese. thanks to a unique 2-page layout featuring the Japanese text in large type, an easy-to-follow English translation, and a custom dictionary, newly revised for this edition. Also includes downloadable audio, notes about the stories and authors, and original illustrations.
Publisher: National Geographic Books
ISBN: 1568365896
Category : Foreign Language Study
Languages : en
Pages : 0
Book Description
A collection of seven great works of Japanese literature in the original language, along with the English translation and a newly-revised custom dictionary - plus downloadable audio. Breaking into Japanese Literature lets readers enjoy seven classic stories in the original Japanese. thanks to a unique 2-page layout featuring the Japanese text in large type, an easy-to-follow English translation, and a custom dictionary, newly revised for this edition. Also includes downloadable audio, notes about the stories and authors, and original illustrations.
Kanbunmyaku
Author: Mareshi Saito
Publisher: BRILL
ISBN: 9004436944
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In Kanbunmyaku: The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature, Saito Mareshi demonstrates the centrality of kanbun and kanshi in the creation of modern literary Japanese and problematizes the modern antagonism between kanbun and Japanese.
Publisher: BRILL
ISBN: 9004436944
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In Kanbunmyaku: The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature, Saito Mareshi demonstrates the centrality of kanbun and kanshi in the creation of modern literary Japanese and problematizes the modern antagonism between kanbun and Japanese.
Reading Food in Modern Japanese Literature
Author: Tomoko Aoyama
Publisher: University of Hawaii Press
ISBN: 082483285X
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Literature, like food, is, in Terry Eagleton’s words, "endlessly interpretable," and food, like literature, "looks like an object but is actually a relationship." So how much do we, and should we, read into the way food is represented in literature? Reading Food explores this and other questions in an unusual and fascinating tour of twentieth-century Japanese literature. Tomoko Aoyama analyzes a wide range of diverse writings that focus on food, eating, and cooking and considers how factors such as industrialization, urbanization, nationalism, and gender construction have affected people’s relationships to food, nature, and culture, and to each other. The examples she offers are taken from novels (shosetsu) and other literary texts and include well known writers (such as Tanizaki Jun’ichiro, Hayashi Fumiko, Okamoto Kanoko, Kaiko Takeshi, and Yoshimoto Banana) as well as those who are less widely known (Murai Gensai, Nagatsuka Takashi, Sumii Sue, and Numa Shozo). Food is everywhere in Japanese literature, and early chapters illustrate historical changes and variations in the treatment of food and eating. Examples are drawn from Meiji literary diaries, children’s stories, peasant and proletarian literature, and women’s writing before and after World War II. The author then turns to the theme of cannibalism in serious and popular novels. Key issues include ethical questions about survival, colonization, and cultural identity. The quest for gastronomic gratification is a dominant theme in "gourmet novels." Like cannibalism, the gastronomic journey as a literary theme is deeply implicated with cultural identity. The final chapter deals specifically with contemporary novels by women, some of which celebrate the inclusiveness of eating (and writing), while others grapple with the fear of eating. Such dread or disgust can be seen as a warning against what the complacent "gourmet boom" of the 1980s and 1990s concealed: the dangers of a market economy, environmental destruction, and continuing gender biases. Reading Food in Modern Japanese Literature will tempt any reader with an interest in food, literature, and culture. Moreover, it provides appetizing hints for further savoring, digesting, and incorporating textual food.
Publisher: University of Hawaii Press
ISBN: 082483285X
Category : Literary Criticism
Languages : en
Pages : 290
Book Description
Literature, like food, is, in Terry Eagleton’s words, "endlessly interpretable," and food, like literature, "looks like an object but is actually a relationship." So how much do we, and should we, read into the way food is represented in literature? Reading Food explores this and other questions in an unusual and fascinating tour of twentieth-century Japanese literature. Tomoko Aoyama analyzes a wide range of diverse writings that focus on food, eating, and cooking and considers how factors such as industrialization, urbanization, nationalism, and gender construction have affected people’s relationships to food, nature, and culture, and to each other. The examples she offers are taken from novels (shosetsu) and other literary texts and include well known writers (such as Tanizaki Jun’ichiro, Hayashi Fumiko, Okamoto Kanoko, Kaiko Takeshi, and Yoshimoto Banana) as well as those who are less widely known (Murai Gensai, Nagatsuka Takashi, Sumii Sue, and Numa Shozo). Food is everywhere in Japanese literature, and early chapters illustrate historical changes and variations in the treatment of food and eating. Examples are drawn from Meiji literary diaries, children’s stories, peasant and proletarian literature, and women’s writing before and after World War II. The author then turns to the theme of cannibalism in serious and popular novels. Key issues include ethical questions about survival, colonization, and cultural identity. The quest for gastronomic gratification is a dominant theme in "gourmet novels." Like cannibalism, the gastronomic journey as a literary theme is deeply implicated with cultural identity. The final chapter deals specifically with contemporary novels by women, some of which celebrate the inclusiveness of eating (and writing), while others grapple with the fear of eating. Such dread or disgust can be seen as a warning against what the complacent "gourmet boom" of the 1980s and 1990s concealed: the dangers of a market economy, environmental destruction, and continuing gender biases. Reading Food in Modern Japanese Literature will tempt any reader with an interest in food, literature, and culture. Moreover, it provides appetizing hints for further savoring, digesting, and incorporating textual food.
日本語を読むための三つの物語
Author: Giles Murray
Publisher: Kodansha
ISBN:
Category : Literary Collections
Languages : en
Pages : 366
Book Description
"Classic tales of ritual suicide, decadence and geisha romance by Japan's greatest 20th-century novelists"--Jacket.
Publisher: Kodansha
ISBN:
Category : Literary Collections
Languages : en
Pages : 366
Book Description
"Classic tales of ritual suicide, decadence and geisha romance by Japan's greatest 20th-century novelists"--Jacket.
Historical Dictionary of Modern Japanese Literature and Theater
Author: J. Scott Miller
Publisher: Rowman & Littlefield
ISBN: 1538124424
Category : Performing Arts
Languages : en
Pages : 263
Book Description
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Publisher: Rowman & Littlefield
ISBN: 1538124424
Category : Performing Arts
Languages : en
Pages : 263
Book Description
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Traditional Japanese Literature
Author: Haruo Shirane
Publisher: Columbia University Press
ISBN: 0231157304
Category : Fiction
Languages : en
Pages : 601
Book Description
Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.
Publisher: Columbia University Press
ISBN: 0231157304
Category : Fiction
Languages : en
Pages : 601
Book Description
Traditional Japanese Literature features a rich array of works dating from the very beginnings of the Japanese written language through the evolution of Japan's noted aristocratic court and warrior cultures. It contains stunning new translations of such canonical texts as The Tales of the Heike as well as works and genres previously ignored by scholars and unknown to general readers.
Shock and Naturalization in Contemporary Japanese Literature
Author: Carl Cassegård
Publisher: Global Oriental
ISBN: 9004213481
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This study introduces the concepts of naturalization and naturalized modernity, and uses them as tools for understanding the way modernity has been experienced and portrayed in Japanese literature since the end of the Second World War. Special emphasis is given to four leading post-war writers – Kawabata Yasunari, Abe Kobo, Murakami Haruki and Murakami Ryu. The author argues that notions of ‘shock’ in modern city life in Japan (as exemplified in the writings of Walter Benjamin and George Simmel), while present in the work of older Japanese writers, do not appear to hold true in much contemporary Japanese literature: it is as if the ‘shock’ impact of change has evolved as a ‘naturalized’ or ‘Japanized’ process. The author focuses on the implications of this phenomenon, both in the context of the theory of modernity and as an opportunity to reevaluate the works of his chosen writers.
Publisher: Global Oriental
ISBN: 9004213481
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This study introduces the concepts of naturalization and naturalized modernity, and uses them as tools for understanding the way modernity has been experienced and portrayed in Japanese literature since the end of the Second World War. Special emphasis is given to four leading post-war writers – Kawabata Yasunari, Abe Kobo, Murakami Haruki and Murakami Ryu. The author argues that notions of ‘shock’ in modern city life in Japan (as exemplified in the writings of Walter Benjamin and George Simmel), while present in the work of older Japanese writers, do not appear to hold true in much contemporary Japanese literature: it is as if the ‘shock’ impact of change has evolved as a ‘naturalized’ or ‘Japanized’ process. The author focuses on the implications of this phenomenon, both in the context of the theory of modernity and as an opportunity to reevaluate the works of his chosen writers.
Studies in Modern Japanese Literature
Author: Edwin McClellan
Publisher: U of M Center for Japanese Studies
ISBN:
Category : Fiction
Languages : en
Pages : 456
Book Description
In Studies in Modern Japanese Literature, twenty-two students honor their mentor, Edwin McClellan, with essays and translations focusing on literature from the late nineteenth through the late twentieth centuries. The authors discussed range from Natsume S seki to Murakami Haruki, and the subjects that are dealt with include the flourishing of literary forms in response to the Ansei earthquake, the impact of Western styles on Japanese literature, and modern poetry. Together with the translations of short stories, fables, and a critical essay, these contributions provide an overview of modern Japanese literary history. Contributors include: Paul Anderer, Carole Cavanaugh, Robert Lyons Danly, Eto Jun, Susanna Fessler, Elaine Gerbert, Ken K. Ito, Kyoko Kurita, Phyllis I. Lyons, Andrew Markus, Minae Mizumura, James R. Morita, Christopher Michael Rich, Jay Rubin, William F. Sibley, Stephen Snyder, Tomi Suzuki, Alan Tansman, Richard Torrance, John Whittier Treat, Dennis Washburn, and Angela Yiu.
Publisher: U of M Center for Japanese Studies
ISBN:
Category : Fiction
Languages : en
Pages : 456
Book Description
In Studies in Modern Japanese Literature, twenty-two students honor their mentor, Edwin McClellan, with essays and translations focusing on literature from the late nineteenth through the late twentieth centuries. The authors discussed range from Natsume S seki to Murakami Haruki, and the subjects that are dealt with include the flourishing of literary forms in response to the Ansei earthquake, the impact of Western styles on Japanese literature, and modern poetry. Together with the translations of short stories, fables, and a critical essay, these contributions provide an overview of modern Japanese literary history. Contributors include: Paul Anderer, Carole Cavanaugh, Robert Lyons Danly, Eto Jun, Susanna Fessler, Elaine Gerbert, Ken K. Ito, Kyoko Kurita, Phyllis I. Lyons, Andrew Markus, Minae Mizumura, James R. Morita, Christopher Michael Rich, Jay Rubin, William F. Sibley, Stephen Snyder, Tomi Suzuki, Alan Tansman, Richard Torrance, John Whittier Treat, Dennis Washburn, and Angela Yiu.